A Manly Man
1911 film
From Wikipedia, the free encyclopedia
A Manly Man, later re-released as His Gratitude, is a 1911 short film, starring Mary Pickford.
| A Manly Man | |
|---|---|
| Directed by | Thomas H. Ince |
| Produced by | Carl Laemmle |
| Starring | Mary Pickford |
| Cinematography | Tony Gaudio |
Production company | |
Release date |
|
| Country | United States |
| Language | Silent (English intertitles) |
Cast
- William E. Shay[citation needed]
- Mary Pickford as Elinor Williams[1][2]
- Owen Moore as Norman Duncan[1][2]
- Isabel Rea as Lola[citation needed]
- Charles Arling as Petro[citation needed]
Plot
Mary Pickford stars as a Filipina woman who falls for a white man portrayed by William E. Shay and nurses him back to health when he is struck by fever.[a]
Production
It is among the few surviving Mary Pickford films made in Cuba for Carl Laemmle's Independent Moving Pictures Company.
The film was directed by Thomas Ince, with Tony Gaudio[4] as cinematographer and co-stars Owen Moore, Mary Pickford's husband. Pickford and Moore appeared in several films together.[5]
Release
Rediscovery
A Manly Man (1911) was restored from a tinted 35mm nitrate film print of the re-titled 1914 reissue version, His Gratitude,[8] with preservation[9] funding provided by The American Film Institute/National Endowment for the Arts Film Preservation Grants Program[10] and The David and Lucile Packard Foundation.[11]
On March 15, 2015, it was screened at the Billy Wilder Theater in the Hammer Museum by UCLA Film & Television Archive.[8]
On October 25, 2015, it was screened at the Gene Siskel Film Center during the 2015 UCLA Festival of Preservation, a touring series of ten programs from the UCLA Film & Television Archive's latest restoration efforts.[12][13]
On November 24, 2015, it was screened during the UCLA Festival of Preservation at the Eastman Museum.[14]
On February 13, 2016, it was screened at Cinematheque @ University of Wisconsin Madison during the 2016 UCLA Festival of Preservation.[15]
On April 24, 2016, it was screened at Cinematheque @ Cleveland Institute of Art.[16]
On May 6, 2016, it was screened at the Northwest Film Forum.[17]
On May 15, 2016, it was screened at BAMPFA during the 2016 UCLA Festival of Preservation.[18]