Chen Yinke

Chinese historian, linguist, and politician (1890–1969) From Wikipedia, the free encyclopedia

Chen Yinke, or Chen Yinque[1] (3 July 1890  7 October 1969), was a Chinese historian. One of the most original and respected scholars in twentieth-century China, Chen was elected to the first cohort of Academia Sinica academicians in 1948 and as an inaugural academician of the Chinese Academy of Sciences in 1955. A polyglot with command of more than twenty languages, he was especially versed in classical scripts including Sanskrit, Old Turkic, and Tangut. His scholarship ranged broadly across literature, history, philosophy, and religious studies, distinguished by rigorous textual criticism. His notable works are Draft Essays on the Origins of Sui and Tang Institutions (隋唐制度淵源略論稿), Draft Outline of Tang Political History (唐代政治史述論稿), and An Alternative Biography of Liu Rushi (柳如是別傳).[2]

Hanyu PinyinChén Yínkè
Hanyu PinyinChén Yínkè
Quick facts Traditional Chinese, Simplified Chinese ...
Chen Yinke
Traditional Chinese陳寅恪
Simplified Chinese陈寅恪
Transcriptions
Standard Mandarin
Hanyu PinyinChén Yínkè
Wade–GilesCh'en2 Yin2-k'e4
IPA[ʈʂʰə̌n ǐnkʰɤ̂]
Hakka
RomanizationChin2 Yin2-gok7
Yue: Cantonese
Yale RomanizationChàhn Yàhn-kok
JyutpingCan4 Jan4-kok3
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Biography

Early life

Chen Yinke was born in Changsha, Hunan in 1890, and his ancestral home was Yining, Jiangxi (now Xiushui County, Jiujiang). Yinke's father Chen Sanli was a famous poet, one of the "Four Gentlemen" of the Hundred Days' Reform. His grandfather was Chen Baozhen, the governor of Hunan between 1895 and 1898.

As a boy, Chen Yinke attended a private school in Nanjing, and was once a student of Wang Bohang [zh], a sinologist. His family had a distinguished tradition in classical learning, so he was exposed from an early age to the Chinese classics, to history, and to philosophy. In 1902 he went to Japan with his elder brother Chen Hengke to study at the Kobun Gakuin [ja; zh] (Kobun Institute) in Tokyo, where other Chinese students such as Lu Xun were also enrolled. In 1905 he was forced to return to China due to beriberi, and studied at Fudan Public School, Shanghai.

In 1910 he obtained a scholarship to study at Berlin University, and later at the University of Zurich and Institut d'Etudes Politiques de Paris. In 1914 he came back to China due to World War I.

In winter 1918 he got another official scholarship from Jiangxi to study abroad again. He studied Sanskrit and Pali at Harvard University under Charles Rockwell Lanman. At Harvard he first met Wu Mi, who was then studying literature under Irving Babbitt. They became lifelong friends.

In 1921, he went to Berlin University to study oriental languages under Heinrich Lüders, Central Asian languages under F. W. K. Müller, and Mongolian under Erich Haenisch.[3] He acquired a knowledge of Mongolian, Tibetan, Manchu, Japanese, Sanskrit, Pali, English, French, German, Persian, Turkic, Tangut, Latin, and Greek. Particularly notable was his mastery of Sanskrit and Pali. Xia Zengyou once said to him: "It is good for you to be able to read books in foreign languages. I know only Chinese so I have no more to read after finishing all the Chinese books."

Tsinghua period

In March 1925, he returned to China again, meanwhile Wu Mi was in charge of the Institute of Guoxue Studies, Tsinghua School. He accepted the invitation to become a supervisor at Institute of Guoxue Studies, together with Wang Guowei, Liang Qichao and Zhao Yuanren. In 1928 Tsinghua School was restructured to become Tsinghua University. Chen was employed as professor at Chinese Language and Literature Department and History Department, while also adjunct with Peking University. Chen married Tang Yun (唐筼), granddaughter of Tang Jingsong, former governor of Republic of Formosa, in summer 1928. During this time he mainly gave lectures on Buddhist texts translation, historical documents of Jin dynasty, Northern and Southern dynasties, Sui dynasty, Tang dynasty, and Mongolia. He also became adjunct member of Board of Academia Sinica, research fellow and director of Department 1 of the Institute of History and Philology [zh], board member of National Palace Museum, member of the Committee of Qing Dynasty's Documents. Among the many students at this time who went on to scholarly careers were Zhou Yiliang and Yang Lien-sheng.

After the Second Sino-Japanese War began, Chen moved to National Southwestern Associated University, Kunming, Yunnan, teaching lectures on history of Jin dynasty, Southern and Northern Dynasties, history of Sui dynasty and Tang dynasty, and poetry of Yuan Zhen and Bai Juyi.

During World War II

In 1939, Oxford University offered him a professorship in Chinese History. He left for Hong Kong in September 1940 on his way to United Kingdom, but was forced to return to Kunming due to ongoing battles. In 1941 he became a guest professor with Hong Kong University to teach history of Sui dynasty and Tang dynasty. Since the Japanese occupation in Hong Kong began in the end of 1941, he conducted history research at home, which resulted in the writing of A Brief Introduction to the Political History of Tang Dynasty. In July 1942, Chen fled to Guilin to teach in Guangxi University, later in December 1943 he moved to Chengdu to teach in Yenching University. He became employed by Tsinghua University for a second time in 1946.

Chen had a degenerative eye condition and lost his vision during the 1940s.[4]:111

At Lingnan University

He began to teach at Lingnan University, Guangzhou in late 1948. As a result of a nationwide restructure campaign across universities and colleges, Lingnan University was merged into Zhongshan University in 1952. Chen Yinke taught courses on history of Jin dynasty and Southern and Northern Dynasties, history of Tang dynasty, and yuefu of Tang dynasty. One of Chen's major texts was An Extended Biographer of Liu Rushi, which recorded Liu's involvement in the anti-Manchu resistance movement.[4]:95

In 1953, Chen declined an offer to lead Beijing's newly-established Institute of History.[4]:112

He became vice president of Central Research Institute of Culture and History in July 1960.

In 1962, Chen was injured after falling down and disabled as a result.[4]:111 Around this time, his hearing also deteriorated and he developed a gastrointestinal ailment.[4]:111

He finished this last major work in 1964.

During Cultural Revolution

Tomb of Chen Yinke and his wife at Mount Lu

Chen was persecuted during the Cultural Revolution due to his previous connection with the out-of-favor Tao Zhu. He and his wife's salaries were frozen by the Red Guards. Several times he was forced to write statements to clarify his political standings: "I have never done anything harmful to Chinese people in my life. I have been a teacher for 40 years, only doing teaching and writing, but nothing practical (for Kuomintang)". Many of his book collections and manuscripts were stolen.[5] Red Guards surrounded his home with loudspeakers, to force Chen, whom they viewed as a "reactionary academic" to listen to the revolutionary masses.[4]:110

He died in Guangzhou on 7 October 1969 for heart failure and sudden bowel obstruction. 11 days later his obituary was published by the Southern Daily. The bone ashes of Chen and his wife was at first stored at Yinhe Revolutionary Cemetery, but moved to Lushan Botanical Garden in 2003. They are now buried near the "Tomb of the Three Elders"(Hu Xiansu, Ren-Chang Ching and Chen Fenghuai).[6]

Ideology

The Monument of Wang Guowei, text written by Chen Yinke including "thoughts of freedom, spirits of independence"

In 1952, Chen composed two poems, "The Female Impersonator" (男旦) and "Impromptu Verses on Watching the New Play of the Thirteenth Sister" (偶觀十三妹新劇戲作), in which he compared the Communist Thought Reform to theatrical cross-dressing, either transforming men into women or an old man into a young girl.[4][7]

In 1953, Chen was invited to relocate from Guangzhou to Beijing to head the Second Institute of Historical Research (Institute of Medieval History) at the Chinese Academy of Sciences. In his "Reply to the Chinese Academy of Sciences" dated 1 December, he set out two conditions for accepting the post: that the institute be exempt from Marxist doctrine and compulsory political lectures, and that he be furnished with a written endorsement from either Mao Zedong or Liu Shaoqi as a guarantee. He explained that without consensus from the country's paramount political and party leaders, meaningful academic research would be impossible.[8] Having effectively declined the position on these terms, Chen was instead invited by Guo Moruo to serve on the editorial board of Historical Research, the journal of the Institute of Historical Research (now Chinese Academy of History).[9]

In the second half of 1954, the Chinese Academy of Sciences began electing its first cohort of academicians. Chen's nomination encountered resistance during deliberations, owing to his refusal to head the Second Institute of Historical Research and his public disavowal of Marxism. The matter was ultimately referred to Mao, who instructed that he be elected.[10]

Chen opposed the simplification of Chinese characters. Before the PRC promulgated its simplification scheme in 1956, he attempted to convey his objections to Mao through Zhang Shizhao, who reported back that the matter was unnegotiable. Chen never wrote in simplified characters and left instructions that his works be published exclusively in traditional characters with vertical typesetting. Publishers in China honored this wish until October 2019, when his works entered the public domain fifty years after his death. In 2020, Yilin Press raised controversy by publishing the first simplified-character edition of Chen's works.[11]

Posthumous reception

Political and academic debate of Chen's legacy contributed to a surge of interest in Chen and his life in the Sinophone world beginning in the early 1980s and contributing to the 2000s.[4]:83 Public discussions, biographies, dramas, and documentaries characterized Chen as a "master of national learning" and intellectual of major significance.[4]:83

In 1995, Lu Jiandong's book The Last Twenty Years of Chen Yinke prompted major debate about Chen in the Chinese public sphere.[4]:108 Similar melodramatic narratives of Chen were published in newspapers, magazines, and by the popular press.[4]:113 Chinese liberal intellectuals promoted these narratives.[4]:113–114 Critics contended that Lu's approach used hollow rhetoric to exaggerate Chen's psychological trauma and China's cultural despair.[4] :113

Chen's legacy has significantly shaped the self-conception of Chinese liberal intellectuals.[4]:115

In his essay The Unfreedom of Literati, academic Ge Zhaoguang describes Chen as having been conflicted between two approaches, that of the traditional Chinese "scholar-official" seeking to save the nation and the modern scholar who adheres to neutral academic norms.[4]:108 Writing approvingly, Zhu Xueqin contends that Chen's refusal to commit to any ideological doctrine makes him a perfect embodiment of classic liberalism.[4]:115

List of works

Notes

References

Further reading (Chinese)

Portrait

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