Colin Clive

Clive was born in Saint-Malo, France, to an English colonel, Colin Philip Greig, and his wife, Caroline Margaret Lugard Clive, a member of the aristocratic Clive family. In a 1935 interview, Clive stated his mother had moved to France to escape the tumult of the ongoing Second Boer War.^[2] His family had intended for Clive to embark on a military career, and he attended Stonyhurst College and subsequently the Royal Military College, Sandhurst, where he broke both knees after being thrown from and crushed by a horse. Recuperating from his injuries, Clive decided to become an actor.^[3][2] He was a member of the Hull Repertory Theatre Company for three years.^[3]

Clive created the role of Steve Baker, the white husband of racially mixed Julie LaVerne, in the first London production of Show Boat; the production featured Cedric Hardwicke and Paul Robeson. Clive first worked with James Whale in the Savoy Theatre production of Journey's End and subsequently joined the British community in Hollywood, repeating his stage role in the film version.^[4][5]

Clive's first screen role, in Journey's End (1930), was also directed by James Whale. Clive played the tormented alcoholic Captain Stanhope, a character that (much like Clive's other roles) mirrored his personal life. He was an in-demand leading man for several major film actresses of the era, including Katharine Hepburn, Bette Davis, Corinne Griffith, and Jean Arthur. He starred as Edward Rochester in the 1934 adaptation of Jane Eyre opposite Virginia Bruce. He was a descendant of Robert Clive and appeared in a starring role in Clive of India (1935), a biopic of his ancestor. Clive remarked that he was disappointed he did not get to portray his own ancestor in the film.^[6][4][2]

Colin Clive, together with Leo G. Carroll, starred in a radio play titled The Other Place. It was written by John L. Balderston for the radio program The Fleischmann's Yeast Hour hosted by Rudy Vallee. It was aired on 14 November 1935.^[7]

In a 1935 interview with Film Weekly, Clive stated that he hated horror films and preferred more serious dramatic roles, only appearing in horror for financial reasons and because his performances were popular with audiences.^[8]

When his agent discovered that Clive was only accruing 30% of his actual income due to paying taxes in both the United States and the United Kingdom, Clive refused to obtain American citizenship, which would have removed British taxes, fearing that it would prevent him from serving in the British army if a war broke out.^[2]

Author Ayn Rand wrote Clive a fan letter in 1934 after seeing a stage performance of Journey’s End, praising Clive’s performance and character. Clive responded that he was very touched by the letter and would always keep it.^[9]

Clive was married to Jeanne de Casalis in June 1929.^[10] By 1935, Clive and Casalis had been living separately, with Clive in Los Angeles County and Casalis in London.^[2]

Colin Clive suffered from severe chronic alcoholism and he died from complications of tuberculosis on 25 June 1937 at age 37.^[6]

Clive's alcoholism was apparent to his co-stars. He was often seen napping on set and sometimes was so intoxicated that he had to be held upright for over-the-shoulder shots. Clive was tormented by the medical threat of amputation of his long-damaged leg.^[11]

Forrest J Ackerman recalled visiting Clive's body: "I actually saw him in death, lying in a bed at a mortuary where it was possible for the public to view his body. He looked remarkably as he had when lying in bed in The Bride of Frankenstein."^[12] Over 300 mourners turned out. One of the pallbearers was Peter Lorre.^[11] His remains were cremated and his ashes returned to England.^[13] His cenotaph is located at Chapel of the Pines Crematory.^{[citation needed]}