Combat Wombat: Back 2 Back

2024 Australian animated superhero film From Wikipedia, the free encyclopedia

Combat Wombat: Back 2 Back (Combat Wombat: Double Trouble in the UK) is a 2023 Australian animated superhero film directed by Richard Cussó and Tania Vincent, and written by Dominic Morris.[1] The film is a sequel to Combat Wombat and the fourth film in Like a Photon Creative's The Tales from Sanctuary City franchise. The film addresses the topics of mind control and virtual reality.[2]

Directed by
  • Ricard Cussó
  • Tania Vincent
Written byDominic Morris
Produced by
  • Kristen Souvlis
  • Nadine Bates
  • Ryan Greaves
Starring
Quick facts Directed by, Written by ...
Combat Wombat: Back 2 Back
Theatrical release poster
Directed by
  • Ricard Cussó
  • Tania Vincent
Written byDominic Morris
Produced by
  • Kristen Souvlis
  • Nadine Bates
  • Ryan Greaves
Starring
Edited byMichelle McGilvray
Josef Switak
Music byAck Kinmonth
Production
company
Like a Photon Creative
Distributed bySola Media (international sales)
Universal Pictures (international)
Maslow Entertainment (Australia)
Release dates
Running time
80 minutes
CountryAustralia
LanguageEnglish
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Plot

Maggie Diggins is once again in the role of Combat Wombat when an evil tech genius threatens to turn Sanctuary City into a metaverse simulation.

Voice cast

Release

Combat Wombat: Back 2 Back has worldwide sales by the Stuttgart-based company Sola Media. The film premiered at the Brisbane International Film Festival in 2023 but was only theatrically released in Australia on 29 February 2024 with distribution by Maslow Entertainment.[3] The film is distributed internationally by Universal Pictures.

Reception

Combat Wombat: Back 2 Back received mixed to negative reviews from critics. Cath Clark of The Guardian wrote that it was "an overly fast animation about a chameleon taking over the world with computer wizardry feels bizarrely inappropriate for children under five".[4] James Croot, writing for The Post, gave the film a negative review, noting that it "suffers from a severe case of sequelitis".[5] The Canberra Times' reviewer gave the film two stars and felt that whilst the film was "colourful and keeps moving" it was "loud and heavy handed".[6]

References

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