Daisy Rockwell

Rockwell grew up in western Massachusetts. Born to artist parents, Jarvis Rockwell and Susan Merrill, she started pursuing art at an early age. She is the granddaughter of the painter, illustrator, and author Norman Rockwell.^[18][19]

She herself paints under the alias or takhallus Lapata, which means "missing" or "disappeared" in Urdu.^[20][21][22] Thematically, her collections are wide-ranging, often drawing from the zeitgeist or from literature. Her art has often used uses stylized portraiture and contemporary or historical references, although some recent work like her Quarantine Art series reveals more abstract tendencies while her Text and Violence series delves into text-based art.^[23]

Rockwell has been a student of Hindi, Urdu, Latin, French, German, and ancient Greek for many years. She first learned the Devanagari script through private tuitions when she was in school. In college at the University of Chicago, she expanded on these interests by taking coursework in Hindi, Tamil, Malayalam, and Sanskrit.^[24]

She received her Bachelors, Masters, and PhD in South Asian Literature from the University of Chicago,^[25] where she studied Hindi literature, translation, and social sciences under A K Ramanujan, Susanne Hoeber Rudolph,^[26] and Colin P Masica. In 1998, she received a grant to write her PhD dissertation on the Hindi author Upendranath Ashk, who became the first author whose work she would translate.^[27] After her PhD, Rockwell held a number of academic posts, including as the head of the Center for Southeast Asian Studies and as Vice Chair for the Institute of South Asian Studies at the University of California at Berkeley.^[28][29]

In recent years, she remains involved with SALT at the University of Chicago^[30] and gives academic talks at universities across the US, including at Cornell University for their Annual Tagore Lecture.^[31][32][33] She continues to shape discourse on Hindi literature through essays that look at new translations or biographies of the literary legacies of writers like Yashpal and Manto, as well as at reception of contemporary literature.^[34][35][36]

Some of the early classics Rockwell has translated include Upendranath Ashk's Falling Walls and Hats and Doctors,^[19] Bhisham Sahni's Tamas, and Khadija Mastur's The Women's Courtyard.

In addition to her novel-length translations, she has also brought short stories and poems into English by authors such as Arun Prakash, Shrilal Shukla, S. M. Ashraf,^[37] and by poets such as Shubham Shree and Avinash Mishra.^[38][39][40]