Evil Empire (album)

According to MTV News, 'Evil Empire' is taken from Ronald Reagan's epithet of the Soviet Union, which the band feels could just as easily apply to the United States:^[10]

The title actually came from a speech by Ronald Reagan in the 1980s, and he addressed the Soviet Union as the "evil empire". If you look at the atrocities committed by the U.S. in the latter half of the 20th century, we feel that tag could be easily used to describe the U.S.^{[citation needed]}

Before the May 27, 1996, performance of "Without a Face" that is featured on the band's 1998 Live & Rare album, Zack de la Rocha said: "It seems as if soon as the... the wall in Germany fell, that the US government was busy building another one on the border between the US and Mexico. Since 1986, as a result of a lot of the hate talk and hysteria that the government of the United States has been speaking, 1,500 bodies have been found on the border. We wrote this song in response to it."

"Year of tha Boomerang" had previously been included in the film Higher Learning, though its title was written as "Year of the Boomerang" on the packaging of the film's soundtrack, as well as that of the song's promotional single.

The image of the second record was a little more ironic, you know? Considering if you look very closely at the boy's face, he symbolizes the power structure in the U.S.—and if you look at him, he's smiling as if he's in control—but if you look deeper into his face, you see that he's afraid, because he knows what's coming. He knows that poor people in the U.S. are not going to suffer in the way that they are suffering without taking action.^{[citation needed]}

The cover of the album features an altered version of a painting of the 1940s–1950s comic book hero Crimebuster done by Mel Ramos, with the emblem on the boy's costume changed from a "c" to a lowercase "e", the caption "Crime Buster" changed to the album's title, and the color of the star in the background changed. The boy on the cover was author and businessman Ari Meisel when he was 11 years old. Meisel told Kerrang! that the original painting was a birthday present from Ramos.^[11][12] Additional artwork for the album was created by Barbara Kruger, some of which appears in the video for "Bulls on Parade".

The album's CD booklet includes a picture of a pile of various political and philosophical books, which include:^[13]

• A People's History of the United States by Howard Zinn
• Capital, Volume I by Karl Marx
• A Portrait of the Artist as a Young Man by James Joyce
• The Anarchist Cookbook by William Powell
• Guerrilla Warfare by Che Guevara
• Revolutionary Suicide by Huey P. Newton
• Soul on Ice by Eldridge Cleaver
• The Wretched of the Earth by Frantz Fanon
• Darkness at Noon by Arthur Koestler
• Manufacturing Consent: The Political Economy of the Mass Media by Edward S. Herman and Noam Chomsky
• Live from Death Row by Mumia Abu-Jamal
• Johnny Got His Gun by Dalton Trumbo
• Now and After: The ABC of Communist Anarchism by Alexander Berkman
• The Grapes of Wrath by John Steinbeck
• Rules for Radicals by Saul D. Alinsky
• Soledad Brother: The Prison Letters of George Jackson by George Jackson
• Walden and Resistance to Civil Government by Henry David Thoreau
• Invisible Man by Ralph Ellison
• Another Country by James Baldwin

In 1995, the band sent a free 7″ record to everyone who signed up for the fan club promoted in the liner notes of their debut. Doubling as an apology to those who had received nothing and a promotion for the upcoming album, it came in a plain cardboard-colored fold-out with a black-and-white American flag on the cover alongside the band's name and "Evil Empire" in capital letters. On the back cover was a UPC with marker scribble on the barcode. The A-side was a reissue of the Evening Session-version of "Bombtrack" first broadcast on June 7, 1993 (listed as "Bombtrack (Live on the BBC)"), and the B-side was a then-unreleased cover of N.W.A's "Fuck tha Police" that was recorded live on August 13, 1995, at a benefit concert for Mumia Abu-Jamal at the Capitol Ballroom in Washington, D.C.

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[14]
Chicago Tribune	[15]
Entertainment Weekly	A−[16]
Houston Chronicle	[17]
Los Angeles Times	[18]
NME	5/10[19]
Pitchfork	6.1/10[20]
Rolling Stone	[21]
Spin	8/10[22]
The Village Voice	A−[23]

Close

Rolling Stone affirmed that "this music isn't supposed to be fun," and continued: "Rage Against the Machine have jacked up the sociopolitical siege mentality in their metallic hip – hop to such a dogmatic degree – and honed their sound to such maniacally shrill perfection – that the band and the roaring joys of its harangue 'n' roll seem virtually sexless."^[24] AllMusic reviewer Stephen Thomas Erlewine was less impressed, citing the band as "lacking the dexterity to fully execute their metal/hip-hop fusion," and concludes that "Evil Empire succeeds only on the level of a sonic assault." Walter Schreifels, frontman and guitarist of Quicksand, included the album on his list of the ten best in the post-hardcore genre. He adds it exposed a more general audience to hardcore, who were unaware of such, more so than the band's self-titled debut album, which is more rooted in rock and hip-hop.^[25] Andrew Flory and John Covach, in their book What's That Sound?: An Introduction to Rock and Its History declared the album is what cemented the band as "an important force in the rap-rock style.^[26]

In 2024, Loudwire staff elected it as the best hard rock album of 1996.^[27]

Rage Against the Machine

• Zack de la Rocha – vocals
• Tom Morello – guitars
• Tim Bob – bass
• Brad Wilk – drums

Technical

• Brendan O'Brien – production
• Rage Against the Machine – co-production
• Andy Wallace – mixing
• Nick DiDia – engineering, recording
• Caram Costanzo – engineering
• Clay Harper – assistant engineering
• Dave Rat – recording ("Down Rodeo" vocals)
• Paul Kosky – recording ("Down Rodeo" vocals)
• Bob Ludwig – mastering

Artwork and design

• Rage Against the Machine – art direction
• Aimée Macauley – art direction
• Lisa Johnson – photography

• 1997 Grammy Award – Best Metal Performance for "Tire Me"

• Ronald Reagan in music