Draft:Myrel Chernick

American visual artist/writer From Wikipedia, the free encyclopedia

Myrel Chernick is an American visual artist/writer.[1] [2]

  • Comment: See WP:BLP. Statements, starting with the date of birth, need to be sourced or removed. Here, the entire early life section is unsourced, bar one source with a trivial mention verifying a single statement in that section. Greenman (talk) 21:08, 10 October 2025 (UTC)



OccupationArtist/writer
Quick facts Myrel Chernick, Occupation ...
Myrel Chernick
OccupationArtist/writer
Websitehttps://www.myrelchernick.com/
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Career

Chernick participated in the Whitney Museum Independent Study Program in 1975–1976[3]

Beginning in the late 1970s, Chernick developed feminist text-based multimedia installations. In the 1990s she focused on text-based work specifically exploring themes of maternal ambivalence.[2]

In 2004 she curated Maternal Metaphors at the Rochester Contemporary Art Center,[4][5] and an expanded version co-curated with Jennie Klein was shown at Ohio University in 2006.[6] She and Klein have contributed chapters to anthologies from Routledge.[7]

Awards and recognition

Selected exhibitions

  • Myrel Chernick and Katy Martin, Galerie Arnaud Lefebvre, Paris, France (2025).[10][11]
  • Accouchement/Birthing, Galerie Arnaud Lefebvre, Paris, France (2025).[12]
  • Maternal Metaphors, Rochester Contemporary Art Center, Rochester, NY (2004)[4][13]
  • New Work, New York/Outside New York, The New Museum, New York, NY (1984).[14][15]
  • Film as Installation, The Clocktower (MoMA PS1), New York, NY (1983).[16]
  • Mediums of Language, Hayden Gallery, MIT, Cambridge, MA (1982).[17][18]
  • Don’t Make Waves, Artists Space, New York (1981)[19]
  • 4 Installations, The Alternative Museum, New York, NY (1979).[20]
  • Special Project, MoMA PS1, Queens, New York, NY (1977).[16]

Publications

  • The M Word: Real Mothers in Contemporary Art, co-edited with Jennie Klein. Demeter Press, 2011.[21][22][23][24]
  • “Reflections on Art, Motherhood and Maternal Ambivalence,” in Reconciling Art and Mothering, edited by Rachel Epp Buller. Routledge, 2012.[25]
  • “The Studio Visit” and “Time Passes,” in The M Word: Real Mothers in Contemporary Art, 2011.[21]

Selected lectures

  • "Mapping the Maternal: Art, Ethics, and the Anthropocene" colloquium participant, University of Alberta, Edmonton (May 2016).[26][27]

Further reading

  • Cliff Eyland, "Transition and Trajectory: The Art of Myrel Chernick". First published 1998, revised 2002.
  • Loveless, Natalie (2013). "Myrel Chernick and Jennie Klein Eds, The M Word: Real Mothers in Contemporary Art". Studies in the Maternal. 5 (1): 1–6. doi:10.16995/sim.33.
  • "Resource Library". Artist Parent Index. Retrieved 2026-03-13.

References

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