Edvard Schiffauer
Czech composer of classical music
From Wikipedia, the free encyclopedia
Tomáš Edvard Schiffauer (born 26 March 1942), more commonly known as Edvard Schiffauer, is a Czech composer of contemporary classical music. Although his oeuvre consists largely of incidental music, along with a significant output in chamber music, ranging from duets to large wind ensemble works often characterized by unorthodox instrumental combinations, he is also recognized for his vocal works, including operas, an oratorio, and a mass.
26 March 1942
Biography

Edvard Schiffauer was born in Ostrava in the Protectorate of Bohemia and Moravia (now the Czech Republic) in an educated upper-middle-class family. However, the family's quality of life degraded after the communist 1948 Czechoslovak coup d'état. In 1960, Schiffauer started his studies at the Technical University of Ostrava, which he discontinued,[1] instead completing his master's degree at the Pedagogical Institute of the University of Ostrava in 1964.[2] He also began studying musical composition in the Academy of Performing Arts in Prague.[3]
In 1961, Schiffauer and other students established the theatre Divadélko Pod okapem (Little Theatre under the Gutter), which became an Ostrava equivalent of the Semafor Theatre, in Prague. Furthermore, he was involved in the foundation of the Divadlo Waterloo (Waterloo Theatre), where his musical Syn Pluku (Son of the Regiment) was performed in 1968. Later, the Waterloo Theatre was banned by authorities in the normalization era in Czechoslovakia, and a large-scale court trial against those involved in the theatre and specifically in this musical's production was held. As a result, Schiffauer was expelled from the Academy of Performing Arts and sentenced to nine months of imprisonment.
He served his sentence in the prison in Plzeň-Bory, where he drafted early versions of his children's opera Vrať nám, ptáku, hastrmana (Bring us Hasterman back, Bird) with author Ivan Binar, his friend and later Charter 77 signatory.[4] Schiffauer was employed as a coal mine worker and was permanently interrogated by the State Security Police throughout the normalization era.[1] This experience was briefly summarized by Schiffauer in an interview published on YouTube in February 2019.[5]
After the Velvet Revolution, Schiffauer was allowed to complete his university education, which he did at the Janáček Academy of Music and Performing Arts, and could fully dedicate his time to musical composition. During his career he taught in the Janáček Conservatory in Ostrava and in the Silesian University in Opava.[1]
Works
| Opus Number | Title | Year | Notes |
|---|---|---|---|
| 1 | Agent 3,14159 | 1969 |
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| 2 | Pamphlets | 1969 |
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| 3 | Son of the Regiment | 1969 |
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| 4 | Rural Christmas Mass | 1969 |
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| 5 | Bring us Hasterman back, Bird![4] | 1973 |
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| 6 | Teasings | 1975 |
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| 7 | Sneers | 1982 | |
| 8 | Little Evening Entry Fees | 1983 |
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| 9 | Sonata for Violin and Guitar[19] | 1984–1985 | – |
| 10 | Zoo Suite | 1984 | |
| 11 | Hymn of Moravia | 1985 |
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| 12 | Sonatina for French Horn and Guitar | 1985 | – |
| 13 | String Quartet Vzepětí | 1989 | – |
| 14 | Music to Go with White Wine (Best if from a Barrel) | 1992 |
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| 15 | ...and the Flower Remains | 1993 |
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| 16 | Crusade | 1994 |
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| 17 | Christmas Caroling at Home, or Elsewhere | 1994 |
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| 18 | A Hare, a Hare! | 1995 |
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| 19 | Ondras and Juras, Lord of the Bald Mountain | 1996 |
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| 20 | Whispers | 1996 |
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| 21 | Three Small Christmas Pastorales | 1997 |
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| 22 | Clevernesses | 1998 |
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| 23 | Singing about Rusalka | 1998 |
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| 24 | Czardas for solo tuba | 1999 | – |
| 25 | Prelude and Toccata for Organ, Sinful | 1999 |
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| 26 | Nausikaa | 1999 |
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| 27 | Sonatina for French Horn and Student Orchestra | 1999 | – |
| 28 | Returns | 2000 |
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| 29 | Escapades on a Folk Song | 2000 |
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| 30 | Pictures to Vernissage II, Correctly Music to Vernissage II | 2001 |
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| 31 | The Scream | 2002 |
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| 32 | Fragment of a Neo-Baroque Sonata | 2002 |
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| 33 | Little Moravian Suite or Moravian Suitek | 2006 |
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| 34 | Chickens | 2006 |
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| 35 | A Maid in Trouble | 2008 |
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| 36 | Five on Five | 2020 |
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| 37 | Three-Flute Pele Mele for Fiala the Rabbit | 2021 |
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| 38 | Transatlantic Serenade | 2020-2022 |
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Unknown dates
| Title | Notes |
|---|---|
| But I, I... |
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| Just like Tree Trunks |
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| Sonata for Solo Cello Jotunheimen | – |
| Moravian Boy on a Crossing in Sydney |
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| About Love with Us |
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| A Fairytale about Love, Fantasy in three Parts |
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| Seven Variations for Piano |
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| The Happy Prince |
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| Monologue from Mrštík brothers' play for solo voice Maryša[25] |
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| Brenpartija, or Scenes from the Slag Heap |
|