Eric Wesley
American artist (born 1973)
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Biography
Wesley was born and raised in Los Angeles, California,[5][1][3] the son of two social workers.[6] As a child, he planned to become an aeronaturical engineer.[6] He earned a fine arts degree from University of California, Los Angeles in 1996.[7][8][3] While Wesley primarily works from Los Angeles, he previously had a studio in Berlin.[2][6]
Wesley's work encompasses sculpture and painting, among other media,[2][3] and have been displayed around the world. He has held solo exhibitions at galleries including the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy.[9] He has participated in group shows at the Hammer Museum in Los Angeles;[10] CAPC musée d'art contemporain, Bordeaux;[11] Fundación/Colección, Mexico City;[12] ARCOS Museo d’Arte, Benevento, Italy;[citation needed] the Prague Biennial in 2007;[13] Institute of Contemporary Arts, London;[14] P.S. 1, New York;[15] the Whitney, New York;[16] and the Studio Museum in Harlem.[17] His work was part of the collection TV executive Dean Valentine donated to the Hammer Museum in 2007.[18] He has worked extensively with China Art Objects Galleries, Bortolami Gallery, and Maureen Paley.[13][19] He was included on ArtReview's Future Greats list in 2005[20] and 2008.[21]
He is also the co-founder of Mountain School of Art (MSA) in Los Angeles,[22] an artist-run nomadic school that he opened in January 2006 with Piero Golia.[3][23][24] They accept 15 fellows annually to a three-month program. The classes are free and all staff are volunteers.[23][24] In 2008, Wesley told ArtReview that it was less of an art school and more of "an institution patterned on the university model and devoted to general education, with a curriculum grounded in science, philosophy and law."[23]
Solo exhibitions
| Year | City | Gallery | Title | Notes | Refs |
|---|---|---|---|---|---|
| 1999 | Los Angeles | China Art Objects Galleries | Camper | [25] | |
| 2000 | Kicking Ass | [26][27] | |||
| 2001 | Pasadena | Caltech | Two Story Clock Tower | Erected on the Caltech campus | [28][1][29] |
| 2002 | New York City | Metro Pictures Gallery | New Amsterdam | [27][30][2][31] | |
| Karlsruhe | Meyer-Reigger Galerie | Enchilada “The Endless Burrito” | [32][27][2] | ||
| Turin | Galeria Franco Noero | Ouchi | [27] | ||
| 2003 | Basel | Art Basel | Jeans Theory, Statements | [33] | |
| 2004 | Los Angeles | China Art Objects Galleries | Pico Youth Center | [34] | |
| Miami | Locust Projects | Eric Wesley I love WW2 | [35] | ||
| 2005 | Amsterdam | Bowie-Van Valen Gallery | [36][2] | ||
| 2006 | Karlsruhe | Meyer-Riegger Gallery | Audi | [37][1][2] | |
| Naples | Galleria Fonti | You say Tomato, I say Tomato | [38][3][2][39] | ||
| Los Angeles | China Art Objects Galleries | Erik Wesley | [40][1] | ||
| Museum of Contemporary Art | MOCA FOCUS: Eric Wesley | [16][2][5][1][3][41] | |||
| Pacific Design Center | Thirty Three Point Three Three Three | [42][2][29] | |||
| 2007 | New York City | Bortolami Gallery | Spaference Room | [43][1] | |
| Naples | Foundation Morra Greco | Spa fice | [44][13][1][45][46][2] | ||
| Münchenstein | Kunsthaus Baselland | [2] | |||
| Turin | Galeria Franco Noero | [2] | |||
| 2008 | Berlin | Feurig59 | Ship Shape Shit Shelf and the Empfang Box | [13] | |
| 2009 | London | Maureen Paley | New Realistic Figures | [13] | |
| 2010 | New York City | Bortolami Gallery | D’Carts Blanche and New Paintings | [47] | |
| 2011 | Los Angeles | China Art Objects Gallery | The Same ‘Ol New Frontier | [48] | |
| 2012 | New York City | Bortolami Gallery | 2 new works | [49] | |
| 2015 | Los Angeles | 356 Mission | Some Work | [50] | |
| 2016 | Minneapolis | Midway Contemporary Art | ISOSCELES TRAPEZOID ARCH | [51] | |
| 2019 | Los Angeles | TIMESHARE | Turning Tables | [52] | |
| Pico Pico | Timbuctoo | Alternate title: Sticks and stones may break my bones but words fucking kill me | [53] | ||
| London | Sprovieri Gallery | Reputation | [54] | ||
| 2022 | New York City | Bortolami Gallery | Eric Wesley/St Louis | [55] | |
| 2024 | Martos Gallery | Three Sleeping Philosophers | [56] |
Group exhibitions
| Year | City | Gallery | Exhibition title | Notes | Refs |
|---|---|---|---|---|---|
| 1998 | Santa Monica | Rosamund Felsen Gallery | I-Candy | [citation needed] | |
| Los Angeles | Brent Petersen Gallery | Drawings for Works in Progress | [57] | ||
| 1999 | L.A. Edge Festival | Organized by Simon Watson | [citation needed] | ||
| 2000 | ACME Gallery | Young and Dumb | Curated by Pentti Monkkonen | [58] | |
| 2001 | New York City | Studio Museum in Harlem | Freestyle | Sculpture: Kicking Ass | [17][59][60][61][62][63] |
| Santa Monica | Santa Monica Museum of Art | [17] | |||
| San Diego | Museum of Contemporary Art, San Diego | Ultrabaroque: Aspects of Post-Latin American Art | [64] | ||
| Los Angeles | UCLA Hammer Museum | Snapshot: New Art From Los Angeles | [13][27][65][2][66][67] | ||
| Miami | Museum of Contemporary Art | [citation needed] | |||
| New York City | Artists Space | Purloined | Ran September 6 - October 13 | [68] | |
| Karlsruhe | ZKM Center for Art and Media | Circles 3: Silver Lake Crossings | Curated by Christoph Keller | [citation needed] | |
| New Plymouth | Govett-Brewster Art Gallery | Drive: Power, Progress, Desire | Curated by Gregory Burke | [69] | |
| New York City | Metro Pictures Gallery | [citation needed] | |||
| 2002 | Richmond | Reynolds Gallery | Drive By: Nine Artists from Los Angeles | [citation needed] | |
| 2003 | Los Angeles | Craft and Folk Art Museum | Fade (1990–2003) | Curated by Malik Gaines | [70] |
| China Art Objects Galleries | Works for Giovanni | [citation needed] | |||
| Glasgow | Transmission Gallery | More Boots = Many Routes | With Lee O’Connor and Ryan Doolan | [citation needed] | |
| Turin | Galeria Franco Noero | New Space! New Show! | [citation needed] | ||
| Guadalajara | OPA: Oficina Para Proyectos de Arte | Adios Pendejos | [citation needed] | ||
| London | Campoli Presti | Eduardo Sarabia and Eric Wesley | [71] | ||
| 2004 | New York City | Whitney Museum of American Art | Whitney Biennial | [13][16][2] | |
| Vienna | Museum für Angewandte Kunst | 3 Fireplaces and 2 Bathtubs | [72] | ||
| San Francisco | Contemporary Jewish Museum | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] | |
| 2005 | New York City | Bortolami Dayan | Gallery opening event | [73] | |
| Closing Down: Thanks | [citation needed] | ||||
| Los Angeles | Los Angeles Contemporary Exhibitions | A Walk to Remember | Organized by Jens Hoffmann | [74] | |
| London | Institute of Contemporary Arts | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14][13][2] | |
| Virginia Beach | Virginia Museum of Contemporary Art | [14] | |||
| Reading | Freedman Art Center | [14] | |||
| New York City | I-20 Gallery | Installations | [citation needed] | ||
| Having Differences | [citation needed] | ||||
| 2006 | Minneapolis | Midway Contemporary Art | Axis of Praxis | Curated by Nate Lowman | [75][1] |
| Los Angeles | Black Dragon Society | Designomite | Curated by Parker Jones | [76] | |
| London | Institute of Contemporary Arts | Alien Nation | Curated by John Gill, Jens Hoffmann and Gilane Tawadros | [13][77][1][2] | |
| Long Island City | P.S. 1 Contemporary Art Center | The Gold Standard | [13][15][1] | ||
| New York City | Bortolami Dayan | Survivor | Curated by David Rimanelli | [78] | |
| Nashville | Cheekwood Museum of Art | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] | |
| 2007 | Prague | Prague Biennale | [13][2] | ||
| Los Angeles | Lizabeth Oliveria | Milieu | [79] | ||
| Angles Gallery | [citation needed] | ||||
| Venice, CA | Balmoral Gallery | One Foot High and Rising | [citation needed] | ||
| Athens | Kalfayan Gallery | Darling, Take Fountain | [80][1] | ||
| New York City | Bortolami | Substance & Surface | [81] | ||
| 2008 | Los Angeles | China Art Objects Gallery | The Light of the Virgo | [citation needed] | |
| Pougues-les-Eaux | Centre d'Art du Parc Saint Léger | Los Angeles Confidential | [13][1] | ||
| San Francisco | Wattis Institute for Contemporary Arts | Amateurs | [13][82][1] | ||
| Benevento | ARCOS Museo d’Arte | ITALIA ITALIE ITALIEN ITALY WLOCHY | [citation needed] | ||
| Los Angeles | Kathryn Brennan Gallery | Globetrotters | Curated by Katie Brennan | [83] | |
| New York City | Parrish Art Museum | Sand- Meaning and Metaphor | [citation needed] | ||
| 2009 | Los Angeles | Hammer Museum | Second Nature: Dean Valentine Collection | [citation needed] | |
| China Art Objects Gallery | 1999 | [citation needed] | |||
| 2010 | Museum of Contemporary Art | The Artist's Museum | [citation needed] | ||
| New York City | Bortolami Gallery | RE-DRESSING | [84] | ||
| Los Angeles | China Art Objects Gallery | The Inauguration of China Art Objects in Culver City, Los Angeles | [85] | ||
| Mexico City | Fundación Colección Jumex | Les enfants terribles | [12] | ||
| Los Angeles | Cottage Home | Video Journeys | [86] | ||
| 2011 | Amsterdam | Temporary Stedelijk Museum 3 | Making Histories – Changing Views of the Collection | [citation needed] | |
| New York City | 483 Broadway, SoHo | Greater LA | [87] | ||
| Bordeaux | CAPC musée d'art contemporain | BigMinis: Fetishes of Crisis | [11] | ||
| 2014 | Los Angeles | Hammer Museum | A Public Fiction | Part of Made in L. A. 2014 | [10][5] |
| Paradise Garage | LIQUOR STORE | [88] | |||
| 2015 | Chicago | Museum of Contemporary Art | Out of Office | Organized by Grace Deveney | [89] |
| 2016 | Cahokia | Abandoned Taco Bell at 1296 Camp Jackson Road | The Bell | [7][6] | |
| 2019 | Long Island City | SculptureCenter | Searching the Sky for Rain | Curated by Sohrab Mohebbi | [5] |
| Los Angeles | Hammer Museum | Dirty Protest: Selections from the Hammer Contemporary Collection | [5] | ||
| 2021 | New York City | Bortolami Gallery | Springweather and people | [5] | |
| 2022 | Whitney Museum of American Art | Whitney Biennial 2022: Quiet As It's Kept | [4] | ||
| 2023 | Bortolami | SWIZZLE TWIDDLE FIDDLE STICKS | Ran 8 Sep - 4 Nov | [90] |
Further reading
- Gaines, Malik (November 2001). "Eric Wesley to the Bone". Artext. No. 75.
- Kim, Christine Y. (April 2003). "Color Blind". V Magazine. No. 22.