Executive Suite

1954 MGM drama film directed by Robert Wise From Wikipedia, the free encyclopedia

Executive Suite is a 1954 American drama film directed by Robert Wise and written by Ernest Lehman, and starring William Holden, June Allyson, Barbara Stanwyck, Fredric March, Walter Pidgeon, Shelley Winters, Paul Douglas, Louis Calhern, Dean Jagger, and Nina Foch. Based on the 1952 novel of the same name by Cameron Hawley, it depicts the internal struggle for control of a furniture manufacturing company after the unexpected death of the company's president. Executive Suite was nominated for multiple Academy Awards, including for Foch's performance, which earned a Best Supporting Actress nomination. The film won the Grand Jury Prize at the 15th Venice International Film Festival.

Directed byRobert Wise
Written byErnest Lehman
Based onExecutive Suite
by Cameron Hawley
Produced byJohn Houseman
Quick facts Directed by, Written by ...
Executive Suite
Directed byRobert Wise
Written byErnest Lehman
Based onExecutive Suite
by Cameron Hawley
Produced byJohn Houseman
Starring
Narrated byChet Huntley
CinematographyGeorge J. Folsey
Edited byRalph E. Winters
Production
company
Distributed byMetro-Goldwyn-Mayer
Release date
  • April 15, 1954 (1954-04-15) (Los Angeles)[1]
Running time
103 minutes[1]
CountryUnited States
LanguageEnglish
BudgetUS$ 1.4 million[2]
Box office$3.6 million[2]
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This was Lehman's first produced screenplay, and its plot deviates substantially from the novel. He went on to write Sabrina, North by Northwest, West Side Story, and other films. The film is one of few in Hollywood history without a musical score.

Plot

In New York City to meet with investment bankers, Avery Bullard wires his secretary Erica to call an executive board meeting. He is the president and driving force of the Tredway Corporation, a major furniture manufacturer. A short commuter flight will get him there just in time. Hailing a taxi, however, he drops dead in the street. His wallet is stolen by a bystander.

George Caswell, a member of the Tredway board of directors and one of the financiers Bullard has just left, sees an ambulance in the street below, taking away a body he is sure is Bullard's. Seeing an opportunity for easy money, he phones his broker to sell as much Tredway stock as he can before the market closes for the weekend.  He will buy it back after news of Bullard's death drops its price. But the coroner lists the body as a John Doe, and the lack of news makes Caswell very nervous: He cannot cover the trades unless the stock price falls.

Bullard never named a second-in-command after the previous executive vice-president died. When he fails to arrive at company headquarters, the meeting is canceled. The public announcement of his death later that evening thanks to a tip from Caswell sets off a scramble among the Tredway executives for the top job.

Company comptroller Loren Shaw immediately seizes power, making a swathe of unilateral decisions, from planning the funeral, issuing statements to the press, calling an emergency board meeting, and halting work on Walling's experimental line. He releases a favorable upcoming quarterly report to shore up stock prices. He is fixated on generating short-term accounting gains and using them to reward stockholders at the expense of the quality of the company's products and long-term viability. Shaw buys Caswell's vote by promising to sell him unissued company stock Caswell had begged for to cover his short sell. Shaw blackmails sales vice president Walter Dudley for his support after stalking him to a tryst with his secretary, Eva, that very evening.

Meanwhile, we see how several characters, especially Erica, grieve for Bullard's loss.

Longtime treasurer Frederick Alderson seeks out Dudley for his vote, but is rebuffed. Young, idealistic research vice president Don Walling throws his hat in the ring, convincing Alderson he is not too green. Alderson rushes to find vice president of manufacturing Jesse Grimm to secure his vote. A venerable 30-year Tredway veteran, Grimm had already decided to retire. While no fan of Shaw, he is envious and resentful of "boy wonder" Walling and refuses to support his candidacy.

Shaw gains the proxy of board member Julia Tredway, daughter of the company founder, major shareholder, and jilted longtime Bullard lover. Grief-stricken and heartbroken, Julia wants the company out of her life after another traumatic abandonment by its leader: first by her father's suicide, then Bullard's rejection and death. Before Bullard's death is known, she tells Jesse of Caswell's offer to buy a large block of her stock, secretly. Standing in the balcony, she looks down and leans forward, slightly, saying “It would end a lot of things..” Later, Walling confronts a distraught Miss Tredway in Bullard's office, where she is burning papers. She goes out on the balcony and steps up, but the bell makes her scream.

Cut to the board room. Miss Tredway joins the meeting and tears up the proxy she gave Shaw, saying, I'll do it myself.” Shaw falls one vote short of victory, Caswell holding out to gain leverage—assurance that Shaw will cover the secret stock purchase, which he cannot afford.

Mary Walling comes to tell her husband that Grimm and Alderson are about to anrrive and that she wants him to go for the presidency. Walling makes an impassioned speech, laying out his vision of a revitalized company driven by new construction methods and a return to quality products everyone can be proud of. Grimm, Dudley, and Julia Tredway are won over, and Walling is elected unanimously when Shaw concedes.

As she leaves, Julia encourages Mary and asks her to tell Don that he saved her life.

Don asks Mary “Who won?” “We did!” she cries, meaning their son's baseball game and the battle for Tredway's future.


Cast

Production

Lobby card with Louis Calhern as George Caswell, with Lucille Knoch

Metro-Goldwyn-Mayer production head Dore Schary originally intended to produce the film himself, but turned it over to John Houseman because he was too busy. Schary intended for the film to have no musical score, using only diegetic sounds such as bells, sirens, and the roar of traffic.[1]

Executive Suite was the first film written by journalist Ernest Lehman, and made for MGM by director Robert Wise.[1]

The all-star cast created problems in scheduling, since only a handful of the lead actors had any commitment to MGM. The logistics of scheduling were so complex that the studio had to set an "inflexible" starting date two months in advance of shooting, the first time that MGM had ever done so.[1]

The film was planned to have 145 speaking parts, a record for MGM,[3] but ended with just 66 actors listed in the credits, far fewer having speaking roles.[1] The film's budget was $1,383,000.[2]

Locations

Release

Metro-Goldwyn-Mayer premiered Executive Suite in Hollywood on April 15, 1954.[1] Its U.S. release expanded on April 30, 1954.[1]

Home media

Warner Bros. Home Entertainment released Executive Suite on DVD on October 30, 2007, as part of the multi-film set Barbara Stanwyck: The Signature Collection.[4] The Warner Archive Collection later issued a standalone DVD on May 29, 2013.[5] On June 24, 2025, the Warner Archive Collection released the film for the first time on Blu-ray.[6]

Reception

Box office

The film was number one at the U.S. box office for four consecutive weeks during May 1954, grossing $1,845,000.[7][8] According to MGM records, the film eventually earned theatrical rentals of $2,682,000 in the U.S. and Canada, and $903,000 in other markets, for a worldwide total of $3,585,000 and a profit of $772,000.[2]

Critical response

Variety noted the overall enthusiastic reviews: “In nearly all keys [key cities] the pic has drawn enthusiastic crix [critics’] approval. This has helped considerably in smaller cities where reviews are followed faithfully.”.[8] The Variety staff praised the film for its ensemble cast, and also wrote favorably of screenwriter Ernest Lehman's adaptation of the source novel.[9] However, Bosley Crowther, writing in The New York Times called it "[A] pretty chilly succession of echoing rooms", and commented that "for all of Mr. Holden's fine oration the ideal of stouter furniture and a happier furniture corporation doesn't cause the blood to run hot." Crowther does praise the "quality production and general quality acting of the film", and calls it "a fair endeavor" but notes that "dramatically, it doesn't add up."[10]

Edwin Schallert of the Los Angeles Times called the film's tension "well-sustained" and praised the performances of Stanwyck, Foch, Calhern, and Pidgeon.[11] In January 1955 Fortune magazine published a four-page article, "The Executive as Hero", which praised the film, commenting that it "has set in motion the conflicts and collisions that give business its true drama."[1]

The film has received critical acclaim from modern day critics. On the review aggregator website Rotten Tomatoes, 100% of 12 critics' reviews are positive, with an average rating of 8/10/10.[12]

Accolades

TV series

More than two decades after their release, the film and novel were adapted into a weekly television series with the same title. Airing on CBS in 1976–1977, the TV version changed the fictional corporate setting to the Cardway Corporation in Los Angeles. Mitchell Ryan starred as company chairman Dan Walling, with Sharon Acker as his wife Helen and Leigh McCloskey and Wendy Phillips as his children, Brian and Stacey. Other series regulars included Stephen Elliott, Byron Morrow, Madlyn Rhue, William Smithers, Paul Lambert, Richard Cox, Trisha Noble, Carl Weintraub, Maxine Stuart, and Ricardo Montalbán.

Scheduling opposite Monday Night Football on ABC, and then The Rockford Files on NBC, doomed the show to poor ratings, and it was canceled after one season.

References

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