Follow the Reaper

Follow the Reaper was recorded and mixed at Tägtgren's Abyss studio in Sweden. Tägtgren replaced Anssi Kippo, with whom Children of Bodom had recorded all of their previous releases.^{[citation needed]} Bassist Henkka Seppälä recalled the band's choice of producer and the album's recording process:

We were afraid that if we recorded the album in the same studio it would sound like our previous albums and that wasn't what we wanted this time, but besides that we wanted this release to sound heavier than our previous ones, and Peter seemed the best man for the job and Peter did a great job. Although for the first three weeks he wasn't even around and we recorded all of the music on our own. But then when we started with the vocals Peter jumped in and gave us lots of advice on how the vocals should be sounding. Cause, as you know, Peter himself also has lots of singing and producing experience, but he also helped us with the keyboards parts. At one time he just wanted to have the right sound for the keyboard piece and he had the choice out of 500 different keyboard sounds, but he kept on trying 'til the best sound came out.^[5]

The album is the first on which the band seriously moved toward a power metal-inspired sound, brought by Hypocrisy frontman and new producer Peter Tägtgren. The album's guitar work incorporates influence from neoclassical music.^{[original research?]} The album's sound is a fusion of elements of traditional heavy metal and extreme metal, though it leans more heavily towards the former.^[6] AllMusic described the sound as "black metal with the happiest keyboards the genre has ever seen, yet still uncompromisingly brutal." The keyboard work is considered to be complex. Some of the material has drawn comparisons to Emerson, Lake and Palmer. The album's material is played at various tempos.^[7]

The songs on the album were all recorded in D standard tuning (D, G, C, F, A, D), just like in their previous album, Hatebreeder.^{[citation needed]}

AllMusic gave the album three stars out of five.^[7]

Many songs on the album became live setlist favorites, such as "Everytime I Die", "Hate Me!", and the title track. The song "Mask of Sanity" is a remake of the song "Talking of the Trees" from their early demo Shining (released as IneartheD). A deluxe edition featuring two bonus tracks was released in 2006.^{[citation needed]}

In 2020, Loudwire stated that many fans consider the album to be the band's best work: "A perfect fusion of melody, riffs, and unforgettable hook after hook, Bodom brought something new to the table taking the best elements of traditional heavy metal and extreme metal to concoct a sonic brew that still unhinges jaws to this day."^[5]

Some journalists consider it to be among the best metal releases of the 2000s. Metal Hammer wrote in 2023: "Extreme metal may present itself as evil, but this masterstroke zeroed in on the silliness at its heart and cranked it up to 11 for the world to adore."^[8]