Henry Raynor

He was born at 11 Mellor Street, Moston, Manchester, in England, to Gertrude Raynor, an examiner of waterproof garments.^[2] The Raynor family was poor and Raynor's formal education was limited by the family's lack of resources.^[1] Poor health in childhood left him with time to listen to music and to read extensively.^[1]

He wrote several books, mainly relating to classical music. His opus magnum, The Social History of Music, ranges from ancient to 20th-century music, placing composers and their work in cultural and economic contexts.^[3]

An example of Raynor's thought is his thesis that the orchestral bombast that developed in nineteenth-century Romantic music was spurred by the need to capture and maintain a fickle, musically untrained paying audience. The demise of aristocratic patronage after the Napoleonic Wars left composers and performers in search of new ways to sustain a career in music.

• Franz Joseph Haydn; his life and work, [London]: Boosey and Hawkes, [c1961]
• Radio and Television
• Social History of Music from the Middle Ages to Beethoven (London: Barrie and Jenkins, 1972; New York: Schocken Books, 1972.)
• Music and society since 1815, (New York: Schocken Books, 1976.)
• Music in England (1980)
• Mahler (1975)
• The Orchestra : a History, (New York: Scribner, 1978.)^[4]
• Mozart
• Pelican History of Music (Volume 2 - Contributor)
• Yehudi Menuhin: the story of the man and the musician, (Contributor - Volume 2 by Robert Magidoff) with

Magidoff, Robert, 1905-1970; (London, Hale, 1973.)^[5]

• Grove's Dictionary (Contributor to Volume 6)
• Dictionnaire de la Musique (Edited by M. Honneger with Contributions)
• Music in England ^[6]