Jonathan Gil Harris

Harris has written extensively on Shakespeare and Renaissance drama, early modern culture, and literary theory. He is especially interested in Renaissance ideas of globalization, the foreign, illness, temporality, and materialism. Since moving to Delhi in 2013, his writing has turned largely to histories of migration in the Indian subcontinent and along the Silk Roads.

While his early books are academic monographs and edited collections, Harris has been writing for a general audience since moving to India, and is a sought-after presence in literary festivals, both on national and global stages.^[10][11][12] He is also a follower and scholar of Bollywood cinema and has written public-facing articles in The Hindustan Times, The Globalist, and Outlook India.^{[13][14][15][16]}

The First Firangis: Remarkable Stories of Heroes, Healers, Charlatans, Courtesans, and Other Foreigners Who Became Indian is the first of Harris's hybrid crossover books in which cultural history, biography, and literary criticism work alongside autobiography. The First Firangis primarily chronicles the history of Western migration to the subcontinent before colonization and the establishment of Empire, by covering the lives of fourteen “firangis” who were some of the first migrant settlers in India. It features the stories, among others, of Thomas Stephens, Augustin Hiriart, Thomas Coryate, Garcia de Orta and Niccolo Manucci.^[17] The book received universal acclaim, is a bestseller, and is in print more than a decade after its publication.^[18] Writing in Open, the poet and critic Ranjit Hoskote called the book a “brilliant, elegantly argued and richly detailed study”.^[19] Mark Tully reviewed the book favorably in Mint writing that “Harris tells fascinating stories of extraordinary men and women, and their lives lead him to consider what becoming Indian means.”^[20] Nandini Das recommends the book in a reading list of pre-colonial histories of India, and especially lauds Harris for “tackling the problem of recording lives of which the barest traces remain.”^[21] The book has been translated into Marathi by Rekha Deshpande.^[22]

Harris is currently at work on a sequel, The Last Firangis, which tells the stories of forty foreigners who could have left India after its independence but chose to remain.^[23]

In 2016, Harris received, with Madhavi Menon, the Dr Alice Griffin Fellowship of Shakespearean Studies at the University of Auckland, where he worked on his next book, Masala Shakespeare: How a Firangi Writer Became Indian, which was published in 2018.^[24][25] It explains the thematic and structural resonances of Shakespearean plays and Bollywood films. It uses “masala” – derived from the “masala film” – as a theoretical idea with which to understand the plurality of both Indian and early modern cultures. Masala Shakespeare was also a bestseller, featured by not only academic and book critics, but also film critics, as it contains many analyses of films that directly and indirectly related to Shakespeare’s texts.^{[26][27][28][29]} Noted film critic Baradwaj Rangan devoted an episode to the book in his Film Companion Recommends series.^[30]

The Girl from Fergana: Secrets from My Mother’s Chinese Tea Chest, on which he worked for twelve years, was released in 2026.^[31] Both a personal memoir and a book of cultural history, it tells the story of his mother, Stella Harris (nee Freud) and her family who were deported from what is now Ukraine to the Fergana Valley during World War II, and the larger history of Jewish migration across the Silk Roads. The book presents a commentary on modes of community and belonging that transcend the nation-state.^[32] It was reviewed as a "tender, evocative and poignant" book in The Tribune by Mandira Nayar, who admired the weave of the personal and the historical to "make sense of the complex pluralistic past."^[33] Calling it "an elegy for a syncretic world" in The Hindu, Sumana Mukherjee commended the book's urgency and erudition, observing that "Harris uses philology, etymology, sociology, theology, history, literature, and geography to deepen and widen the narrative."^[34]

• Jonathan Gil Harris (2015). The First Firangis: Remarkable Stories of Heroes, Healers, Charlatans, Courtesans & other Foreigners who Became Indian. Aleph Book Company. ISBN 9789382277637.
• — (2018). Masala Shakespeare: How a Firangi Writer Became Indian. Aleph Book Company. ISBN 9789388292269.
• — (2026). The Girl from Fergana: Secrets of My Mother’s Chinese Tea Chest. Aleph Book Company. ISBN 9789365234701.

• Jonathan Gil Harris (1998). Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England. Cambridge University Press. ISBN 9780521594059.
• — (2002). Staged Properties in Early Modern English Drama. Cambridge University Press. ISBN 9780521813228.
• — (2004). Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. University of Pennsylvania Press. ISBN 9780812237733.
• — (2008). Untimely Matter in the Time of Shakespeare. University of Pennsylvania Press. ISBN 9780812241181.
• — (2010). Shakespeare and Literary Theory. Oxford University Press. ISBN 9780199573387.
• — (2004). Marvellous Repossessions: The Tempest, Globalization and the Waking Dream of Paradise. Ronsdale Press. ISBN 9781553801412.