Lee Mu-yeong
South Korean filmmaker and writer (born 1962)
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Song Chung-seop (Korean: 송충섭; born June 14, 1962), better known by the pen name Lee Mu-yeong (Korean: 이무영) is a South Korean film director, screenwriter, novelist and theater critic.
June 14, 1962
Early life
He was born in Gwangju, Gyeonggi Province, and grew up in Seoul. The son of a pastor,[1] their family emigrated to the United States while he was in high school. Later, he enrolled to School of Business at the Rutgers University. In 1983, while still in the U.S., he made his debut as a theater critic.[2]
Career
Early career (1990–1996)
Song Chung-seop his professional career as a radio producer at joined Catholic Peace Broadcasting, a position he held until July 1991. In March 1992, he debuted as a theater director and adopted the pen name Lee Mu-young. He followed this shortly after with his debut as a music critic in June 1992.[3]
In February 1993, Lee enrolled in the graduate program for Theater and Film Studies at Chung-Ang University. Throughout 1993, he established a wide range of professional credits: becoming a film critic in March, a poet in June, a theater actor in July, and a musical actor in October. He subsequently debuted as an essayist in May 1994. After graduating from Chung-Ang University in February 1995, Lee transitioned quickly into the film industry. He began working as a film critic that April, followed by his debuts as both an actor and a screenwriter in early 1996, the latter for the film Born to Kill.[1]
The Park-Ri-Damae partnership
Lee and Park Chan-wook first met in 1991 through an introduction by actor Song Seung-hwan. Their professional relationship strengthened as Park became a frequent guest on Lee's radio program. Reflecting on their partnership, Park noted that while Lee's early scripts seemed amateurish, their unconventional nature provided a creative freedom that allowed the pair to "hit it off" immediately. Lee has described their collaborative process as a seamless partnership without a formal division of labor; they often alternate between dictating and typing, a method Lee believes is significantly more efficient than writing alone.[4]
In 2000, they established the collective pen name Park-Ri-Damae (Korean: 박리다매) a portmanteau of their surnames inspired by the production company Oeyu Naegang. Their first official credit under this name was for Yoo Young-sik's Anarchists (2000). Their collaboration continued through a prolific period that included Park's Joint Security Area (2000), Lee's The Humanist (2001), and the 2002 films A Bizarre Love Triangle (directed by Lee) and Sympathy for Mr. Vengeance (directed by Park).[4][5]
In 2003, Lee returned to the United States to attend a graduate program in Theatre and Stage Production at Theatre and Stage Production at Kean University in New Jersey, earning his master's degree in 2005.[6] That same year, he reunited with Park Chan-wook as Park-Ri-Damae, working with director Yoon Tae-yong to co-write the screenplay for the fantasy film Boy Goes to Heaven.[7]
Later career and academic work (2009–present)
Lee's later career combined academic and literary pursuits. He served as an adjunct professor in the Department of Theater and Film at Seokyeong University from February 2009 to August 2009. In July 2011, he acted as a jury member for the competition section of the 7th Jecheon International Music & Film Festival in Chungcheongbuk-do. His debut as a novelist followed in September 2011.[8] Since August 2015, he has served as an associate professor in the Department of Film Studies at Dongseo University.[9][10][11]
Personal life
Family
Born into a religious household as the son of a pastor, Lee is a practicing Christian who maintains a daily morning prayer routine. He is married to former actress Jang Soo-young, the younger sister of actor Jang Se-jin. The couple met while attending the wedding of announcers Son Beom-soo and Jin Yang-hye as guests of the groom and bride, respectively.[6]
Politic
Progressive New Party Standing Committee Member and Special Advisor for Cultural and Arts Administration (July 2008 - November 2008)
Bibliography
| Year | Title | Category | Note | |
|---|---|---|---|---|
| English | Korean | |||
| 1992 | Neglected Marrow: Dad Freddie Lennon, Reserve Lieutenant in the British Navy | 외면을 받은 골수 기러기 아빠 프레디 레논 예비역 영국 해군 상사 | Music Criticism | |
| 1992 | Chungsubi at Twenty-Two | 스물둘의 충섭이 | Poetry | |
| 1993 | Peeking at Humphrey Bogart's Clark Gable Lady | 험프리 보가트 형님의 클라크 게이블 아우님 훔쳐보기 | Film Criticism | |
| 1994 | Like the Tide, Like the Wave of Affection | 밀물 같은 호감, 썰물 같은 정... | Essay | |
| 1995 | The Origin of the National Central Theater of Korea, the Theater Group Shinhyup | 대한민국 국립중앙극장의 기원이 된 극단 신협 | Theater Criticism | |
| 2008 | Dreaming | 꿈꾀끼꼴깡 | Essay | People Who Own the Future, 272 pages[12] |
| 2011 | New Village | 새남터 | Novel | First full-length novel, Human and Book Publishing[13] |
| 2013 | The Pretentious Romanticist | 각하는 로맨티스트 | Novel | Human and Book Publishing[14] |
| 2015 | Rediscovering Masterpieces | 명곡의 재발견 | Music Criticism | Score Publishing, 488 pages[15] |
Filmography
Filmmaking credit
| Year | Title | Credited as | Notes | Ref. | |
|---|---|---|---|---|---|
| Director | Screenwriter | ||||
| 1996 | Born to Kill | No | Co-writing[a] | Screenwriter debut | [1] |
| 1997 | Trio | No | Co-writing[b] | [17][18] | |
| 2000 | Anarchists | No | Co-writing[c] | [19] | |
| Joint Security Area | No | Co-writing[d] | [20] | ||
| 2001 | The Humanist | Yes | Co-writing[b] | Film director debut | [21] |
| 2002 | Sympathy for Mr. Vengeance | No | Co-writing[e] | [22] | |
| A Bizarre Love Triangle | Yes | Co-writing[b] | [23] | ||
| 2005 | Boy Goes to Heaven | No | Co-writing[f] | [24] | |
| 2008 | Like Father, Like Son | Yes | Yes | [25] | |
| 2008 | Just Kidding | Yes | Yes | [26] | |
| 2016 | Han River Blues | Yes | Co-writing[g] | Also as producer | [27] |
Acting
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1996 | Transmutated Head | Cameo | |
| 2001 | My Sassy Girl | Cameo | |
| 2002 | No Blood No Tears | Manager | Cameo[28] |
| 2012 | How to Use Guys with Secret Tips | Morning Pro Male MC | |
| Sex, Lies, and Videotape | Udon restaurant owner |
Television
| Year | Title | Role | Network | Notes |
|---|---|---|---|---|
| 1993–1995 | The Nation Now | KBS | Morning news program, movie segment host[6] | |
| 1996 | Color – Red | actor | KBS | TV series |
| 1996–2000 | SBS Midnight TV Entertainment | SBS TV | ||
| 1999–2000 | Movie Show Movies Are Good | Film critic | iTV | TV show |
| 2009 | Cinema Paradiso | Panelist | EBS | |
| 2012 | A Good Day to Watch a Movie | MC | TV Chosun | |
| 2013 | Yoo Jae-sik's Business | Special panelist | JTBC | |
| 2018 | Somehow an Adult | Lecturer | tvN Story | Special lecture[30] |
| 2025 | New-Oldboy Park Chan-wook | Himself | SBS TV | SBS TV Special Chuseok Documentary[31] |
Radio
Theater
| Year | Title | Role | Genre | Notes |
|---|---|---|---|---|
| 1992 | King Lear | N/a | Theater | Director |
| 1993 | Hamlet | King Claudius | Theater | Actor, Lead role |
| 1993 | Guys and Dolls | Benny Southstreet | Musical | Supporting Actor |
| 2004 | Sunday Seoul (선데이 서울) | N/a | Theater | Playwright[34] |
Awards and nominations
Notes
- Collaborating with Jang Hyun-soo and Song Hae-sung
- Collaboration with Park Chan-wook
- Collaboration with Park Chan-wook and Bangnidamae
- Collaboration with Kim Hyun-seok, Jeong Seong-san and Park Chan-wook
- Collaboration with Lee Jae-soon, Park Chan-wook and Lee Yong-jong
- Collaboration with Park Seong-kyeong, Park Chan-wook, Lee Moo-yeong, Choi Dong-hoon, Yoon Tae-yong
- Collaboration with Han Chang-seong