Marie Davidson

Canadian electronic musician (born 1987) From Wikipedia, the free encyclopedia

Marie Davidson (born 1987)[1] is a Canadian electronic musician and producer from Montreal.[5]

Born
Marie Davidson

1987 (age 3839)[1]
OriginMontreal, Canada
Genres
Occupations
  • Singer
  • musician
  • record producer
Quick facts Background information, Born ...
Marie Davidson
Davidson performing in 2025
Davidson performing in 2025
Background information
Born
Marie Davidson

1987 (age 3839)[1]
OriginMontreal, Canada
Genres
Occupations
  • Singer
  • musician
  • record producer
Instruments
  • Vocals
  • synthesizer
  • violin
Years active2007–present
Labels
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Career

Davidson was part of the duo Les Momies de Palerme, along with Xarah Dion.[1] Their album, Brûlez ce coeur, was released on Constellation Records in 2010. She has collaborated with various other musicians including Matana Roberts (on her project Coin Coin Chapter One: Gens de couleur libres) and David Kristian, and she was part of the orchestral project Land of Kush.[1]

She is also one half of the minimal wave duo Essaie pas,[6] a duo she formed with her partner, Pierre Guerineau.[7][8] The duo were longlisted for the 2016 Polaris Music Prize for their album Demain est une autre nuit.[9]

Her third solo album, Adieux au dancefloor, was named by Pitchfork as one of "The 20 Best Electronic Albums of 2016".[10] The album is themed around Davidson's ambivalent feelings towards dance music and club culture.[11] She released Working Class Woman on Ninja Tune in 2018.[4] She released Renegade Breakdown on Ninja Tune in 2020,[12] and City of Clowns in 2025.

City of Clowns was shortlisted for the 2025 Polaris Music Prize.[13]

Musical style

Davidson's music has been labelled as techno[2][1] and minimal wave,[1] with AllMusic's Paul Simpson describing it as "cold, hypnotic minimal wave with analog synthesizers and drum machines, showcasing her intimate yet detached lyrics that are more often spoken than sung."[1] Pitchfork critic Sophie Kemp has stated that the sound of Working Class Woman is "somewhere between spoken word electroclash of Miss Kittin and the dreamy dissonance of Julee Cruise."[14]

Discography

Studio albums

References

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