The Offies

^[7]

^[16]

^[21]

^[22]

Producer: Will Young and Ben Monks – Supporting Wall(Finalist)^[11]
Set Design: Ultz – Blue/Orange (Nominee); Ultz – The Beauty Queen of Leenane(Winner)^[11]
New Play: Torben Betts – The Company Man (Nominee); Tim Luscombe – Hungry Ghosts (Nominee); Nina Raine – Tribes (Winner); James Graham – The Whisky Taster(Finalist)^[11]
Most Promising New Playwright: Tom Wells – Me, As A Penguin (Finalist)^[11]
Costume Design: Tom Scutt – Dick Whittington and His Cat (Nominee)^[11]
Director: Tim Luscombe – Hungry Ghosts (Nominee); Thom Southerland – Singin' in the Rain (Nominee)^[11] Thom Southerland – Me and Juliet (Winner); Natalie Abrahami – How To Be An Other Woman (Nominee); Matthew Dunster – The Maddening Rain (Nominee)^[11]
Female: Sinead Matthews – Lulu (Nominee); Sinead Matthews – The Glass Menagerie (Nominee)^[11]
Michelle Terry – Tribes (Winner); Janet Suzman – Dream of the Dog (Finalist); Isla Blair – The Company Man (Nominee)^[11]
Lighting Design: Paule Constable – Blasted (Finalist)^[11]
Male: Olly Alexander – The Aliens (Nominee)^[11]

Producer: [Will Young] and Ben Monks – Supporting Wall (Finalist); Danielle Tarento – Producer (Winner)^[12]
Female: Vinette Robinson – Tender Napalm (Winner); Shannon Tarbet – Mogadishu (Nominee); Lisa Dillon – Knot of the Heart (Finalist); Lily James – Vernon God Little (Nominee); Denise Gough – The Painter (Nominee); Alice Birch – Many Moons (Nominee)^[12]
New Play: Tom Wells – The Kitchen Sink (Finalist); David Eldridge – Knot of the Heart (Winner)^[12]
Set Design: Tom Scutt – Mogadishu (Nominee)^[12]
Male: Tom Byam Shaw – Foxfinder (Nominee); Toby Jones – The Painter (Nominee); David Mercatali – Director of Tender Napalm (Nominee – counted under directing); Bronagh Lagan – Henry VI Part I (Nominee – counted under directing); Adrian Lukis – As You Like It (Nominee)^[12]
Director: Rufus Norris – Vernon God Little (Nominee); Paul Taylor-Mills – The Best Little Whorehouse in Texas (Nominee); Nicholas Kent – Tactical Questioning (Nominee); Matthew Dunster – Tender Napalm (Nominee); Guy Retallack – Thrill Me (Nominee); David Byrne – Artistic Director (Nominee); Che Walker – Danny and the Deep Blue Sea (Nominee); Blanche McIntyre – The Accolade (Winner); Carrie Cracknell – Electra (Nominee); Adam Brace and Sebastian Armesto – Four Stage of Cruelty (Nominee)^[12]
Choreographer: Lee Proud – Guys & Dolls (Finalist); Drew McOnie – Dames at Sea (Finalist)^[12]
Lighting Design: Howard Hudson – Bed and Sofa (Nominee); Howard Hudson – Noel and Gertie (Nominee); Howard Hudson – Burlesque (Winner); Howard Hudson – Ragtime (Winner); Howard Hudson – The Hired Man (Winner)^[12]
Most Promising New Playwright: Alice Birch – Many Moons (Nominee)^[12]

Male: Tom Rhys Harries – Torch Song Trilogy (Nominee); Harry Melling – I Am a Camera (Nominee); Andrew Gower – The Conquest of the South Pole (Nominee); Alan Cox – Cornelius (Nominee)^[13]
Director: Stephen Unwin – The Conquest of the South Pole (Nominee); Sam Yates – Cornelius (Nominee); Paul Taylor-Mills – Steel Pier (Nominee); Bill Buckhurst – Barbarians (Nominee)^[13]
New Play: Nick Payne – One Day When We Were Young (Nominee)^[13]
Sound Design: Max Pappenheim – Kafka v Kafka (Nominee)^[13]
Female: Marianne Oldham – You Can Still Make a Killing (Nominee); Lucy Ellinson – Oh, The Humanity (Finalist); Laura Pitt-Pulford – Mack and Mabel (Nominee); Kathryn Hunter – The Bee (Nominee); Jenny Rainsford – Straight (Nominee); Hattie Morahan – The Dark Earth and the Light Sky (Nominee); Eileen Atkins – All That Fall (Winner); Aysha Kala – Khadija is 18 (Finalist); Aimie Atkinson – Steel Pier (Nominee)^[13]
Choreographer: Lee Proud – Boy Meets Boy (Nominee); Lee Proud – Victor/Victoria (Nominee); Lee Proud – Mack and Mabel (Winner); Drew McOnie – Dames at Sea (Finalist)^[13]
Producer: Danielle Tarento – Producer (Finalist)^[13]
Most Promising New Playwright: Caroline Bird – The Trojan Women (Finalist)^[13]

New Play: Will Adamsdale – The Victorian in the Wall (Nominee); Luke Barnes – Bottleneck (Finalist); Phoebe Waller-Bridge – Fleabag (Nominee); Frank McGuinness – The Match Box (Winner); Arinzé Kene – God’s Property (Nominee)^[7]
Most Promising New Playwright: Tori Allen-Martin and Sarah Henley – Streets (Nominee); Phoebe Waller-Bridge – Fleabag (Winner)^[7]
Female: Sinéad Matthews – Trout Stanley (Nominee); Phoebe Waller-Bridge – Fleabag (Winner); Lucy Ellinson – Grounded (Finalist); Louise Jameson – Gutted (Nominee); Leanne Best – The Match Box (Finalist); Emma Rice – Steptoe & Son (Nominee); Cush Jumbo – Josephine & I (Nominee); Cressida Carre – Titanic (Nominee); Celia Graham – Titanic (Nominee)^[7]
Director: Phyllida Lloyd – Josephine & I (Nominee); Paul Robinson – Land of Our Fathers (Finalist); Max Pappenheim – Nothing Is the End of the World (Finalist); Lucy Ellinson – Grounded (Nominee); Howard Hudson – Titanic (Nominee); Emma Rice – Steptoe & Son (Nominee)^[7]
Artistic Director: Paul Robinson – Land of Our Fathers (Finalist); David Byrne – Artistic Director (Winner)^[7]
Set Design: Oliver Townsend – Grounded (Winner); David Woodhead – Lizzie Siddal (Nominee)^[7]
Costume Design: Howard Hudson – Lizzie Siddal (Winner); David Woodhead – Titanic (Winner)^[7]
Lighting Design: Howard Hudson – Lizzie Siddal (Winner); Howard Hudson – Titanic (Winner)^[7]
Choreographer: Cressida Carré – Titanic (Winner);
TBC Award: Phoebe Waller-Bridge – Fleabag (Winner); Bryony Kimmings – Credible Likeable Superstar Role Model (Finalist); Forced Entertainment – Tomorrow’s Parties (Winner)^[7]
Sound Design: Ben Ringham, Max Ringham & David Rosenberg (theatre) – Ring (Winner)^[7]
Musical Production: Titanic – Southwark Playhouse (Winner); Production: Grounded – Gate Theatre (Winner)^[7]

Female: Victoria Hamilton-Barritt – The Heights (Nominee); Phoebe Waller-Bridge – The One (Nominee); Linda Bassett – Visitors (Winner); Gemma Whelan – Dark Vanilla Jungle (Nominee)^[14]
Male: Robin Soans – Visitors (Finalist); Harry Lloyd – Notes From Underground (Finalist)^[14]
New Play: Torben Betts – Invincible (Nominee); Nick Payne – Incognito (Nominee); Barney Norris – Visitors (Finalist); Che Walker – Klook’s Last Stand (Nominee); Bill Buckhurst – Sweeney Todd (Nominee); Alistair McDowall – Pomona (Winner); Alexander Zeldin – Beyond Caring (Nominee)^[14]
Most Promising New Playwright: Shaun Kitchener – Positive (Nominee); Alistair McDowall – Pomona (Nominee); Alexander Zeldin – Beyond Caring (Nominee)^[14]
Supporting Male: Simon Scardifield – Punishment Without Revenge (Finalist);
Director: Seb Harcombe – A Bright Room Called Day (Nominee); Paul Robinson – A Handful of Stars (Nominee); Paul Robinson – Land of Our Fathers (Finalist); Ned Bennett – Pomona (Winner); Jenny Eastop – Warde Street (Nominee); James Dacre – The Body of an American (Nominee); Guy Retallack – MacBeth (Nominee); David Mercatali – Dark Vanilla Jungle (Finalist); David Mercatali – Johnny Got His Gun (Nominee); Christopher Haydon – The Edge of Our Bodies (Nominee); Che Walker – Klook’s Last Stand (Nominee); Bill Buckhurst – Sweeney Todd (Nominee); Belinda Lang – This Was A Man (Nominee)^[14]
Artistic Director: Paul Robinson – Land of Our Fathers (Finalist);
Set Design: Howard Hudson – The Heights (Finalist); David Woodhead – Visitors (Nominee)^[14]
Lighting Design: Howard Hudson – Titanic (Finalist); Christopher Nairne – Johnny Got His Gun (Nominee)^[14]
Sound Design: Max Pappenheim – Johnny Got His Gun (Nominee); Max Pappenheim – Martine (Nominee); Isobel Waller-Bridge – Incognito (Winner)^[14]
Choreographer: Lee Proud – Carousel (Finalist); Drew McOnie – The Heights (Winner)^[14]
TBC Award: Forced Entertainment – Tomorrow’s Parties (Winner)^[14]
Production: Titanic – Southwark Playhouse (Winner)^[14]

Director: Thom Southerland – Grand Hotel (Nominee); Russell Labey – Gods and Monsters (Nominee); Gary Lloyd – Carrie (Nominee); Gary Lloyd – Carrie (Nominee – second production listing); Christopher Nairne – The Edge Of Our Bodies (Nominee); Chris White – Klook’s Last Stand (Nominee)^[15]
Female: Samantha Colley – Klippies (Nominee); Rochenda Sandall – Little Malcolm And His Struggle Against The Eunuchs (Finalist); Gemma Whelan – Radiant Vermin (Finalist); Eleanor Worthington Cox – Tom Cat (Nominee); Clare Higgins – Clarion (Winner); Shannon Tarbet – The Edge of Our Bodies (Finalist)^[15]
Male: Matthew Tennyson – A Breakfast of Eels (Winner); Harry Melling – The Angry Brigade (Nominee); Greg Hicks – Clarion (Nominee)^[15]
Supporting Female: Rochenda Sandall – Little Malcolm And His Struggle Against The Eunuchs (Finalist); Natasha Rickman – The Talented Mr Ripley (Nominee); Lucy Ellinson – The Christians (Finalist); Joanne Clifton – Face The Music (Nominee)^[15]
Sound Design: Max Pappenheim – My Eyes Went Dark (Nominee); Max Pappenheim – Wink (Nominee); Isobel Waller-Bridge – Incognito (Winner)^[15]
Set Design: Max Dorey – And Then Come The Nightjars (Nominee); Max Dorey – No Villain (Nominee)^[15]
Choreography: Lee Proud – Grand Hotel (Winner); Gary Lloyd – Carrie (Finalist)^[15]
Producer: Paul Taylor-Mills – Producer (Finalist)^[15]
New Play: Jon Brittain – Rotterdam (Nominee); Belinda Lang – This Was A Man (Nominee); Barney Norris – Eventide (Finalist)^[15]
Supporting Male: *(no Super Notables in this category for 2016)*
Lighting Design: Christopher Nairne – Johnny Got His Gun (Nominee)^[15]

Male Performance (Plays): Zubin Varla – Poison (Nominee); Richard Gadd – Monkey See Monkey Do (Nominee); Ken Nwosu – An Octoroon (Winner); Jethro Compton – White Fang (Nominee); Harry Melling – Jam (Nominee); Ben Aldridge – Run The Beast Down (Finalist); Ian McDiarmid – What Shadows (Finalist); Adrian Lukis – I’m Gonna Pray For You So Hard (Nominee); Adam Deacon – The Retreat (Nominee)^[16]
Female Performance (Plays): Susannah Doyle – The Secondary Victim (Nominee); Sinead Matthews – Loot (Finalist); Sian Thomas – The Cherry Tree (Nominee); Kiza Deen – Expensive Shit (Nominee); Josie Lawrence – Mother Courage And Her Children (Nominee); Ella Purnell – Natives (Nominee); Bronagh Lagan – Promisies, Promises (Nominee); Adjoa Andoh – Assata Taught Me (Nominee)^[16]
Female Performance (Musicals): T’Shan Williams – The Life (Winner); Sharon D. Clarke – The Life (Winner); Mimi Ndiweni – The Convert (Winner); Joanne Clifton – Top Hat (Nominee)^[16]
Female Supporting Performance (Plays): Vivian Oparah – An Octoroon (Finalist); Sharon D. Clarke – The Life (Winner); Margot Leicester – Seventeen (Nominee); Clare Perkins – The Convert (Nominee); Miriam Margolyes – Madame Rubinstein (Nominee); Jill Winternitz – I’m Gonna Pray For You So Hard (Nominee)^[16]
Male Supporting Performance (Plays): Tom Rhys Harries – Pitchfork Disney (Winner)^[16]
Male Supporting Performance (Musicals): Peter Polycarpou – Working (Finalist); Cornell S. John – The Life (Winner)^[16]
Director: Thom Southerland – Death Takes A Holiday (Nominee); Ramin Gray – Winter Solstice (Finalist); Ned Bennett – An Octoroon (Winner); Guy Retallack – Miracle On 34th Street (Nominee); Jamie Lloyd – Guards at the Taj (Nominee); Christopher Nairne – Design: Lighting (Nominee)^[16]
New Play: Rajiv Joseph – Guards at the Taj (Nominee); Danai Gurira – The Convert (Nominee)^[16]
Set Design: Max Dorey – Talk Radio / Tryst (Finalist); Rikki Beadle-Blair – Hashtag Lightie (Nominee); George Dennis – Guards at the Taj (Finalist); Frankie Bradshaw – Assata Taught Me (Nominee)^[16]
Sound Design: Max Pappenheim – The Blinding Light (Nominee); Max & Ben Ringham and George Dennis – Killer (Winner)^[16]

Male Performance (Plays): Wil Johnson – Leave Taking (Winner); Tyrone Huntley – Angry (Nominee); Trevor White – Building the Wall (Nominee); Timothy Harker – An Honourable Man (Nominee); Robert Costerlli – Rothschild & Sons (Nominee); Les Dennis – End of the Pier (Nominee); Irfan Shamji – Mayfly (Finalist); Henry Goodman – Honour (Nominee)^[17]
Male Performance (Musicals): Neil McDermott – Eugenius! (Nominee).
Male Supporting Performance (Plays): Wil Johnson – The Daughter in Law (Nominee); Paul Bradley – Humble Boy (Nominee); Nitin Ganatra – End of the Pier (Finalist); Ian Bonar – Jellyfish (Nominee)^[17]
Female Performance (Plays): Veronica Roberts – The Daughter in Law (Nominee); Tricia Kelly – Caterpillar (Nominee); Teresa Banham – The Open House (Nominee); Tanya Moodie – Rasheeda Speaking (Nominee); Sinead Cusack – Stitchers (Finalist); Sheila Hancock – Harold & Maude (Nominee); Sarah Niles – Leave Taking (Winner); Monica Dolan – The B*easts (Finalist); Miquel Brown – The Play About My Dad (Nominee); Louise Jameson – My Best Gay Friend (Finalist); Louise Jameson – Vincent River (Finalist); Leanne Best – The Human Voice (Nominee); Imogen Stubbs – Honour (Nominee)^[17]
Female Supporting Performance (Plays): Selina Cadell – Humble Boy (Nominee); Laura Rogers – Pressure (Nominee)^[17]
Performance Piece / Short Run: Monica Dolan – The B*easts (Finalist)^[17]
Most Promising New Playwright: Monica Dolan – The B*easts (Nominee)^[17]
Director: Michael Boyd – The Open House (Nominee); James Hillier – Not Talking (Nominee)^[17]
Special Award: Sally Wood – Producer (Winner).

Design: Set (Plays): takis – Ain't Misbehavin' (Nominee)^[18]
Director (Plays): Rikki Beadle-Blair – My Dad's Gap Year (Nominee)^[18]
Choreography / Movement (Plays): Oti Mabuse – Ain't Misbehavin' (Winner)^[18]
Female Performance in a Supporting Role (Plays): Arabella Weir – The Last Temptation of Boris Johnson (Nominee)^[18]
Female Performance (Plays): Zoe Lyons – An Act of God (Nominee); Wendi Peters – Call Me Vicky (Nominee); Victoria Hamilton-Barritt – The View Upstairs (Nominee); Summer Strallen – Romance Romance (Nominee); Stacy Francis – Bare: A Pop Opera (Nominee); Sheila Atim – Time for Love (Finalist); Ryan Calais Cameron – Typical (Nominee); Ronke Adekoluejo – Teleportation (part of This Is Black) (Nominee); Robert Jones – Agnes Colander (Nominee); Richard Blackwood – Typical (Nominee)^[18]

Most Promising New Playwright (Plays): Temi Wilkey – The High Table (Nominee)^[19]
Lead Performance (Plays): Sam Crane – The Rage of Narcissus (Finalist); Michael Pennington – The Tempest (Nominee); Maggie Steed – The Cutting Edge (Nominee)^[19]
Supporting Performance (Plays): John Hollingworth – The Sugar Syndrome (Finalist)^[19]
Lead Performance (Musicals): Jessica Martin – Blitz! (Nominee).^[19]
Supporting Performance (Plays): Isabella Laughland – Love, Love, Love (Nominee)^[19]
Lead Performance (Musicals): Frances Barber – Musik (Winner)^[19]
Lead Performance (Musicals): Dave Willetts – Rags (Winner)^[19]
Supporting Performance (Plays): Alexandra Gilbreath – The Sugar Syndrome (Nominee)^[19] Male Performance (Plays): Richard Gadd – Baby Reindeer (Nominee)^[19]

New Play (Plays): Young Jean Lee – Straight White Men (Nominee)^[20]
Lead Performance (Musicals): Wendi Peters – You Are Here (Finalist)^[20]
Performance Piece: Ronke Adékoluejo – Lava (Winner)^[20]
Supporting Performance (Plays): Nancy Crane – Yellowfin (Nominee)^[20]
Performance Piece (Plays): Linda Marlowe – No Fear! (Finalist)^[20]
Lead Performance (Plays): John Dagleish – Cratchit (Nominee)^[20]
Supporting Performance (Musicals): Jacqueline Dankworth – Indecent Proposal (Finalist)^[20]
Lead Performance (Plays): Grace Saif – Athena (Nominee)^[20]
Design: Sound (Plays): Gareth Fry – Psychodrama (Nominee)^[20]
Most Promising New Playwright (Plays): Dipo Baruwa-Etti – The Sun, The Moon and The Stars (Finalist)^[20]
Lead Performance (Plays): Daragh O’Malley – Yes So I Said Yes (Nominee)^[20]

Performance Piece (Plays): Rosie Day – Instructions for a Teenage Armageddon (Finalist)^[21]
Cabaret: Reuben Kaye – The Butch is Back (Winner)^[21]
Performance Ensemble: Nick Mohammed, David Elms, Kieran Hodgson, Sarah Hadland – A Christmas Carol-ish (Nominee)^[21]
Solo Performance (Plays): Miz Cracker – Who's Holiday (Nominee)^[21]
Lead Performance (Plays): Lucy Benjamin – Here (Nominee)^[21]
Performance Piece (Plays): Liz Kingsman – One Woman Show (Winner)^[21]
Lead Performance (Plays): Leah Harvey – The Wonderful World of Dissocia (Nominee)^[21]
Performance Ensemble: Kedar Williams-Stirling, Emeka Sesay, Francis Lovehall – Red Pitch (Nominee ^[21]
Solo Performance (Plays): Haley McGee – Age is a Feeling (Finalist)^[21]
Lead Performance (Plays): Dame Maureen Lipman – Rose (Winner)^[21]

Female Performance in a Musical: Liv Andrusier – Ride at the Charing Cross Theatre (Winner)^[22]
Performance Ensemble: Woody Harrelson, Andy Serkis, Louisa Harland – Ulster American (Nominee)^[22]
Performance Ensemble: Willow Traynor, Rosa Amos, Annabel Gray, Louisa Hamdi, Peal Adams, Afriya-Jasmine Nylander, Ellie Rose Amit – Flies (Nominee)^[22]
Musicals: Supporting Performance: Tracie Bennett – How to Succeed in Business Without Really Trying (Nominee)^[22]
Full Run: Plays – Lead Performance: Stephen Dillane – How It Is (Part Two) (Nominee)^[22]