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The 1980s portal
The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was the decade that began on 1 January 1980, and ended on 31 December 1989.
The United Kingdom and the United States moved closer to supply-side economic policies, beginning a trend towards global instability of international trade that would pick up more steam in the following decade as the fall of the USSR made right-wing economic policy more powerful.
The final decade of the Cold War opened with the US–Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the bulletin board system. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners-Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
On the same day, concerts inspired by the initiative were held in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia, and West Germany. It was one of the largest satellite link-ups and television broadcasts of all time. An estimated audience of 1.9 billion people in 150 nations watched the live broadcast, nearly 40 percent of the world population. (Full article...)
... that the Waahine Toa paintings were criticised as unfashionable when first exhibited in the 1980s, but are now considered iconic in New Zealand art?
... that people in the 1980s expressed interest in buying Chicago's James Charnley House only because they wanted to see the interior?
... that in the 1980s, when Moturoa Island lost all its endangered kiwi to pests, experts reintroduced seven birds– today there could be as many as 300 kiwi on the island?
... that, during the 2012 Weezer Cruise, band members oversaw wedding vow renewals, a shuffleboard contest, a midnight movie screening, and a 1980s-themed prom?
Image 3Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 13The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 19The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Goldman began writing the script in 1971, deriving inspiration from his encounters with dysfunctional couples. He spent several years trying to secure a major film studio to produce it before taking it to 20th Century Fox. Parker learned of the script as he was developing Fame (1980), and he later worked with Goldman to rewrite it. After an unsuccessful pre-production development at Fox, Parker moved the project to Metro-Goldwyn-Mayer, which provided a budget of $12 million. Principal photography lasted 62 days, in the period from January to April 1981, on location in Marin County. (Full article...)
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The Killer (Chinese:喋血雙雄) is a 1989 Hong Kong action film directed by John Woo, and produced by Tsui Hark. The film stars Chow Yun-fat, Danny Lee, and Sally Yeh. Chow plays Ah Jong, a professional assassin for the Triads who wants to retire, but accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit to pay for her treatment.
After the financial backing from Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
The film was made in less than nine months, with production commencing in September 1986 so that the film could be released the following summer. The film was shot on location in New England and in the Bahamas and completed on the Universal lot. As with the first two films, Martha's Vineyard was the location of the fictional Amity Island for the opening scenes. Delays caused by the mechanical sharks and the weather led to concerns about whether the release date would be met. Many critics suggested that the rushed production compromised the quality of the film. The film was marketed with the now infamous tagline "This time, it's personal." (Full article...)
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Americana is a 1981 American drama film starring, produced, edited and directed by David Carradine. The screenplay and story, written by Richard Carr, was based on a portion of the 1947 novel, The Perfect Round, by Henry Morton Robinson. The novel's setting was originally post-World War II, but the screenplay involved the post-war experiences of a Vietnam War veteran, obsessed with restoring an abandoned carousel.
In 1981, the film won The People's Choice Award at the Director's Fortnight at the Cannes Film Festival.[disputed–discuss] Financing the film himself, Carradine shot most of the footage for the film, which was co-produced by Skip Sherwood, in 1973 with a band of 26 people, mostly his family and friends, over the course of 18 days. Problems with financing and distribution kept the film from being released until 1983. The film was well received by audiences, but met with primarily negative criticism. (Full article...)
Begotten is a 1989 American experimentalhorror film written and directed by E. Elias Merhige. It stars the largely unknown actors Brian Salzberg, Donna Dempsey, Stephen Charles Barry and members of Merhige's theatre company Theatreofmaterial. Its unconventional narrative depicts the suicide of a godlike figure and the births of Mother Earth and the Son of Earth, who undertake a journey across a dying world. Merhige directed two short film sequels: 2006's Din of Celestial Birds and 2022's Polia & Blastema: A Cosmic Opera.
Merhige conceived Begotten as a dance piece for experimental theatre. It has a gritty visual style, intended to evoke film stock degraded through time and wear. Inspired by documentary footage of the aftermath of the bombing of Hiroshima, he decided on a feature film. As with the Hiroshima footage, Begotten is silent. (Full article...)
Jean de Florette (French pronunciation:[ʒɑ̃dəflɔʁɛt]) is a 1986 French perioddrama film directed by Claude Berri. It is the first part of a diptych with Manon of the Spring (Manon des Sources), released the same year. Both are the adaptation of Marcel Pagnol’s 1962 two-part novel The Water of the Hills, with the second part also being adapted from Pagnol's original 1952 film Manon of The Spring. Berri's version was the first attempt at adapting the whole saga, including the first part, Jean de Florette, which was originally written as a prequel to the novelization of Manon of The Spring.
The story takes place in rural Provence in the 1920s, where two local farmers plot to trick a newcomer out of his newly inherited property. The film starred three of France's most prominent actors – Gérard Depardieu, Daniel Auteuil, who won a BAFTA and a César award for his performance, and Yves Montand in one of his last roles. (Full article...)
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Mouna Ragam (/ˈmaʊnəˈrɑːɡəm/ transl.Silent Symphony) is a 1986 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, and produced by G. Venkateswaran. The film stars Mohan and Revathi, with Karthik in a guest appearance. V. K. Ramasamy, Ra. Sankaran, Bhaskar, Kanchana, Vani, Kalaiselvi and Sonia play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an arranged marriage with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present.
The film's development began when Ratnam began writing a short story titled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut Pallavi Anu Pallavi (1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed Mouna Ragam. Although Ratnam began work on the script during Pallavi Anu Pallavi, it languished in development hell and ended up becoming his fifth film. Mouna Ragam was the first film produced by Venkateswaran's Sujatha Films, and was shot primarily in Madras, with additional filming taking place in Delhi and Agra. The music was composed by Ilaiyaraaja, with lyrics by Vaali. P. C. Sreeram was the cinematographer, and the art director was Thota Tharani. The film was edited by B. Lenin and V. T. Vijayan. (Full article...)
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Aliens is a 1986 science fiction-action film written and directed by James Cameron. It is the sequel to the 1979 science fiction horror film Alien, and the second film in the Alien franchise. Set in the far future, it stars Sigourney Weaver as Ellen Ripley, the sole survivor of an alien attack on her ship. When communications are lost with a human colony on the moon where her crew first encountered the alien creatures, Ripley agrees to return to the site with a unit of Colonial Marines to investigate. Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn are featured in supporting roles.
Despite the success of Alien, its sequel took years to develop due to lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated management changes. Although relatively inexperienced, Cameron was hired to write a story for Aliens in 1983 on the strength of his scripts for The Terminator (1984) and Rambo: First Blood Part II (1985). The project stalled again until new Fox executive Lawrence Gordon pursued a sequel. On an approximately $18.5million budget, Aliens began principal photography in September 1985 and concluded in January 1986. The film's development was tumultuous and rife with conflicts between Cameron and the British crew at Pinewood Studios. The difficult shoot affected the composer, James Horner, who was given little time to record the music. (Full article...)
Meena Panchu Arunachalam produced Guru Sishyan under the production company P. A. Art Productions. The screenplay was written by her husband Panchu Arunachalam. The cinematography was handled by T. S. Vinayagam, the editing was by R. Vittal and C. Lancy, and the art direction was by B. Chalam. The film is Gautami's debut role in Tamil cinema, and the first film in which Rajinikanth and Prabhu co-starred. Filming took place primarily in Mysore and Chennai, and was completed in 25 days. (Full article...)
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The Care Bears Movie is a 1985 animatedmusicalfantasy film directed by Arna Selznick from a screenplay by Peter Sauder. It was the second feature film made by the Canada-based studio Nelvana Limited after the 1983 film Rock & Rule, in addition to being one of the first films based directly on a toy line and the first based on Care Bears. It introduced the Care Bears characters and their companions, the Care Bear Cousins. The voice cast includes Mickey Rooney, Georgia Engel, Jackie Burroughs and Billie Mae Richards. In the film, an orphanage owner (Mickey Rooney) tells a story about the Care Bears, who live in a cloud-filled land called Care-a-Lot. While traveling across Earth, the Bears help two lonely children named Kim and Jason, who lost their parents in a car accident, and also save Nicholas, a young magician's apprentice, from an evil spirit's influence. Deep within a place called the Forest of Feelings, Kim, Jason and their friends soon meet another group of creatures known as the Care Bear Cousins.
American Greetings, the owners of the Care Bears characters, began development of a feature film adaptation in 1981. Later on, the greeting card company chose Nelvana to produce it and granted them the film rights to the characters, in addition to financing the film along with cereal manufacturer General Mills and television syndicator LBS Communications. Nelvana's founders were producers, with fellow employee Arna Selznick directing the film. Production lasted eight months, with a production budget of at least $2 million, and took place in Canada, Taiwan, and South Korea. Carole King and John Sebastian contributed several songs for the film. Though major American film studios passed on the project, newly established independent distributor The Samuel Goldwyn Company acquired the distribution rights to the film and soon spent a record $24 million promoting it. (Full article...)
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Moodu Pani (English: The Mist) is a 1980 Indian Tamil-language psychological thriller film written, directed and filmed by Balu Mahendra. Starring his then wife Shoba and Pratap, with N. Viswanathan, Gandhimathi, Mohan and Bhanu Chander in supporting roles, it is based on two novels: Idhuvum Oru Viduthalai Thaan (1978) by Rajendra Kumar, and The Collector (1963) by John Fowles. The film follows Chandru (Pratap), who has a strong hatred towards prostitutes and would kill any such woman he encounters. He falls in love with Rekha (Shoba) and believes marrying her will end his psychological distress.
Moodu Pani was the third directorial venture of Mahendra and his second in Tamil after Azhiyatha Kolangal (1979). It also marked Mohan's debut in Tamil cinema, and the last film Shoba acted in before her death. Principal photography took place between January and April 1980, mostly in Udupi, Bangalore and Ooty. The film's similarities to Alfred Hitchcock's film Psycho (1960) have been widely discussed. The soundtrack was composed by Ilaiyaraaja, this being his 100th film, and his brother Gangai Amaran was the main lyricist. (Full article...)
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