Ashura, a Japanese National Treasure sculpture from 734.
In the mid-6th century, the introduction of Buddhism from Baekje to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen. Consequently, early Japanese sculptures from the Asuka and Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing. The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics. The Shakyamuni triad and the Guze Kannon at Hōryū-ji are prime examples. By the late 7th century, wood replaced bronze and copper. By the early Tang dynasty, greater realism was expressed by fuller forms, long narrow slit eyes, softer facial features, flowing garments and embellishments with ornaments such as bracelets and jewels. Two prominent examples of sculptures of this period are the Shō Kannon at Yakushi-ji and the Yumechigai Kannon at Hōryū-ji. During the Nara period, from 710 to 794, the government established and supported workshops called zōbussho, the most prominent of which was located in the capital Nara at Tōdai-ji, which produced Buddhist statuary. Clay, lacquer and wood, in addition to bronze, were used. Stylistically, the sculptures were influenced by the high Tang style, showing fuller body modelling, more natural drapery and a greater sense of movement. Representative examples of Nara period sculpture include the Great Buddha and the Four Heavenly Kings at Tōdai-ji, or the Eight Legions at Kōfuku-ji. (Fullarticle...)
Asahi Breweries is a Japanese global beer, spirits, soft drinks and food business group. This photograph, taken during the blue hour with a full moon, shows the headquarters of Asahi Breweries in Sumida, Tokyo, as viewed from the wharf on the Sumida River near Azuma Bridge. The Asahi Beer Hall, topped by the Asahi Flame, designed by Philippe Starck, is visible on the right, with the Tokyo Skytree in the background on the left.
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated ten cents, is part of the 1942 series.
The Japanese government-issued dollar was a form of currency issued between 1942 and 1945 for use within the territories of Singapore, Malaya, North Borneo, Sarawak and Brunei, under occupation by Imperial Japan during World WarII. The currency, informally referred to as "banana money", was released solely in the form of banknotes, as metals were considered essential to the war effort. The languages used on the notes were reduced to English and Japanese. Each note bears a different obverse and reverse design, but all have a similar layout, and were marked with stamped block letters that begin with "M" for "Malaya". This 1942 fifty-cent Japanese-issued banknote, depicting a traveller's palm on the obverse, is part of the National Numismatic Collection at the Smithsonian Institution.
Other denominations: '"`UNIQ--templatestyles-00000013-QINU`"'
The siege of Osaka was a series of battles undertaken by the Japanese Tokugawa shogunate against the Toyotomi clan, and ending in the clan's dissolution. Divided into two stages (the winter campaign and the summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. This eight-metre-long (26 ft) painting, titled The Summer Battle of Osaka Castle and executed on a Japanese folding screen, illustrates Osaka Castle under siege, and was commissioned by the daimyoKuroda Nagamasa, who took a team of painters with him to the battlefield to record the event. The painting depicts 5071 people and 21 generals, and is held in the collection of Osaka Castle.
Gasshukoku suishi teitoku kōjōgaki (Oral statement by the American Navy admiral) is a Japanese print showing three men, believed to be Commander Anan, Commodore Matthew Perry and Captain Henry Adams, who opened up Japan to the west. The text being read may be President Fillmore's letter to Emperor of Japan.
Before the outbreak of World WarI, German naval ships were located in the Pacific; Tsingtao developed into a major seaport while the surrounding Kiautschou Bay area was leased to Germany since 1898. During the war, Japanese and British Allied troops besieged the port in 1914 before capturing it from the German and Austro-Hungarian Central Powers, occupying the city and the surrounding region. It served as a base for the exploitation of the natural resources of Shandong province and northern China, and a "New City District" was established to furnish the Japanese colonists with commercial sections and living quarters. Tsingtao eventually reverted to Chinese rule by 1922.
Flowering Plum Tree (after Hiroshige), a copy of the ukiyo-e woodblock print Plum Park in Kameido by the Japanese artist Hiroshige. Completed in 1887, this painting is one of several Japanese-influenced works created by Vincent van Gogh after the opening up of Japan. In his copy, van Gogh ignored the shading present in the trunk and background of Hiroshige's image, which there implied age, and instead used colours with more "passion" and "youthfulness".
Drawing of a revealing figure named Sythatia that includes typical manga and anime elements. The drawing also illustrates the term ecchi, which describes vague sexual content such as skimpy clothing, partial or full nudity.
A registration card for Louis Wijnhamer (1904–1975), an ethnic Dutch humanitarian who was captured soon after the Empire of Japan occupied the Dutch East Indies in March 1942. Prior to the occupation, many ethnic Europeans had refused to leave, expecting the Japanese occupation government to keep a Dutch administration in place. When Japanese troops took control of government infrastructure and services such as ports and postal services, 100,000 European (and some Chinese) civilians were interned in prisoner-of-war camps where the death rates were between 13 and 30 per cent. Wijnhamer was interned in a series of camps throughout Southeast Asia and, after the surrender of Japan, returned to what was now Indonesia, where he lived until his death.
A map of Nagasaki, Japan depicting the city before and after the atomic bombing of August 9, 1945. The radius of total destruction was about 1.6 km (1 mile), followed by fires across the northern portion of the city to 3.2 km (2 miles) south of the bomb.
This ukiyo-e print, titled Kinhyōshi yōrin, hero of the Suikoden, is one in a series created by the Japanese artistUtagawa Kuniyoshi between 1827 and 1830 illustrating the 108 Suikoden ("Water Margin"). The publication of the series catapulted Kuniyoshi to fame and helped created a Suikoden craze in Japan. The hero portrayed in this print is Yang Lin.
Kanō Jigorō (嘉納 治五郎; 10 December 1860–4 May 1938) was a Japanese judoka, educator, politician, and the founder of judo. Judo was one of the first Japanese martial arts to gain widespread international recognition, and the first to become an official Olympic sport since 1964 (for men) and 1992 (for women), as well as the Commonwealth Games sport in 1990. Pedagogical innovations attributed to Kanō include the use of black and white belts, and the introduction of dan ranking to show the relative ranking among members of a martial-art-style. Well-known mottoes attributed to Kanō include "maximum efficiency minimal effort" (精力善用, seiryoku zen'yō) and "mutual welfare and benefit" (自他共栄, jita kyōei).
In his professional life, Kanō was an educator and a promoter of multiple sports in Japan, including swimming, athletics, weightlifting and other forms of physical education. Aside from judo, he is considered by some to be the originator of modern strength training in Japan. He also helped Gichin Funakoshi and other masters to introduce and systematize karate in the country. He was also a high member of the Dai Nippon Butoku Kai martial arts organization, and played a key role in making judo and kendo part of the Japanese public school programs. His cousin Kenji Kanō, founder of one of the first western boxing clubs in Japan, was also influenced by him. (Full article...)
Okinawa Prefecture is one of Japan's southern prefectures, and consists of hundreds of the Ryukyu Islands in a chain over 1,000 km long, which extends southwest from Kyūshū (the southwesternmost of Japan's main four islands) to Taiwan. Okinawa's capital, Naha, is located in the southern part of the largest and most populous island, Okinawa Island, which is approximately half-way between Kyūshū and Taiwan. The disputed Senkaku Islands (Mandarin: Diaoyu Islands) are also administered as part of Okinawa Prefecture at present. The oldest evidence of human existence in the Ryukyu islands was discovered in Naha and Yaese. Some human bone fragments from the Paleolithic era were unearthed, but there is no clear evidence of Paleolith remains. Japanese Jōmon influences are dominant in the Okinawa Islands, although clay vessels in the Sakishima Islands have a commonality with those in Taiwan. The first mention of the word Ryukyu was written in the Book of Sui. This Ryukyu might refer to Taiwan, not the Ryukyu islands. Okinawa was the Japanese word depicting the islands, first seen in the biography of Jianzhen, written in 779. Agricultural societies begun in the 8th century slowly developed until the 12th century. Since the islands are located in the center of the East China Sea relatively close to Japan, China and South-East Asia, the Ryūkyū Kingdom became a prosperous trading nation. Also during this period, many Gusukus, similar to castles, were constructed. The Ryūkyū Kingdom had a tributary relationship with the Chinese Empire beginning in the 15th century.
Image 3Mount Aso 4 pyroclastic flow and the spread of Aso 4 tephra (90,000 to 85,000 years ago). The pyroclastic flow reached almost the whole area of Kyushu, and volcanic ash was deposited of 15 cm in a wide area from Kyushu to southern Hokkaido. (from Geography of Japan)
Image 6Samurai could kill a commoner for the slightest insult and were widely feared by the Japanese population. Edo period (1798) (from History of Japan)
Image 7Japan in 1582, showing territory conquered by Oda Nobunaga and Toyotomi Hideyoshi in gray (from History of Japan)
Image 8
Landscape of the Osaka City under the leaving Administration.
Image 41The Kuril Islands, with their Russian names. The borders of the Treaty of Shimoda (1855) and the Treaty of St. Petersburg (1875) are shown in red. Currently, all islands northeast of Hokkaido are administered by Russia. (from Geography of Japan)
Image 42Japan (Iapam) and Korea, in the 1568 Portuguese map of the cartographer João Vaz Dourado (from History of Japan)
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