Portal:Opera

Wikimedia portal for the study of Opera From Wikipedia, the free encyclopedia


The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

More about Opera...

Selected article

The Pirates of Penzance
The Pirates of Penzance, or The Slave of Duty, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It remains popular today, taking its place along with The Mikado and H.M.S. Pinafore as one of the most frequently played Gilbert and Sullivan operas. Its 1981 Broadway revival by Joseph Papp ran for 787 performances and spawned many imitations. The Pirates of Penzance was the only Gilbert and Sullivan opera to have its official premiere in New York. At the time, American law offered no copyright protection to foreigners. After their previous opera, H.M.S. Pinafore, was a hit in London, over a hundred American companies quickly mounted unauthorized "pirated" productions, often taking considerable liberties with the text and paying no royalties to the creators. By mounting their next opera in New York, Gilbert and Sullivan hoped to forestall further "piracy" by establishing the official production in America before others could copy it. This proved successful in allowing them to get some of the profits; however, it failed to ever establish any actual copyright, and future operas would return to premièring in London. The creative period for Pirates was unusual, in that Sullivan composed the acts in reverse bringing the completed Act II with him, with Act I existing only in sketches. When he arrived in New York, he found that he had left the sketches behind, and he had to reconstruct the first act from memory.

In this month

Simone Young

Selected biography

Giacomo Meyerbeer, Lithograph by Josef Kriehuber, 1847
Giacomo Meyerbeer, (born Jacob Liebmann Beer) (5 September 1791 2 May 1864) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the 19th century. With his 1831 opera Robert le diable and its successors he gave the genre of grand opera "decisive character". Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe, and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the 19th century. Born to a very wealthy family, Meyerbeer began his musical career as a pianist, but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera Il crociato in Egitto was the first to bring him Europe-wide reputation, but it was Robert le diable (1831) which raised his status to great celebrity. His public career from 1831 until his death, during which he remained throughout a dominating figure in opera, was summarized by his contemporary Hector Berlioz, who claimed that he "has not only the luck to be talented, but the talent to be lucky." He was at his peak with his operas Les Huguenots (1836) and Le prophète (1849); his last opera (L'Africaine) was performed posthumously.

Selected quote

Giuseppe Verdi. Portrait by Giovanni Boldini, 1886
I adore art... when I am alone with my notes, my heart pounds and the tears stream from my eyes, and my emotion and my joys are too much to bear.

Selected audio

Antonio Pasculli's Gran Concerto on themes from Verdi's I vespri siciliani. Performed by Alex Klein, oboe, and Lisa Bergman, piano.

Did you know?

Alma Webster Powell in 1919

WikiProjects

Main topics

Opera history: Origins of opera  Italian opera  Opera in German  French opera  Opera in English  Polish opera  Russian opera  Hungarian opera  Armenian opera  Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics  List of operas by composer  Important operas  Major opera composers  Opera librettists  Opera houses  Opera companies  Opera festivals  Opera directors  Operetta composers  Orphean operas  Zarzuela composers  Opera genres  Operas set in the Crusades  The Record of Singing  Bayreuth canon

Good articles

Categories

In the Loge by Mary Cassatt

Things you can do

Things you can do

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

Discover Wikipedia using portals

Related Articles

Wikiwand AI