Roy Overbaugh
American cinematographer
From Wikipedia, the free encyclopedia
Roy F. Overbaugh (1882–1966) was an American cinematographer.[1] He worked primarily in the United States often in association with the Canadian born director John S. Robertson, but also worked on several prestige films in Britain.
BornNovember 14, 1882
Chicago, Illinois, U.S.
Died1966 (aged 83–84)
Los Angeles, California, U.S.
Occupation
Roy Overbaugh | |
|---|---|
| Born | November 14, 1882 Chicago, Illinois, U.S. |
| Died | 1966 (aged 83–84) Los Angeles, California, U.S. |
| Occupation | |
Partial filmography
- Cassidy (1917)
- Grafters (1917)
- American - That's All (1917)
- Her Father's Keeper (1917)
- A Case at Law (1917)
- The Man Who Made Good (1917)
- On the Jump (1918)
- The Misleading Widow (1919)
- Erstwhile Susan (1919)
- Wanted: A Husband (1919)
- Dr. Jekyll and Mr. Hyde (1920)
- Away Goes Prudence (1920)
- A Dark Lantern (1920)
- 39 East (1920)
- Sentimental Tommy (1921)
- The Magic Cup (1921)
- Footlights (1921)
- Love's Boomerang (1922)
- The Spanish Jade (1922)
- Fury (1923)
- The Bond Boy (1923)
- The White Sister (1923)
- Classmates (1924)
- Romola (1924)
- Soul-Fire (1925)
- Shore Leave (1925)
- The Beautiful City (1925)
- Nell Gwyn (1926)
- Confetti (1927)
- The Return of the Rat (1928)
- The Bishop Murder Case (1930)
- Outside the Law (1930)
- Penrod and Sam (1931)
- Riot Squad (1932)
