Sam Pinkleton

American choreographer and theatre director (born 1987) From Wikipedia, the free encyclopedia

Sam Pinkleton (born July 20, 1987) is a Tony-Award-winning American choreographer and theatre director.

Pinkleton at the 78th Tony Awards 2025

He is known for directing the Broadway play Oh, Mary!, for which he won the Tony Award for Best Direction of a Play, and choreographing the Broadway musical Natasha, Pierre & The Great Comet of 1812, for which he received a Tony Award nomination.[1] Pinkleton's additional work on Broadway includes choreographing the 2017 productions of Amélie and Significant Other.[2]

Early life and education

Sam Pinkleton was born on July 20, 1987, in Hopewell, a small city right outside of Richmond, Virginia.

As a child, he attended the Carter G. Woodson Middle School.[3] Pinkleton also attended and graduated from the Appomattox Regional Governor's School for the Arts And Technology in Petersburg, Virginia, where he used to play the saxophone.[4]

He moved to New York City when he was age eighteen to attend New York University as a musical-theatre major, but later switched to the directing program instead.

Career

His first Broadway credit was in 2014 as assistant director, working on The Lyons by Nicky Silver. Pinkleton’s first choreography credit on Broadway was for a revival of Sophie Treadwell’s Machinal.

He started working on the musical Natasha, Pierre & The Great Comet of 1812 in 2013 after seeing the first performance of it in 2012 at the Ars Nova theater in New York City. The director of the show, Rachel Chavkin, asked Pinkleton to help with staging the show for a bigger space, which he agreed to do.[5] The Great Comet then had a third run at American Repertory Theater in Cambridge, Massachusetts, before finally transferring to Broadway. During its Broadway run, the show received twelve Tony Award nominations including Best Choreography for Pinkleton.

Some of his more recent work includes co-choreographing and co-directing a production of Head over Heels at the Pasadena Playhouse in Pasadena, California, along with Jenny Koons, as well as creating a cruise-ship show for Virgin Voyages titled Untitled DanceShowPartyThing with Ani Taj and Sunny Min-Sook Hitt.

In 2019, Pinkleton worked as an artist-in-residence at New York City's Pace University.[6]

Choreographic style

Pinkleton often talks about not having a style, but instead focusing on the current dancers he has and working with them to create something together. Pinkleton says that he never choreographs on his own body, and tries to use the previous experience and special abilities of the actors to inspire his movement.[7]

Theatre work

More information Year, Title ...
Year Title Role Venue
2012 The Lyons Assistant Director Cort Theater
2014 Machinal Choreographer American Airlines Theatre
2015 The Heidi Chronicles Movement Consultant Music Box Theatre
2016 Heisenberg Choreographer Friedman Theatre
2016–17 Natasha, Pierre, and the Great Comet of 1812 Choreographer Imperial Theatre
2017 Significant Other Choreographer Booth Theatre
Amélie Choreographer/Musical Staging Walter Kerr Theatre
2022 Macbeth Movement Longacre Theatre
You Will Get Sick Director Roundabout Theatre Company
2023 Here We Are Choreographer The Shed
2024 Can I Be Frank? Director La MaMa Experimental Theatre Club
Oh, Mary! Director Lucille Lortel Theatre
La Cage aux Folles Director Pasadena Playhouse
2024–25 Oh, Mary! Director Lyceum Theatre
2025 Here We Are Choreographer National Theatre
Josh Sharp: ta-da! Director Greenwich House Theatre
Can I Be Frank? Director SoHo Playhouse
Ceilidh Director and choreographer M&T Bank Exchange
2026 The Rocky Horror Show Director Studio 54
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Awards and nominations

More information Year, Award ...
Year Award Category Work Result
2017 Tony Award[8] Best Choreography Natasha, Pierre & The Great Comet of 1812 Nominated
2020 Lucille Lortel Awards[9] Outstanding Choreographer Soft Power Nominated
2025 Tony Award Best Direction of a Play Oh, Mary! Won
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See also

References

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