Samad Mir
Kashmiri Sufi poet (1893–1959)
From Wikipedia, the free encyclopedia
Samad Mir (1893 – 9 January 1959) was a Kashmiri Sufi poet[1][2] His poetry explores themes such as divine beauty, spiritual longing, and his ethical ideals of the Sufi tradition.
Samad Mir | |
|---|---|
| Born | 1893 Alam Sahib Narwara, Srinagar, Kashmir |
| Died | 9 January 1959 (aged 65–66) Nambalhar, Budgam district, Jammu and Kashmir |
| Occupation | Poet |
| Language | Kashmiri |
| Genre | Sufi poetry |
| Notable works | Aknandun, Kulyaat-e-Samad Mir |
Early life
Mir was born in 1893 in Alam Sahib Narwara, Srinagar. His parents, Khaliq Mir and Noor Khaliq Mir, were dervish members of a Muslim, specifically Sufi, religious order who had taken vows of poverty and austerity.[3]
His father, Khaliq Mir, originated from Nambalhar, a village in the Budgam district.[4] Khaliq was also a poet, and died shortly after Samad’s birth, sometime between 1893 and 1894.[4]
Mir had two brothers, Rahim and Mohammad. Rahim remained in Narwara, while Mohammad died in his twenties.[4] As an adult, Mir eventually returned to his ancestral village of Nambalhar.
During his youth and early adulthood, Mir worked as a labourer at the Hari Niwas Palace in Srinagar. He later married and became the father of three sons and one daughter.[4]
Poetry and Sufism
Mir was illiterate and received no formal schooling.[5][6] His verses were transcribed by Ali Shah of Wagar, Budgam.[7]
A complete collection of his poetry, titled Kulyaat-e-Samad Mir, was compiled and edited by Moti Lal Saqi. The Jammu and Kashmir Academy of Art, Culture and Languages has published revised editions of this collection multiple times.[4] More than 200 poems are attributed to Mir.[4]
Mir’s works incorporate a blend of Sanskrit and Hindi vocabulary,[4] and contained references of prophets, Sufi saints, and religious figures.
A monograph on his life and literary contributions has been published by the Sahitya Akademi in both Urdu and Kashmiri.[8]
Death
Mir died on 9 January 1959 in Nambalhar, Budgam district. He was buried in Agar, Nambalhar, where a shrine dedicated to him now stands.[4]
Works
Mir’s works include:
Aknandun (“The Only Son”) – widely regarded as his most significant narrative poem[9]
Praran Praran Tarawatiyay[9]
A series of Na‘at poems praising the Prophet Muhammad.[9]
Short devotional verses invoking prophets, awliyāʾ (saints), and Kashmiri Sufi masters.[9]
His lyric poems are noted for their use of Sanskrit and Hindi loanwords.[10]
Several of Mir’s compositions continue to be performed in Kashmiri Sufi musical traditions and have been interpreted by regional singers such as Abdul Rashid Hafiz.[11]