Samaria Ostraca

Context and dating

The Samaria ostraca were discovered in a fill beneath the floor of the "Ostraca House" at Samaria.^[5] Ivan Kaufman noted that these sherds must have been discarded and used as leveling debris before the building's floor was laid, placing their origin in "Period IV" of the city.^[5] This period corresponds to the mid-8th century BCE, before the building's destruction by the Assyrians in 722/721 BCE .^[6][7]

Ivan Kaufman wrote that the Samaria Ostraca should be dated to approximately the midpoint between 800 and 725 BCE, citing the second quarter of the 8th century BCE as the most likely period of production.^[8] He argues that the handwriting is more advanced than the cursive found at the Kuntillet Ajrud inscriptions (c. 800 BCE) but less mature than the inscriptions on Period VI pottery (c. 725 BCE), leading him to conclude they were written during the second quarter of the 8th century BCE.^[9] The inscriptions include specific chronological references, such as "year nine" and "year fifteen". These dates have led scholars to suggest that the system corresponds to the regnal years of one of Israel's kings. One theory identifies the king as Jeroboam II, a view that epigrapher Charles Rollston characterizes as "compelling".^[7]

Writing

The ostraca were written by professional scribes who used carbon-based ink and a highly developed cursive Hebrew script.^[10] There appears to have been a deliberate method in selecting these materials for bookkeeping, as records concerning oil were primarily written on gray jar sherds, while wine deliveries were typically noted on reddish bowl fragments.^[6]

From a paleographic perspective, the handwriting on the ostraca represents a transitional phase in the history of the alphabet in ancient Israel.^[1] The script shows significant development beyond the Mesha Stele (c. 840 BCE) but has not yet reached the maturity found in the Siloam inscription from the late 8th century.^[1] The script is characterized by flowing, elegant strokes that vary in thickness, suggesting the use of a reed pen with a specialized tip.^[8] This calligraphic style likely drew inspiration from Egyptian hieratic practices, which were designed for efficiency in recording data on papyrus.^[8]

They are written on fragments of five different types of vessels—large thick amphorae, with a drab or grey surface; large thin amphorae, with a drab or grey surface; jugs of soft brown ware with a reddish slip; basins of the same ware; and bowls of coarse ware with a red or yellow slip, all of these presumably being vessels that were used in receiving and storing the revenue. Sherds with a smooth surface or a slip would naturally be preferred for writing.

These ostraca are evidently part of a somewhat clumsy method of book-keeping. Either they were a "day-book," notes of daily receipts to be written up in some form of "ledger" afterwards, or they were the sole record kept of the amount of wine and oil received in various years from various places. It is possible they were written and handed in by the payer, not by the receiver.

All of them began with a date, such as "In the ninth, tenth, or fifteenth year" presumably of the reign of Jeroboam II.^[7] This is followed by the amount and quality of wine or oil received, with the name of the place where it came from and of the giver, such as "in the tenth year wine of Kerm-ha-Tell for a jar of fine oil" where evidently wine was accepted in place of fine oil. "A jar of old wine" and "a jar of fine oil" are the most usual descriptions.