Siona language

Tucanoan language spoken in South America From Wikipedia, the free encyclopedia

Siona (also spelled Ceona or Zeona and also known as Bain Coca, Pioje, Pioche-Sioni, Ganteyabain, Ganteya, Koka and Kanú) is a Tucanoan language of Colombia and Ecuador. Ecuadorian Siona and Colombian Siona, as well as Secoya, have a high level of mutual intelligibility, but have some lexical, morphological, and phonological differences between them.

NativetoColombia, Ecuador
EthnicitySiona people
Native speakers
(500 cited 2000–2008)[1]
Quick facts Native to, Region ...
Siona
Gantëya coca
Native toColombia, Ecuador
RegionPutumayo River
EthnicitySiona people
Native speakers
(500 cited 2000–2008)[1]
Tucanoan
  • Western
Dialects
Language codes
ISO 639-3snn
Glottologsion1247
ELPBaicoca-Siecoca (shared)
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As of 2013, Siona is spoken by about 550 people.[2]

Phonology

Vowels

There are 6 oral vowels and six nasal vowels. Only nasal vowels occur next to a nasal consonant /m/ or /n/.[3]

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Consonants

There are two series of obstruent consonant. Both often produce a noticeable delay before the onset of the following vowel: the 'fortis' series (written p t č k kw s h hw) is aspirated, with a noisy transition to the vowel, while the 'lenis' series (written b d g gw ’ z), optionally voiced,[citation needed] is glottalized, with a silent transition to the vowel, which in turn tends to be laryngealized. The glottal stop is faint, and noticeable primarily in the laryngealizing effect it has on adjacent vowels.

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/ɖˀ/ is realized as [ɾ] between vowels. /j/ is realized as [ɲ] next to nasal vowels.

Stress

Stress is obligatory on all verb stems, root words, and some suffixes. It disappears when the syllable is not the nucleus of a phonological word. Some monosyllabic morphemes have both stressed and unstressed forms. Although the position of stress within a word is not contrastive, vocalic and consonantal allophony depends on whether a syllable is stressed. Initial stressed vowels followed by unstressed vowels are long and have a falling tone.

References

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