Soho Repertory Theatre

American off-Broadway theater company From Wikipedia, the free encyclopedia

The Soho Repertory Theatre, known as Soho Rep,[10] is an American off-Broadway theater company based in New York City which is notable for producing avant-garde plays by contemporary writers.[1][8][4][11] The company, described as a "cultural pillar", is currently located in a 65-seat theatre in the TriBeCa section of lower Manhattan.[12] The company, and the projects it has produced, have won multiple prizes and earned critical acclaim, including numerous Obie Awards, Drama Desk Awards, Drama Critics' Circle Awards, and a Pulitzer Prize.[13] A recent highlight was winning the Drama Desk Award for Sustained Achievement for "nearly four decades of artistic distinction, innovative production, and provocative play selection."[14][9][15]

FormationJune 1, 1975 (1975-06-01)
TypeTheatre group
Location
  • 416 W 42nd Street New York, NY 10036
Quick facts Formation, Type ...
Soho Repertory Theatre
FormationJune 1, 1975 (1975-06-01)
TypeTheatre group
PurposeAvant-garde theatre[1]
Location
  • 416 W 42nd Street New York, NY 10036
Members--Directors--
Cynthia Flowers
Caleb Hammons
Eric Ting[2]
AwardsFairview 2019 Drama Desk nomination[3]
Vilcek award, 2016, Creative promise in theatre[4]
Futurity 2015, Lucille Lortel award, Best musical[5] Callaway award[6]
Blasted 2009, Obie award[7][8][9] Drama Desk nomination[9]
Websitesohorep.org
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Notable artists who have recently created work at the theater, often early in their careers, include: David Adjmi, César Alvarez, Annie Baker, Alice Birch, Christopher Chen, Jackie Sibblies Drury, debbie tucker green, Aleshea Harris, Lucas Hnath, Branden Jacobs-Jenkins, Daniel Alexander Jones, Young Jean Lee, Richard Maxwell, Nature Theater of Oklahoma and Anne Washburn.

The New York Times has described it as a "safer home for dangerous plays".[16] Critics note the “jaw dropping premieres” and “big plays in a small room”[17] as defining features of the theater’s programming. New Yorker theatre critic Hilton Als wrote about current director Sarah Benson:[18]

Under her directorship I have never seen a boring production—a very rare thing, indeed. Her deeply individual sensibility is not compromised by needs other than those of the work at hand, and it’s that freedom, structured around shows that I may not agree with but always learn from, that distinguishes the SoHo Rep... Benson has imbued each work with a tough, unsentimental core; she’s also made the plays into distinct visual works that help us see the words.

In 2019 the company adopted a shared leadership model.[19] The three Directors of the theater of the company Sarah Benson, Cynthia Flowers, and Meropi Peponides led the theater until Benson and Peponides' departure in 2023.

In 2023, Caleb Hammons and Eric Ting joined Cynthia Flowers as co-directors of the theater.[2]

The company has an annual budget of around $2 million and employs a full-time staff of seven. In 2020, in response to the Covid-19 pandemic, the company put eight artists on salary for the 2020-21 season through the creation of a job creation program titled Project Number One referencing Federal Project Number One.[20][21]

History

Soho Rep is a favorite venue to launch experimental new plays. Photo: New Jersey-born playwright Jackie Sibblies Drury.

The Soho Repertory Theatre company was founded in 1975 by Jerry Engelbach and Marlene Swartz.[22] From June through September 1975, they remodeled a former textile factory in SoHo. They wanted the space to feel "light and informal" so the audience would feel comfortable.[23] They produced their first play, Maxwell Anderson's Key Largo, on September 25. Their initial focus was on rarely seen classical plays, such as works by Aristophanes, Shakespeare, Molière, Jean Anouilh, Michel de Ghelderode, Eugene O'Neill and Samuel Beckett.[22][24] By 1979, the company was sometimes producing two shows per night, allowing audiences to see both plays in succession on a Saturday night.[22] The founding duo produced more than a hundred plays until Engelbach left in 1989.[25]

Since its early days, the company's focus has shifted to contemporary avant-garde theatrical works. In 1981, after producing works from Shakespeare to Shaw, the company produced its first new play: Stephen Davis Parks' The Idol Makers.[26] Among the many new works presented were plays by Americans Len Jenkin and Mac Wellman.

After 1989, Swartz partnered with English director Julian Webber, and they worked together for the next decade until Swartz departed in 1999.[27] The company was run by Artistic Director Daniel Aukin from 1998 to 2006, and he produced new work by artists including Adam Bock, Young Jean Lee, Richard Maxwell, Melissa James Gibson, and María Irene Fornés.

Sarah Benson was appointed as Artistic Director in 2007. Around this time, the company transitioned from the smaller off-off-Broadway model of less than 100 seats to an off-Broadway contract, typically reserved for theatres with a 100-499 seat capacity.[28]

Benson and Flowers ran the theater together from 2012 until being joined by Producer Meropi Peponides in 2014.[29] In the last decade the company has taken on ambitious projects often winning awards and critical acclaim.[30][31][32][33] One of Benson's first plays was writer Sarah Kane’s Blasted[34][35][36] which won the director an Obie Award.[30][37] Benson's production of Branden Jacobs-Jenkins's An Octoroon won an Obie for Best New American Play and transferred to Theatre for a New Audience.[38] Taibi Magar's production of Aleshea Harris' 'Is God Is' re-opened Walkerspace in 2018 following renovations and won multiple Obie awards.[39] Benson directed Jackie Sibblies Drury's 'Fairview' which won the 2019 Pulitzer Prize for Drama and had an extended run. The company celebrates with an annual gala usually in the spring, sometimes on a rooftop.[40][41][42]

Performance spaces

During the forty-five years of its existence, the theatre has produced in several venues in lower Manhattan, often being forced to move because of issues with rent or city building requirements, and survived from time to time with help from city authorities and supporters.[43] Its first space in 1975 on 19 Mercer Street was in a converted hat warehouse, described by the founders as a "practical adaptation of the Shakespearean playhouse laid out in a modest modern space".[22][44][45][46] In 1985, Bob Moss of Playwrights Horizons, assisted by the mayor's office and a grant from the Manhattan Borough President, helped them relocate to a 100-seat neo-classical theater attached to Bellevue Hospital.[47] While the theatre had a separate entrance from the psychiatric hospital, sometimes backstage their actors and writers rode the same elevator with patients, recalled playwright Mac Wellman.[48] After a year they moved to Greenwich Village, and stayed there until 1991,[49] when they found their present-day space at 46 Walker Street in Tribeca. Dubbed Walkerspace, the present theatre is only a few blocks from the company's original venue.[50] The company has been at this location except for a short period for building renovations, which had been paid for with a fundraising campaign as well as help from the city's building commissioner, Rick Chandler and Julie Menin.[51][12] In July 2024, Soho Rep announced it would be leaving its longtime home of Walkerspace, citing rising rent costs, lack of accessibility, and the costs of persistent repairs. The company will share space with Playwrights Horizons as it considers long-term plans.[52]

Staff

  • Marlene Swartz, Co-Artistic Director (1975–1995)[22]
  • Jerry Engelbach, Co-Artistic Director (1975–1989)[22]
  • Julian Webber, Co-Artistic Director (1990–1998)[53]
  • Daniel Aukin, Artistic Director (1998–2006)[54][55]
  • Sarah Benson,
    • Artistic Director (2007–2019)
    • Director (2019-2023)[28][56]
  • Meropi Peponides
    • Producer (2014–2019)
    • Director (2019-2023)
  • Cynthia Flowers
    • Executive Director (2012–2019)
    • Director (2019–present)
  • Caleb Hammons
    • Producer (2011–2013)
    • Director (2023–present)
  • Eric Ting
    • Director (2023–present)

Since 2019, Soho Rep has used a shared leadership model.

Dramatic productions

More information Season, Title ...
Season Title Playwright Director Awards Producing Partners
1975–76

(Season 1)

19 Mercer Street
Key Largo[24] Maxwell Anderson Jerry Engelbach
The Master Builder[57] Henrik Ibsen Marlene Swartz
Coriolanus William Shakespeare Jerry Engelbach
The Congresswomen Aristophanes, translation and music by William and Billie Snow Marlene Swartz
The Infernal Machine Jean Cocteau Michael Wright
Anna Christie[58] Eugene O'Neill Marlene Swartz
Heartbreak House[58] George Bernard Shaw Jerry Engelbach
The Father[58] August Strindberg, adapted by Jonathan Furst Jonathan Furst
Abelard and Eloise[59] Ronald Duncan Charles Conwell
The Imaginary Invalid[60] Molière, translation by Frances Kosbab Marlene Swartz
Bimbos in Paradise[61] B. Prune Michael Wright
Private Lives[62] Noël Coward Jack H. Cunningham
Candida[62] George Bernard Shaw Jerry Engelbach
1976–77

(Season 2)

Six Play Subscription Costs $12
The Birthday Party[63] Harold Pinter Marlene Swartz
Dracula[64] Bram Stoker, adapted by Jerry Engelbach Jerry Engelbach
Faustus X Seven Based on "Doctor Faustus," by Christopher Marlowe, adapted by Jerry Engelbach Carol Corwen and Jerry Engelbach
The Merchant of Venice[58] William Shakespeare Marlene Swartz
Billy Liar[65] Keith Waterhouse and Willis Hall Jerry Engelbach
Uncle Vanya[66] Anton Chekhov, adapted by Marlene Swartz Marlene Swartz
Spring's Awakening[66] Frank Wedekind, adapted by Carol Corwen and Mary Eileen O'Donnell Carol Corwen
Back to Methuselah[66] George Bernard Shaw Stephen R. Lieb
What the Butler Saw[67] Joe Orton Marlene Swartz
The Dock Brief[58] John Mortimer Steven Burch
The Public Eye[58] Peter Shaffer Stephen R. Lieb
Black Comedy[66] Peter Shaffer Frank Cento
Under Milk Wood[66] Dylan Thomas Harrison Ewing
July 2 and Thanksgiving Stan Kaplan Jerry Engelbach
Rain John Colton and Clemence Randolph, based on the novel by W. Somerset Maugham Jack H. Cunningham
Ghosts Henrik Ibsen Marlene Swartz
1977–78

(Season 3)

Misalliance George Bernard Shaw Trueman Kelley
The Miser Molière Moshe Yassur
Peer Gynt Henrik Ibsen, adapted by Carol Corwen Carol Corwen
The Chairs Eugène Ionesco Jon Fraser
Better Dead Georges Feydeau, adapted by Jude Schanzer and Michael Wells Jude Schanzer
Cyrano DeBergerac Edmond Rostand Jerry Engelbach
Poe in Person, one-man show Conrad Pomerleau Conrad Pomerleau
Traveler Without Luggage Jean Anouih Marlene Swartz
The Play's the Thing Ferenc Molnár Jack H. Cunningham
Mister T Michael Zettler Stephen Zuckerman Featuring Kathleen Turner and Jonathan Frakes
The Killing of Sister George Frank Marcus Marlene Swartz
The Magistrate Arthur Wing Pinero Jim Milton
The Four Little Girls Pablo Picasso Richard Gershman
The Soho Theatre of the Air, an evening of vintage radio plays Conceived and Adapted by Carol Corwen Carol Corwen
The Real Inspector Hound Tom Stoppard Timothy Brennan
Philadelphia, Here I Come! Brian Friel Ron Daley
1978–79

(Season 4)

One Act Festival Opened Jan 5th, 1979. Cost: $10 for Festival Pass; $3 per show.
Overruled! George Bernard Shaw Gene Santarelli Villager Downtown Theatre Award for a commitment to the presentation of a program of short plays
The Love of Don Perimplin and Belisa in the Garden Federico García Lorca Mary Ryder
Only 10 Minutes to Buffalo Gunter Grass Alison Mackenzie
Guernica Fernando Arrabal Mitchell Engelmeyer
Action Sam Shepard Chris Silva
Deathwatch Jean Genet Denise Merat
If You Had Three Husbands Gertrude Stein, adapted by Randy Knolle Randy Knolle
The Twelve-Pound Look J. M. Barrie Alison Mackenzie
Richard III William Shakespeare Jerry Engelbach
Miss Jairus Michel DeGhelderode Carol Corwen
Dandy Dick Arthur Wing Pinero Gene Santarelli
Inadmissible Evidence John Osborne Marlene Swartz
The Knights of the Round Table Jean Cocteau Jerry Engelbach
Amphitryon 38 Jean Giraudoux Jude Schanzer
The Servant Robin Maugham Marlene Swartz
Fallen Angels Noël Coward Trueman Kelley
October 12, 410 B.C. (Thesmophoriazusae) Aristophanes Alison Mackenzie
Requiem for a Heavyweight Rod Serling Richard Leighton
1979–80

(Season 5)

The Insect Comedy Karel & Joseph Čapek Trueman Kelley
The Cannibals George Tabori Carol Corwen
The Barber of Seville Pierre Beaumarchais Alison Mackenzie
We Have Always Lived in the Castle Hugh Wheeler, from the book by Shirley Jackson Gene Santarelli
The Silver Tassie Séan O'Casey Carey Perloff
Twelfth Night William Shakespeare Stephen Brant
The Second Man S. N. Behrman Jude Schanzer
The Life and Death of Tom Thumb the Great Henry Fielding, music by Anthony Bowles Anthony Bowles
Feathertop From a short story by Nathaniel Hawthorne, adapted by Truman Kelley Trueman Kelley
The Ugly Duckling A. A. Milne Trueman Kelley
Brewsie and Willie Gertrude Stein Michael Bloom
Homefires John Guare Michael Bloom
Fairy Tales of New York J. P. Donleavy Jerry Engelbach
The Caretaker Harold Pinter Marlene Swartz
The Gamblers Nikolai Gogol Penelope Hirsch
Old Possum's Book of Practical Cats T. S. Eliot, adapted for the stage by Jonathan Foster, music by Elyse Goodwin Jonathan Foster
The Party Sławomir Mrożek N/A
The Tricycle Fernando Arrabal N/A
1980–81

(Season 6)

Desire Caught by the Tail Pablo Picasso Jonathan Foster
The Idol Makers Stephen Davis Parks Marlene Swartz "Villager Downtown Theatre Award" for Directing
The Streets of New York, also known as The Poor of New York Dion Boucicault Trueman Kelley
Dark Ride Len Jenkin Len Jenkin
Love in the Country Book and lyrics by Michael Alfreds, music by Anthony Bowles Anthony Bowles
The Doctor and the Devils Dylan Thomas Carol Corwen
Old Times Harold Pinter Jerry Engelbach
1981–82

(Season 7)

The Girl Who Ate Chicken Bones Book by Stan Kaplan, music by David Hollister, lyrics by Stan Kaplan and David Hollister Marlene Swartz
One-Act Operas:
  • The Audience
  • Mr. Lion
  • Miyako
Libretto by Glenn Miller, music by Royce Dembo Scott Clugstone Golden Fleece Ltd.
Music and libretto by Linder Chlarson Lou Rodgers
Lou Rodgers Lou Rodgers
Nathan the Wise Gotthold Ephraim Lessing Jerry Engelbach
Subject to Fits Robert Montgomery, based on Dostoevsky's The Idiot Barry Koron
Barbarians Barrie Keeffe Peter Byrne Featured Kevin Spacey
1982–83

(Season 8)

Fanshen David Hare Michael Bloom
Kid Twist Len Jenkin Tony Barsha
Rape Upon Rape Henry Fielding Anthony Bowles
1983–84

(Season 9)

Under the Gaslight Augustin Daly Stephen Wyman
Mandrake Book and lyrics by Michael Alfreds, music by Anthony Bowles Anthony Bowles
Catchpenny Twist Stewart Parker, music by Shaun Davey Marlene Swartz
The Wood Painting Ingmar Bergman Alan Wynroth
Yes is for a Very Young Man Gertrude Stein Robert P. Barron
The Business of Good Government John Arden Jerry Engelbach
Bertha, Queen of Norway Kenneth Koch Steven Brant
George Washington Crosses the Delaware Kenneth Koch Steven Brant
The Dwarfs Harold Pinter Jerry Engelbach
Lenz Mike Stott, based on a fragment by Georg Büchner N/A
1984–85

(Season 10)

Theater moves to Bellevue Hospital in January 1985
The Crimes of Vautrin Nicholas Wright, based on the novel by Honoré de Balzac: Splendeurs et Miseresdes Courtisanes Carol Corwen
Energumen Mac Wellman Rebecca Harrison
Almos' A Man Paris Barclay, based on Richard Wright's short story, The Man Who Was Almost a Man Tazewell Thompson
The Winter's Tale William Shakespeare Anthony Bowles
1985–86

(Season 11)

Theater moves to Greenwich House, 27 Barrow Street
The Two Orphans Cormon and D'Ennery (Les deux orphelines), original music by Marshall Coid Julian Webber
One Fine Day Nicholas Wright Tazewell Thompson
The Grub Street Opera Henry Fielding, new music by Anthony Bowles Anthony Bowles
1986–87

(Season 12)

The Ragged Trousered Philanthropists Stephen Lowe Julian Webber
Sergeant Ola and his Followers David Lan Tazewell Thompson
The Mock Doctor Henry Fielding, music by Anthony Bowles Anthony Bowles
Eurydice Henry Fielding, music by Anthony Bowles Anthony Bowles
1987–88

(Season 13)

The Racket Bartlett Cormack Michael Bloom
The Girl of the Golden West David Belasco Julian Webber
A Cup of Coffee Preston Sturges Larry Carpenter
1988–89

(Season 14)

The Blitzstein Project Marc Blitzstein Carol Corwen
The Phantom Lady Pedro Calderón de la Barca, translated by Edwin Honig Julian Webber
The Cezanne Syndrome Normand Canac-Marquis, translated by Louison Denis N/A
1989–90

(Season 15)

Limbo Tales Len Jenkin Thomas Babe
American Bagpipes Iain Heggie Julian Webber
1990–91

(Season 16)

Theater is established at 46 Walker Street

Julian Webber is hired as Co-Artistic Director (with Marlene Swartz)

Native Speech Eric Overmyer John Pynchon Holms
Yokohama Duty Quincy Long Julian Webber
Two Gentlemen of Verona William Shakespeare, adapted by Mark Milbauer and David Becker Mark Milbauer and David Becker Cucaracha Theater
Hanging the President Michele Celeste
1991–92

(Season 17)

7 Blowjobs Mac Wellman Jim Simpson
Tone Clusters Joyce Carol Oates Julian Webber
1992–93

(Season 18)

Three Americanisms Mac Wellman Jim Simpson
Cross Dressing in the Depression Erin Cressida Wilson
Mormons in Malibu Wendy Hammond
1993–94

(Season 19)

David's Red-Haired Death Sherry Kramer
Terminal Hip Mac Wellman
Careless Love Len Jenkin
Dracula Mac Wellman Julian Webber featured Tim Blake Nelson
Hollywood Hustle written and performed by Jeremiah Bosgang Rob Greenberg
Exchange Yuri Trifonov, translated and adapted by Michael Frayn Peter Westerhoff
Swoop Mac Wellman Julian Webber
Women Behind Bars Tom Eyen
1994–95

(Season 20)

The House of Yes Wendy MacLeod
Skin Naomi Iizuka
Frank, Frank
Titus Andronicus William Shakespeare Lester Shane
Measure for Measure William Shakespeare Jared Hammond
1995–96

(Season 21)

Dark Ride (revival of 1981 production) Len Jenkin Julian Webber
Wally's Ghost Ain Gordon OBIE, Playwriting
1997–98

(Season 23)

A Devil Inside David Lindsay-Abaire Julian Webber
Fnu Lnu Mac Wellman, original music by David Van Tieghem Julian Webber
How to Write While You Sleep[68] Madeleine Olnek Lisa Portes
1998–99

(Season 24)

Cowboys and Indians Richard Maxwell and Jim Strahs Richard Maxwell
Quartet Heiner Müller
The Escapist The Flying Machine
Alice's Evidence Ellen Beckerman
1999–2000

(Season 25)

R&D: Research & Development new work development series featuring Mac Wellman, Richard Maxwell, and Maria Shron
The Year of the Baby Quincy Long, composed by Maury Loeb, based on a play by Stephen Foster Daniel Aukin
Hypatia Mac Wellman Bob McGrath
2000–01

(Season 26)

Cat's-Paw Mac Wellman Daniel Aukin
Caveman Richard Maxwell Richard Maxwell
Boxing 2000 Richard Maxwell
2001–02

(Season 27)

[sic] Melissa James Gibson Daniel Aukin OBIE, Playwriting

OBIE, Special Citation, Direction

OBIE, Special Citation, Set Design

Attempts On Her Life Martin Crimp Steve Cosson
2002–03

(Season 28)

Signals of Distress created and performed by members of the Flying Machine; adapted by Joshua Carlebach from the novel by Jim Crace Joshua Carlebach
Molly's Dream María Irene Fornés Daniel Aukin OBIE, Special Citation
2003–04

(Season 29)

Suitcase, or Those That Resemble

Flies from a Distance

Melissa James Gibson Daniel Aukin True Love Productions
The Appeal Young Jean Lee Young Jean Lee
2004–05

(Season 30)

Everything Will Be Different (later retitled A Brief History of Helen of Troy) Mark Schultz Daniel Aukin
Frankenstein adapted by Joshua Carlebach from the novel by Mary Shelley Joshua Carlebach
2005–06

(Season 31)

Not Clown Carlos Treviño and Steve Moore Carlos Treviño
Peninsula Madelyn Kent Madelyn Kent
2006–07

(Season 32)

Thugs Adam Bock Anne Kauffman OBIE, Playwriting

OBIE, Ross Wetzsteon Award

2007–08

(Season 33)

Sarah Benson begins tenure as Artistic Director

Soho Rep. begins producing under Off-Broadway Equity Contract

Philoktetes John Jesurun, adapted from Sophocles' original John Jesurun
No Dice Nature Theater of Oklahoma OBIE, Special Citation
2008–09

(Season 34)

Blasted Sarah Kane Sarah Benson OBIE, Special Citation, Direction[18][69][70]

OBIE, Special Citation, Set Design, Drama Desk nomination

Sixty Miles to Silver Lake Dan LeFranc Anne Kauffman New York Times Outstanding Playwright Award
Rambo Solo conceived by Pavol Liska and Kelly Copper in conversation with Zachary Oberzan Pavol Liska and Kelly Copper Nature Theater of Oklahoma
2009–10

(Season 35)

Lear Young Jean Lee, adapted from King Lear by William Shakespeare, choreographed by Dean Moss Young Jean Lee
The Truth: A Tragedy written, composed, and performed by Cynthia Hopkins DJ Mendel
2010–11

(Season 36)

Orange, Hat & Grace Gregory Moss Sarah Benson
Jomama Jones * Radiate performed by Daniel Alexander Jones, music direction by Bobby Halvorson Kym Moore
born bad debbie tucker green Leah C. Gardiner OBIE, Special Citation, Playwriting

OBIE, Special Citation, Directing

2011–12

(Season 37)

Elective Affinities David Adjmi Sarah Benson[18][71][72] Featured Zoe Caldwell Piece by Piece Productions

and Rising Phoenix Repertory

The Ugly One Marius von Mayenburg Daniel Aukin The Play Company, John

Adrian Selzer

Uncle Vanya Annie Baker, adapted from Anton Chekhov's original Sam Gold John Adrian Selzer
2012–13

(Season 38)

We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, from the German Sudwestafrika Between the Years 1884–1915 Jackie Sibblies Drury Eric Ting OBIE, Direction John Adrian Selzer
Life and Times, Episodes 1–4 conceived by Pavol Liska and Kelly Copper in conversation with Kristin Worrall Pavol Liska and Kelly

Copper

OBIE, Special Citation Nature Theater of Oklahoma, Burgtheater in Vienna, The Public Theater, John Adrian Selzer
A Public Reading of an Unproduced Screenplay About the Death of Walt Disney Lucas Hnath Sarah Benson OBIE, Performance (Larry Pine)[18][72] John Adrian Selzer
2013–14

(Season 39)

Marie Antionette David Adjmi Rebecca Taichman John Adrian Selzer, American Repertory Theater, Yale Repertory Theater
An Octoroon Branden Jacobs-Jenkins; songs, score, and

musical direction by César Alvarez, choreography

by David Neumann

Sarah Benson OBIE, Performance (Chris Myers)[73][7]

OBIE, Best New American Play[72]

John Adrian Selzer
2014–15

(Season 40)

generations debbie tucker green Leah C. Gardiner The Play Company, John Adrian Selzer
Winners and Losers created and performed by Marcus Youssef and James Long Chris Abraham
10 out of 12 Anne Washburn Les Waters John Adrian Selzer
2015–16

(Season 41)

FUTURITY lyrics and book by César Alvarez, music by César Alvarez with The Lisps Sarah Benson Lortel Award, Outstanding Musical[74][5][6] Carole Shorenstein Hays, Ars Nova
Revolt. She Said. Revolt Again. Alice Birch Lileana Blain-Cruz John Adrian Selzer
2016–17

(Season 42)

Duat Daniel Alexander Jones, with new music by Samora Pinderhughes, Bobby Halvorson, and Jomama Jones Will Davis
[untitled new play] Jackie Sibblies Drury Sarah Benson
In The Blood Suzan-Lori Parks Sarah Benson [72][75]
Samara Richard Maxwell, with original music by Steve Earle Sarah Benson [72] John Adrian Selzer
2017–18

(Season 43)

Is God Is Aleshea Harris Taibi Magar American Playwriting Foundation Relentless Award 2016
[studio] Alice Birch, Narcissister, Carmelita Tropicana and Branden Jacobs-Jenkins, Kate Tarker, Becca Blackwell
Fairview Jackie Sibblies Drury Sarah Benson Pulitzer Prize for Drama 2019; Drama Desk nomination[76][77][3][78][79]
2018–19

(Season 44)

Thunderbodies Kate Tarker Lileana Blain-Cruz
Passage Christopher Chen Saheem Ali
2019–20

(Season 45)

for all the women who thought they were Mad Zawe Ashton Whitney White
2021–22

(Season 46)

while you were partying Julia Mounsey & Peter Mills Weiss
Wolf Play Hansol Jung Dustin Wills
Notes on Killing Seven Oversight, Management and Economic Stability Board Members Mara Vélez Meléndez David Mendizábal
2022–23

(Season 47)

Montag Kate Tarker, with original music by Daniel Schlossberg Dustin Wills
Public Obscenities Shayok Misha Chowdhury Shayok Misha Chowdhury Finalist for the 2024 Pulitzer Prize for Drama
The Whitney Album Jillian Walker Jenny Koons
2023-2024 Snatch Adams & Tainty McCracken Present It’s That Time of the Month Becca Blackwell & Amanda Duarte Jess Barbagallo
The Fires Raja Feather Kelly Raja Feather Kelly
2024-2025 Give Me Carmelita Tropicana! Alina Troyano & Branden Jacobs-Jenkins Eric Ting
SOHO REP IS NOT A BUILDING. SOHO REP HAD A BUILDING… Various writers including David Adjmi, Fred Basch, Jackie Sibblies Drury, Lucas Hnath, Branden Jacobs-Jenkins, Kate Tarker, Shayok Misha Chowdhury, Young Jean Lee, Amanda Spooner, Louisa Thompson, and Peter Mills Weiss
The Great Privation (How to flip ten cents into a dollar) Nia Akilah Robinson Evren Odcikin
Prince Faggot Jordan Tannahill Shayok Misha Chowdhury
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