Syd Field
American author (1935–2013)
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Sydney Alvin Field (December 19, 1935 – November 17, 2013) was an American author who wrote several books on screenwriting, the first being Screenplay: The Foundations of Screenwriting (Dell Publishing, 1979). He led workshops and seminars about producing salable screenplays. Hollywood film producers use Field's ideas on structure to measure the potential of screenplays.[1]
December 19, 1935
Syd Field | |
|---|---|
Field at the 2008 Screenwriting Expo | |
| Born | Sydney Alvin Field December 19, 1935 Hollywood, California, U.S. |
| Died | November 17, 2013 (aged 77) |
| Occupation | Writing |
| Years active | 1960–2013 |
| Spouse |
Aviva Field (m. 1991) |
| Children | 1 |
| Website | sydfield |
In 2001, he was inducted into American Screenwriters Association's Screenwriting Hall of Fame.[2]
Early life
Syd Field was born on December 19, 1935, in Hollywood, California.[3] His uncle, Sol Halprin, was the head of the camera department at 20th Century Fox, and his neighbor was a talent agent who got him minor screen time in Gone with the Wind (1939) which was cut from the final film.[3] He also played the trumpet in State of the Union (1948).[3]
He attended Hollywood High School where he met Frank Mazzola, the "gang consultant" on Rebel Without a Cause (1955), who encouraged him to pursue acting.[3] His mother died during his senior year, which caused him to drift across the US for two years.[3]
He considered medical school at the behest of his mother to consider a "professional life",[4] but he eventually earned a bachelor's degree in English from University of California, Berkeley, where he studied under Jean Renoir and was cast in his play, Carola.[3][5] Renoir recommended that Field attend UCLA Film School where Field collaborated on a short film with Jim Morrison and Ray Manzarek of The Doors.[3][4]
Career
Field worked as a script reader in the 1970s.[3] Field got his start in the shipping department of David L. Wolper Productions, where he later worked his way up to writer/researcher for the company's Biography series, hosted by reporter Mike Wallace, in the early '60s.[2] By the release of the expanded edition for Screenplay (1994), he was credited as writer/producer at Wolper Productions.[6]
Field was also a freelance screenwriter and script consultant.[2] He wrote nine screenplays, one of which was produced as the Argentinian film, Los Banditos.[5] Field wrote and produced the television series Men in Crisis in 1964 and the Vegas nightlife documentary, Spree, in 1967; the latter of which he also narrated.[2][7]
He wrote Hollywood and the Stars, National Geographic, and Jacques Cousteau Specials from 1963 −1965 for David L. Wolper Productions.[citation needed]
He was the head of story at Cinemobile System when founder Fouad Said decided to diversify the location services company into an entertainment studio.[6]
Teaching
Field taught screenwriting for the Master of Professional Writing Program at University of Southern California until 2001.[7][5] In the mid-1970s, Field began teaching screenwriting at the Sherwood Oaks Experimental College (now Sherwood Oaks College) in Hollywood.[6][3] He also led screenwriting workshops across the world.[3] Previous students include Judd Apatow, John Singleton, Anna Hamilton Phelan, and Alfonso Cuarón.[3]
The paradigm

Field's most notable contribution is his paradigm "three-act structure". In this structure, a writer sets a film's plot within the first twenty to thirty minutes. Then the protagonist experiences a plot point, providing the protagonist with a goal. About half of a movie's running time focuses on the protagonist's struggle to achieve this goal. The second act is called the confrontation. Field also refers to the midpoint, a turning point around the middle of the screenplay (such as on or around page 60 of a 120-page screenplay). This turning point is often a devastating reversal of the protagonist's fortune. The third act depicts the protagonist's struggle to achieve (or not achieve) his or her goal, as well as the aftermath.
Personal life
Books
- Screenplay: The Foundations of Screenwriting (1979)
- The Screenwriter's Workbook (1984)
- Selling a Screenplay: The Screenwriter's Guide to Hollywood (1989)
- Four Screenplays: Studies in the American Screenplay (1994)
- The Screenwriter's Problem Solver: How To Recognize, Identify, and Define Screenwriting Problems (1998)
- Going to the Movies: A Personal Journey Through Four Decades of Modern Film (2001)
- The Definitive Guide to Screenwriting (2003)