Dear Nanny
1986 film by José Luis Borau
From Wikipedia, the free encyclopedia
Dear Nanny (Spanish: Tata mía) is a 1986 Spanish drama film directed and written by José Luis Borau and starring Imperio Argentina, Alfredo Landa and Carmen Maura.[1] It is scored by Jacobo Durán Loriga.[2] José Luis Borau was nominated to a Goya Award for Best Original Screenplay and Miguel Rellán won the Goya Award for Best Supporting Actor in the 1987 edition.[3]
| Dear Nanny | |
|---|---|
Theatrical release poster | |
| Spanish | Tata mía |
| Directed by | José Luis Borau |
| Written by | José Luis Borau |
| Starring | |
| Cinematography | Teo Escamilla |
| Edited by | Emilio Rodríguez |
| Music by | Jacobo Durán Loriga |
Production companies |
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| Distributed by | Profilmar |
Release date |
|
Running time | 100 min |
| Country | Spain |
| Language | Spanish |
Cast
- Imperio Argentina as Tata[4]
- Alfredo Landa as Teo[4]
- Carmen Maura as Elvira[4]
- Xabier Elorriaga as Peter[4]
- Miguel Rellán as Alberto[4]
- Marisa Paredes as Paloma[4]
- Julieta Serrano as Magda
- Enriqueta Carballeira as Amelia
- Emma Suárez as Cristina
- Paloma Gómez as Almudena
- Alicia Moro as Rubia
- Saturno Cerra as Puente
- Chema Mazo as Germán
- Matías Maluenda as Uncle Bordetas
- Félix Dafauce as Notary
- Adrián Ortega as Editor
- Jordi Batalla as Sepúlveda
- Eduardo MacGregor as Luján
- Juan Jesús Valverde as Laín
- Paco Catalá as Taxista
- Gonzalo Cañas as Drivers school teacher
- Ana María Ventura as Chief Nurse
- Paloma Suárez as Nurse
- Ignacio Moreno as Hunter #1
- Emilio Lacambra as Hunter #2
- Javier Gómez de Pablo as Hunter #3
- Luis Revuelta Comte as Priest
- Pedro Zapater as Child
- Ángeles Caso as Periodista
Production
Rafaela Aparicio, Fernando Fernán Gómez, and Concha Velasco were originally intended to portray Tata, Teo, and Elvira, but they had to decline.[5] Borau later argued that Imperio, Landa, and Maura represented by themselves three eras of Spanish cinema.[5] Shooting locations included Mallos de Riglos and an apartment at the Calle de Alfonso XII near El Retiro.[4]
Release
Reception
Ángel Fernández-Santos of El País lamented that Elorriaga's character's lack of plausibility wounds the film at its heart, damaging a work that is [otherwise] "full of cinematic intelligence and rigor in its execution".[7]
Accolades
| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
1987 |
1st Goya Awards | Best Screenplay | José Luis Borau | Nominated | [8] |
| Best Supporting Actor | Miguel Rellán | Won |