Time, Forward!

1965 Soviet film From Wikipedia, the free encyclopedia

Time, Forward! (Russian: Время, вперёд!, Vremya, vperyod!) is a 1965 Soviet part industrial drama film directed by Sofiya Milkina [ru] and Mikhail Schweitzer based on the 1932 novel and a screenplay by Valentin Kataev. The film was produced by Mosfilm, a unit of the State Committee for Cinematography (Goskino). The famous musical score was composed by Georgy Sviridov.

Directed bySofiya Milkina [ru]
Mikhail Schweitzer
Written byValentin Kataev
Mikhail Schweitzer
CinematographyNaum Ardashnikov [ru]
Yuri Gantman
Quick facts Directed by, Written by ...
Time, Forward!
Directed bySofiya Milkina [ru]
Mikhail Schweitzer
Written byValentin Kataev
Mikhail Schweitzer
StarringSergei Yursky
Leonid Kuravlyov
Inna Gulaya
CinematographyNaum Ardashnikov [ru]
Yuri Gantman
Music byGeorgy Sviridov
Production
company
Release date
  • 1965 (1965)
Running time
158 minutes
CountrySoviet Union
LanguageRussian
Close

The title is derived from Vladimir Mayakovsky's play The Bathhouse (Russian: Баня).[citation needed]

The film is set in the 1930s, depicting one day of the construction work of Magnitogorsk Iron and Steel Works (or Magnitka). The characters are construction workers and Komsomol members who are eager to work. Learning that their colleagues in Kharkov have set a record, they are mobilized in order to beat them. Everyone at the construction site has embraced socialist competition. They are ready to win at any cost to speed up construction and complete the work on time. A Moscow journalist comes to cover the scope of the great construction project, seeking a hero for his story.

Plot

The film is set in May 1930, on a construction site in the Ural Mountains during the early 1930s, the heyday of Stalin's Five-Year Plans, and chronicles a day in the construction of the Magnitogorsk Metallurgical Plant. News arrives that concrete workers from Kharkiv have set a record for the number of concrete batches mixed in a single shift. Two teams, led by Ishchenko and Khanumov, are eager to break this record, but the site manager, Margulies, must balance their enthusiasm with the need for quality and proper planning. Meanwhile, a visiting writer, Ogniyev, seeks inspiration from the monumental project. Although initially cautious, Margulies approves Ishchenko’s attempt to surpass the record, setting the stage for a day of intense labor and personal challenges.

As the workers push themselves to their limits, personal struggles come to the forefront. Ishchenko’s wife goes into labor, forcing him to rush her to the hospital. Meanwhile, two disruptive members of his team are expelled for shirking their duties. Stormy weather and a sudden shortage of cement threaten the effort, prompting Korenev, a foreman, to procure supplies by any means necessary. Just as Ishchenko's team nears the Kharkiv record, news arrives that workers at the Kuznetsk construction site have raised the bar to an astonishing 402 batches. Undeterred, the team presses on. Even Khanumov, initially a competitor, helps automate part of the process. Despite bureaucratic interference, the team triumphantly reports a world-record 415 batches by the end of the shift. A commission arrives to test the concrete’s quality, leaving Margulies and the workers uncertain of their achievement's ultimate validation.

As night falls, Margulies, exhausted but still working, walks Shura Soldatova, the enthusiastic worker behind the motivational posters. Their relationship is revealed to be romantic, and Shura impulsively proposes marriage. Margulies, in his reserved manner, responds with a quiet but heartfelt acknowledgment of their mutual bond, ending the day on a note of personal and professional resolution.

Cast

Theme

Sviridov's orchestral suite written for this film was one of the most recognizable music pieces of the Soviet era, and became a sort of calling card for the Soviet Union itself. Since 1968 it has been used as the theme song of Vremya, the TV news program on USSR Central Television and Russian Channel One (although the tune has been re-orchestrated a few times since then). It was also used as the opening theme for the four-part Channel 4 documentary Spitfire Ace in Great Britain.


version "2.22.0"

header {
  tagline = "" % no footer
  title = "TIME, FORWARD MARCH!"
  subtitle = "SUITE"
  composer = "G. Sviridov"
}

paper {
  % Add space for instrument names
  indent = 31mm
}

global = {
  key des major
  	ime 4/4
  % Note on the tempo marking: The score published by State Publishers Music, Moscow,
  % 1968, has a tempo marking of "Allegro vivace 2=160". Recordings play this piece
  % at 4=160 instead, which is why this tempo is reproduced here.
  	empo "Allegro vivace" 4=160
}

trumpetBb = 
elative c'' {
  global
  % Music follows here.
  r1 mark #4 |
  r1 |
  des1->f^"a 3 (con sord.)" |
  des,4 es ges bes8. des16 |
  es1 |
  es,4 f ges bes8. des16 |
  ges1 |
  es2 f |
  des1~ |
  des2~ des8 r8 r4 |
}

violin = 
elative c' {
  global
  % Music follows here.
  <des bes>8->-markup {dynamic f italic marcato } 
epeat unfold 7 {q} |
  
epeat unfold 5 {
epeat unfold 8 {q} |}
  
epeat unfold 2 {
epeat unfold 8 {<ges es>8}}
  
epeat unfold 2 {
epeat unfold 8 {<f des>8}}
}

cello = 
elative c {
  global
  clef "bass"
  % Music follows here.
  <ges' des ges,>8->-markup {dynamic f italic marcato }
epeat unfold 7 {q} |
  
epeat unfold 5 {
epeat unfold 8 {q} |}
  
epeat unfold 2 {
epeat unfold 8 {<bes ges es bes>8}}
  
epeat unfold 2 {
epeat unfold 8 {<f as des, as>8}}
}

drum = drummode {
  
ew DrumVoice = "snare" {
    global
    % Drums follow here.
    sn8f 
epeat unfold 7 {sn8} |
    
epeat unfold 9 {
epeat unfold 8 {sn8} |}
  }
}

legno = drummode {
  
ew DrumVoice = "legno" {
    global
    % Drums follow here.
    R1*8 |
    r8 wbh16-ff^"solo" wbh wbh wbh wbh wbh wbh8 wbh16 wbh wbh8 wbh16 wbh |
    wbh8< wbh16 wbh wbh8 wbh16 wbh wbh wbh wbh wbh wbh wbh wbh wbh! |
  }
}

trumpetBbPart = 
ew Staff with {
  instrumentName = "Trumpet in Bb"
  midiInstrument = "trumpet"
} { 	ransposition bes 	ranspose bes c' 	rumpetBb }

violinPart = 
ew Staff with {
  midiInstrument = "violin"
} violin

celloPart = 
ew Staff with {
  midiInstrument = "cello"
} cello

drumsPart = 
ew DrumStaff with {
  drumStyleTable = #percussion-style
  override StaffSymbol.line-count = #1
  instrumentName = "Snare drum"
} drum

legnoPart = 
ew DrumStaff with {
  drumStyleTable = #percussion-style
  override StaffSymbol.line-count = #1
  instrumentName = "Woodblock"
} legno

score {
  header {
    piece = "I. Introduction (Rumba)"
  }
  <<
    	rumpetBbPart
    
ew StaffGroup with {
      instrumentName = "Strings"
    }
    <<
      violinPart
      celloPart
    >>
    drumsPart
    legnoPart
  >>
  layout {
    #(layout-set-staff-size 15)
    context {
      Score
      omit BarNumber
      rehearsalMarkFormatter = #format-mark-box-numbers
    }
    context { Score RemoveEmptyStaves }
  }
  midi { }
}
Theme from the Time, Forward! suite[1]

The theme has been used in subsequent films, most notably Theodore Ushev's Tower Bawher and Guy Maddin's short film "The Heart of the World".

Two remixed versions of the theme has appeared in 2006 Russian videogame "The Stalin Subway" made by Buka Entertainment.

Olympics association

It was performed at the close of the 2010 Olympic ceremony in Vancouver, conducted live by Valery Gergiev, to present the 2014 Winter Olympics, which were held in Sochi, Russia.[2] At the 2014 opening ceremony in Sochi, the theme was used again during a scene depicting national industrialization and the collectivization of agriculture in the Soviet Union. The dancers wore red and black costumes while they interacted with huge figurative tractors, giant ditch-diggers, gears, and similar engine parts.[3] The Russian rhythmic gymnastics team used the Overture in their gold medal winning all-around routine at the 2016 Summer Olympics.

References

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