Tutt Brothers
American vaudeville producers, writers and performers
From Wikipedia, the free encyclopedia
Salem Tutt Whitney (né Salem Tutt; November 15, 1875 – February 12, 1934) and J. Homer Tutt (né Jacob Homer Tutt; January 31, 1882 – February 10, 1951),[1] known collectively as the Tutt Brothers, were American vaudeville producers, writers, and performers of the late 19th and early 20th century. They were also known as Whitney & Tutt, Tutt & Whitney and the Whitney Brothers. They were prominent in black vaudeville and created over forty revues for black audiences.

Biography
Salem Tutt Whitney was born in Logansport, Indiana (birth-year varies: 1869, 1875, 1876, or 1878),[2] as was his brother J. Homer Tutt.[3] They referred to themselves as brothers, and may have been half-brothers.[4] Whitney originally intended to become a minister but later decided to become a performer, and left college.[3] He attended the National School of Journalism and gained amateur experience in acting, comedy and writing.[3]
From 1888 through 1905, the brothers performed in their traveling tent show called Silas Green from New Orleans.[5] The show, which ran until the 1940s, was bought by circus owner Ephraim "Eph" Williams although the brothers never received payment.[5][6]
They formed the Smart Set Company in the 1910s,[7] possibly taken over from Sherman H. Dudley.[4][a] From 1910 to 1925 Whitney and Tutt produced more than 40 revues for black performers and audiences, writing and performing in the shows themselves.[4] Some of their performers found fame in their own right, including blues singer Mamie Smith, who danced in the brothers' Smart Set as a teenager.[4][8]

One of the Brothers' main productions was a musical farce called George Washington Bullion. Starring Whitney as a tobacco plantation owner, it was popular with audiences and ran for two decades.[6] Their musical Oh Joy! played on Broadway for four weeks.[6] It had originally starred Ethel Waters when performed in Boston. But when the only theatre space the Brothers could find in New York City was on a tennis court under a tent, Waters pulled out and was replaced by Ethel Williams.[4] Both of the brothers performed in Marc Connelly's play The Green Pastures (1930).[6]
They also acted in films, spanning both silent films and talkies, including Birthright (1924), directed by Oscar Micheaux and adapted from a novel of the same name by T. S. Stribling; Marcus Garland (1925), The Broken Violin (1927), and A Daughter of the Congo (1930).
Salem Tutt Whitney died in Chicago, February 12, 1934, and J. Homer Tutt died in Los Angeles, February 10, 1951.[4][9][10]
Works
- Silas Green from New Orleans (c. 1903 – c. 1953)
- Prince Bungaloo (1908)
- Blackville Strollers (1908–1909)
- The Mayor of Newtown (1909)
- George Washington Bullion (1910)
- "Love Me Anywhere"
- "Manyanna" ("Land of To-morrow")
- "Old Kentucky Blues"
- "Dear Old Southern Moon"
- The Wrong Mr. President (1913)
- His Excellency, the President (1914)
- George Washington Bullion Abroad (1915)
- How Newtown Prepared (1916)
- My People (1917)
- Darkest Americans (1918–1919)
- (The) Children of the Sun (1919–1920)
- Betwixt and Between (1920s)
- Bamboula (1921)
- Small Town Doings (1921)
- Up and Down (1922)
- Jump Steady (1922)
- Oh Joy! (1922)
- North Ain't South (1923)
- Come Along Mandy (1923–1924)
- Who Struck John? (1923–1924)
- Hide and Seek (1924)
- Non-Sense (1925)
- When Malinda Sings (1925)
- Rainbow Chasers (1926)
- Deep Harlem (1929)
- The Witching Eyes (1929) directed by Ernest Stern[11]
Family
Salem Tutt Whitney was married three times, his first to Emma A. Baynard (maiden; 1872–1908) (her second marriage). They married May 6, 1903, in Philadelphia at Crucifixion Episcopal Church – Rev. Henry Laird Phillips (1848–1947), officiating. Rev. Phillips, in 1877, became the first African-American rector of the Crucifixion Church in 1877. Baynard was a sister of William Andrew Baynard, a pianist, who, with Salem and Emma, had, in 1900, performed with the Oriental Troubadours.[12] Emma was a soporano and prima donna with the Troubadours. She previously, on March 17, 1897, in Williamstown, Pennsylvania, married Lewis E. Puggsley (1858–1935), an operatic tenor soloist, with whom she had a son, Baynard Lewis Puggsley (1898–1956). Lewis Puggsley was a brother of Charles Henry Puggsley (1868–1932), who, in 1900, was second tenor and soloist with the Oriental Troubadours.
Copyrights
Copyrights
- George Washington Bullion Abroad. Music by James J. Vaughan (né James Joseph Jefferson Vaughan; 1874–1945). Lyrics by J. Homer Tutt and S. Tutt Whitney. Library of Congress. OCLC 497482855.
- Catalogue of Copyright Entries, Part 3, Musical Compositions, New Series. Library of Congress, Copyright Office.
- Vol. 10; Part 2, October 1915; No. 10 (1915). "Love Me Anywhere". © Jos. W. Stern & Co., New York; 15 October 1915. 2 c. 27 October 1915. E371361. p. 1176.
- Vol. 10; Part 2, October 1915; No. 10 (1915). "Manyanna" ("Land of To-morrow"). © Jos. W. Stern & Co., New York; 13 October 1915. 2 c. 27 October 1915. E373166. p. 1056.
- Vol. 10; Part 2, October 1915; No. 11 (1915). "Old Kentucky Blues". © Jos. W. Stern & Co., New York; 30 October 1915. 2 c. 30 October 1915. E373167. p. 1056.
- Vol. 10; Part 2, October 1915; No. 12 (1915). "Dear Old Southern Moon". © Jos. W. Stern & Co., New York; 13 October 1915. 2 c. 27 October 1915. E371362. p. 1141.
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- 2 c. indicates two copies received, followed by the date.