Two Hebrew Songs

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Deux mélodies hébraïques ("Two Hebrew Songs") is a composition of two traditional Hebrew melodies for voice and piano by Maurice Ravel. It was composed in 1914.

EnglishTwo Hebrew songs
KeyC minor
CatalogueM. 22
Composed
  • 1914 (piano)
  • 1919 (orchestra)
Quick facts Deux mélodies hébraïques, English ...
Deux mélodies hébraïques
by Maurice Ravel
First page
EnglishTwo Hebrew songs
KeyC minor
CatalogueM. 22
Composed
  • 1914 (piano)
  • 1919 (orchestra)
DedicationMadame Alvina-Alvi
Performed
  • June 3, 1914 (piano)
  • April 17, 1920 (orchestra)
Published
  • 1915 (piano)
  • 1920 (orchestra)
Scoring
  • voice
  • piano
  • voice
  • orchestra
Close

Structure

The first song is a setting of the Kaddish, the second is "L'énigme éternelle" ("The Eternal Enigma").

In line with the Five Popular Greek Melodies, the Two Hebrew Melodies were composed from traditional songs (words and melody) in 1914.[1]

The piece consists of two songs:

  1. Kaddisch — Slow, a long piece in Aramaic language
  2. The Eternal Riddle — Tranquillo, a short piece in Yiddish language

The average combined length of the two songs in performance is about six minutes.[2]

History

The premier performance was on 3 June 1914 by the sponsor and dedicatee Alvina Alvi with Ravel at the piano, during a concert of the Independent Musical Society, Salle Malakoff.[1] [3]

In their vocal and piano version, the Two Melodies were also performed on May 15 of the same year by Ninon Vallin and Marcel Chadeigne at the Société Nationale de Musique, Salle du Conservatoire.[4]

The work was published in 1915 by Durand.[5]

Analysis

Vladimir Jankélévitch considers the melodies "magnificent".[6] As Marie-Claire Beltrando-Patier points out, Ravel succeeds in depicting "in a few measures an atmosphere which marvelously characterizes a climate or a place".[1]

The first melody is a "fervent Kaddisch, prayer of the dead, which unrolls, in C minor, its pathetic cantilena on a G pedal"[6] The second melody, "The Eternal Enigma" is "unhinged, anxious and a bit cynical [...] limps with all its dissonances and opposes to biblical hieraticism the plebeian awkwardness of its Yiddish jargon...".[7]

In the catalog of Ravel's works compiled by Marcel Marnat, the work bears the number A 22.[2]

References

Discography

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