User:Aradicus77

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Mainly specialize on internet-related Gen Z music. Trying to keep modern music history alive by adding and fixing a lot of notable modern music movements and developments.

✟♱☥♁✙✟♱☥♁✙✟♱☥♁✙✟♱☥♁✙☨†
This user is a citizen of North Korea.
ZThis user is a member of
Generation Z.
This user enjoys Hyperpop music


Xaviersobased: Most important artist of the 2020s (next to Islurwhenitalk and Yabujin)
Desert Island Artists: James Ferraro

THANK YOU, Kieran Press-Reynolds, for reviving contemporary music journalism, most of the work you've done for Pitchfork and the Face in 2024-25 has allowed for many articles and developments to be named and added to Wikipedia. I hope critics fall out of prominence, instead replaced by young personality-driven culture heads born in the 2000s-2010s that are concerned with the real avant-garde forming on the internet rather than baseless word-salad reviews of irrelevant indie rock bands playing genres that haven't been innovative since the 90s. Lester Bangs didn't die for the Fantan0-ist era of music criticism. I'm Greg Shaw's reincarnation.

LISTEN TO Folx (album)

Check out; Serial Experiments Lain, Weekend (1967 film), Hysteric Glamour, NEU! 2,

RIP DAVID THOMAS 23/04/2025

#VAMPJERK

FREE RUSHHY BANDXZ 2036 - DROP

𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐

FUCKIN' A MAN - CIA MAN...
LOOK LIKE DANNY PHANTOM

Contributions

Articles created

THIS SONG IS ABOUT GOING THRU' PORTALS...

Redirects created

Articles created but didn't write most of the content

Fuck the company... - Klaus Dinger (1975) (see Neu! '75)

Mostly contributed to

Some edits

Currently working on

THANK YOU BASED GODDDDDDDDDDDDD

LISTEN TO THIS - MUSIC OF THE FUTURE

ST47IC - you niggas are not jesters 😂🤣 (prod. st47ic) (2026)

ST47IC - EMONI (2026)

ZATRU - MY STYLE (2025)

Collection of rants

Crank wave ruined post-punk.

Spacemen 3's "retro-revivalism" was innovative. (see Simon Reynolds' Retromania, see JAMC). WHEN BANDS COULD RIP OFF OTHERS AND BE COOLER THAN 99% OF MODERN ROCK

Windmill scene SUCKS. Black Country New Road and Black Midi are examples of the death of rock music in the 21st century. Corpses of the 20th century avant-garde with no interesting concepts but ontological stupidity. Matt Kwasniewski-Kelvin was the best though, RIP (I'd never seen anyone use their phone to play guitar, now that's post-internet. I always envisioned a James Ferraro-esque post-noise set with your TikTok FYP being scrolled thru and it being audible through the guitar speaker. Post-internet...) The most innovative rock music right now is five genres removed from rock music. The music has evolved to be as proliferous as ever but the modes to record and document it have not.

$AD B☹YZ【2 0 1 3】

Rock music in the 21st century

Now if you want to know the lineage of rock music going into the 21st century here it is:

Internet rock

Post-noise underground > Hypnagogic Pop > Myspace Metalcore > Tumblr Pop Punk > Shitgaze > DAWK (DAW + Rock) > Blog Rock > Egg Punk > Incelcore / E-Punk > Scenecore > Bedroom Pop > Losercore Post-Punk Revival / Garage Rock Revival / New Rock Revolution > Brooklyn Dance-Punk (Bloghouse) / New Rave > Zoomergaze > Grungegaze > Laptop twee

Mark Fisher ruined 21st century art

THERE'S NOBODY HERE..

The fact that Mark Fisher (RIP) barely sees any criticism for his biased view on 21st century music and culture is baffling. He single handedly lambasted my entire generation for being revivalists when his was doing far worse on the nose "I wanna go back to 1965", where-have-I-heard-this-before riffage B.S. His statement that if you took a song from 2014 into 1994 no one would be shocked was just absolutely baffling... Kurt Cobain wouldn't shit his pants hearing Bladee DELETEE?... Even then if you took bleood's depression doesn't explain how i feel from 2024 into 2004 you would be looked at like Marty McFly at the end of Back to the Future. The death of music criticism and curators has made the public blind to the post-internet avant-garde... And the constant fracturing of the internet since the death of the blog era isn't making things better. In the 1970s, it was basically figures like Greg Shaw and Lester Bangs and those at Creem magazine that created punk rock. Scaruffi is right that the writers create the music to some extent. Psychedelia also began with literature first and foremost. When NEOPUNKFM put a word to the Gen Z shoegaze revival in 2023 (zoomergaze) the media ran with it and something seemed to happen... Where are the Nu-Keenan's/Reynolds? I hope to one day create a genre alas Oneohtrix Point Never. ANyway his warping of Derrida's hauntology to suit his needs as Hauntology (music) is pure bullshit. It works as a scene but to think of most art now as rehashes rather than people today being smart about the rehashing and thinking about these concepts from a Post-postmodern sense (hypnagogic pop) is what loses me with his writing on pop culture. (see Hypnagogic pop#Cultural interpretations)

THE GREATEST MODERN ARTISTS

Blackland Radio 66.6♰⋆。˚⛧ ༝༚༝༚<𝟑  ⛧👁️‍🗨️⛓️SpaceGhostPurrp🧟🧟🧟
𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐𝟲𝟲𝟲𖤐

2slimey, james ferraro, gods wisdom, dj lucas, sellasouls, islurwhenitalk, bleood, dylann angercar, glosuka, tonetta, gyiked, xul, st47ic, kitty pryde, chief keef, rushhy bandxz crucify april, marjorie -w.c. sinclair, hi-c, diamondsonmydick, xaviersobased, marlon dubois, nettspend, yhapojj, osamason, spaceghostpurrp, yung lean, reptilian club boyz, ruben slikk, main attrakionz, zchronik, jaydes, zuro, $ludgehammer, murdstah, bladee, ecco2k, sematary, thaiboy digital, whitearmor, buckshot, joeyy, acid souljah, tenkay, clouddead, slauson malone, edan, cartier god, yung god, charles hamilton, lil shine, david shawty, yungster jack, summrs, sickboyrari, yung bruh, brodiebased, duwap kaine, dreamcache, oaf1, sidney philips, boolymon, twikipedia, 30013, ksuuvi, rxk nephew, izaya tiji, matt ox, jackzebra, bones, lil peep, yung bruh, yung sherman, edward skeletrix, agusfortnite2008, marcy mane, yabujin, kirblagoop, lil ugly mane, dean blunt, certified trapper, lil b, new mexican stargazers, 100 gecs, oneohtrix point never, mario judah, cooper b. handy

Legacy Artists

HIP HIP HIP HIP HIP HIP HIP
My favorite live performance of the 1960s...

the velvet underground, red krayola, the fall, johnathan richman, tronics, arthur russell, pere ubu, the go-betweens, the db's, lou reed, iggy pop, the stooges, swell maps, monks, the fugs, simon finn, dave bixby, young marble giants, the kinks, michael hurley, television personalities, the 13th floor elevators, chalino sanchez, u.s maple, the screamers, bob dylan, captain beefheart, faust, viper, this heat, charlie megira, the mummies, the coneheads, los shakers, urinals, david peel, half japanese, spacemen 3, the third bardo, the music machine, the deviants, the millennium, the yellow balloon, animal collective, the yardbirds, the pastels, suicide, les rallizes dénudés, syd barrett, daniel johnston, pink floyd, the west coast pop art experimental band, her's, the seeds, the electric prunes, brian eno, jack ruby, rocket from the tombs, r. stevie moore, armand schaubroeck, peter ivers, love, jack stauber, outer limits recordings, the pretty things, the modern lovers, the cleaners from venus, guided by voices, throbbing gristle, psychic tv, rowland s. howard, the clean, silver jews, nick nicely, weiland, frank zappa, sparks, santo & johnny, kenneth higney, eric dolphy, albert ayler, miles davis, ornette coleman, coltrane, the birthday party, joe meek, the monochrome set, michael yonkers, the baroques, andy oppenheimer, os mutantes, the outsiders, the smoke, parson sound, john fahey, rockin' ramrods, bobb trimble, chrome, the rising storm, theoretical girls, glenn branca, the saints

Favorite Songs of All Time

THE FACT THAT SO MANY BOOKS (mfw he was right about the Beatles)
Free Rushhy forreal.

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