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Georges Méliès
- Ezra, Elizabeth (2000). Georges Méliès: The Birth of the Auteur. Manchester University Press. ISBN 978-0-7190-5396-2.
- Malthête, Jacques (1996). Méliès, images et illusions (in French). Exporégie. ISBN 978-2-9504493-7-5.
- Malthête-Méliès, Madeleine (2022). Solomon, Matthew (ed.). Magnificent Méliès: The Authorized Biography. Translated by Pero, Kel. University of Michigan Press. ISBN 978-0-472-13258-4.
- Mannoni, Laurent (2020). Méliès : la magie du cinéma (in French). Flammarion. ISBN 978-2-08-152147-6.
- Robinson, David (1993). Georges Méliès: Father of Film Fantasy. Museum of the Moving Image. ISBN 978-0-85170-415-9.
- Solomon, Matthew (2022). Méliès Boots: Footwear and Film Manufacturing in Second Industrial Revolution Paris. University of Michigan Press. doi:10.3998/mpub.12196353. ISBN 978-0-472-90295-8. JSTOR 10.3998/mpub.12196353.
Use with caution
- Frazer, John (1979). Artificially Arranged Scenes: The Films of Georges Méliès. G. K. Hall & Co. ISBN 978-0-8161-8368-5.
- Hammond, Paul (1975). Marvellous Méliès. St. Martin's Press. ISBN 978-0-900406-39-3.
Marie-Louise Coidavid
- "Queen of Exiles". Kirkus Reviews. May 9, 2023. Archived from the original on July 12, 2023. Retrieved July 14, 2025.
- Allen, Jody L. (April 2018). "Thomas Dew and the Rise of Proslavery Ideology at William & Mary". Slavery & Abolition. 39 (2): 267–279. doi:10.1080/0144039X.2018.1446783. OCLC 10307776418. S2CID 150311601.
- Benson, LeGrace (Fall 2014). "A Queen in Diaspora: The Sorrowful Exile of Queen Marie-Louise Christophe (1778, Ouanaminth, Haiti–March 11, 1851, Pisa, Italy)". Journal of Haitian Studies. 20 (2): 90–101. doi:10.1353/jhs.2014.0016. JSTOR 24340368. OCLC 9983445592. S2CID 145459485.
- Clammer, Paul (2023). Black Crown: Henry Christophe, the Haitian Revolution and the Caribbean's Forgotten Kingdom. Hurst Publishers. ISBN 978-1-78738-997-7.
- Daut, Marlene L. (2025). The First and Last King of Haiti: The Rise and Fall of Henry Christophe. Yale University Press. ISBN 978-0-300-28538-3.
- Gabriel, Winnie Hugot (October 18, 2022). "La mémoire de la reine Marie Louise Christophe, épouse du Roi Henri 1er, célébrée au Royaume-Uni". Le Nouvelliste (in French). Archived from the original on October 18, 2022. Retrieved July 14, 2025.
- Marous, Wilford; Romulus, Michelet (February 15, 2022). "A Londres, une plaque honore la première et unique reine d'Haïti, Marie-Louise Christophe". Le Nouvelliste (in French). Archived from the original on February 16, 2022. Retrieved July 14, 2025.
- Seibert, Johanna (2022). Early African Caribbean Newspapers as Archipelagic Media in the Emancipation Age. Brill Publishers. ISBN 978-90-04-52528-3.
- Willson, Nicole (June 2022). "A Haitian Queen in Georgian Britain". History Today. Vol. 72, no. 6. pp. 50–61. OCLC 9515498618.
- Willson, Nicole (January 2021). "'I Like My Baby Heir with Baby Hair and Afros': Black Majesty and the Fault-Lines of Colonialism". Women's Studies International Forum. 84: 1–11. doi:10.1016/j.wsif.2020.102431. OCLC 8869112563. S2CID 234241034.
The Haitian Times
History
Significant numbers of Haitians immigrated to New York City in the 1960s during François Duvalier's dictatorship and in the 1990s during the political instability following the overthrow of Jean-Bertrand Aristide, who was democratically elected president in 1991.[1] In 1999, an estimated 600,000 Haitian Americans lived in the New York metropolitan area, and an estimated 300,000 lived in South Florida.[1][2]
During the 1990s, two Haitian-born journalists, Yves Colon of the Miami Herald and Garry Pierre-Pierre of The New York Times, wrote news serving Haitian Americans.[2][3] The two discussed aspirations for a newspaper that would report on Haiti without a political agenda and bring attention to the achievements of Haitian immigrants. They chose the name The Haitian Times over The Haiti Times to reflect the focus on the Haitian diaspora. The newspaper was planned to be in English.[3] In contrast, the existing newspapers serving Haitian Americans, Haïti en Marche in Miami, Florida, and Haïti Observateur and Haïti Progrès in New York City, are written in French.[1][4] Colon and Pierre-Pierre avoided French and Haitian Creole because of their sociolinguistic divide: in Haiti, the upper-class speaks French and the lower-class speaks Creole.[2][5] Colon said, "All divisions between our languages are erased in English", and he observed that second-generation immigrants spoke English comfortably.[3] Many Haitian-American newspapers also held strong political alignments, though they wished to stay impartial.[1][3]
Colon and Pierre-Pierre financed The Haitian Times with their own money and by selling shares to Haitian-American investors, such as business owners, physicians, friends and white-collar workers. Pierre-Pierre remarked that "the only non-Haitian investor is my father-in-law."[3][5] Colon took a year-long leave of absence from the Miami Herald, and Pierre-Pierre quit The New York Times.[5] The main office of The Haitian Times was located on Court Street in Brooklyn, and other offices were establised in Colon's home in Miami and in Port-au-Prince, Haiti.[1][5] The first edition was published on October 20, 1999.[3] Initially, the newspaper employed 15 staff and printed 40,000 copies each week, which leveled off to 20,000 copies by 2004 after its audience solidified.[1][4]
Content
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Reception
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References
- Howell, Ron (November 21, 1999). "On Haiti, in English: Newspaper Covering Island Issues Debuts in NY". Newsday. pp. A3, A43 – via Newspapers.com.
- Morgan, Curtis (October 11, 1999). "Journalists Launch Voice for U.S. Haitians". The Miami Herald. pp. 1B, 2B – via Newspapers.com.
- Moffett, Dan (October 10, 1999). "Rivals Link in English Haitian Times". The Palm Beach Post. p. 12a – via Newspapers.com.
- Leslie, Casimir (October 27, 2004). "Haitian Times Is a Story, Too". New York Daily News. Archived from the original on September 19, 2023. Retrieved March 1, 2025.
- "Haitians Go to Press: English-Language Weekly Hits Newsstands". New York Daily News. October 27, 1999. Archived from the original on March 1, 2025. Retrieved March 1, 2025.
Bibliography
- Solomon, Renee (January 23, 2000). "Haitians Celebrate Their New Newspaper". The Miami Herald. p. 24 – via Newspapers.com.
- Akst, Daniel (Spring 2003). "New Americans: Fresh off the Presses". Carnegie Reporter. Vol. 2, no. 2. Archived from the original on June 10, 2003. Retrieved March 1, 2025.
- Zéphir, Flore (2004). The Haitian Americans. Greenwood. ISBN 0-313-32296-1.
- Fenwick, Alexandra (January 14, 2010). "The Haitian Times Heads to Haiti". Columbia Journalism Review. Archived from the original on April 1, 2010. Retrieved March 1, 2025.
- Cronan, Carl (January 26, 2010). "Former Ledger Reporter Covers Haiti from Haitian Perspective". The Ledger. ProQuest 390181851.
- Semple, Kirk (February 26, 2010). "'We Wail with You, Haiti'". The New York Times. Archived from the original on June 17, 2022. Retrieved March 1, 2025.
- "The Haitian Times". Craig Newmark Graduate School of Journalism at the City University of New York. Archived from the original on June 27, 2020. Retrieved March 1, 2025.
- Barr, Jeremy (September 18, 2024). "How the Haitian Times Is Covering Dangerous Rumors in Ohio". The Washington Post. Archived from the original on September 18, 2024. Retrieved March 1, 2025.
- Gold, Hadas (September 18, 2024). "The Haitian Times Covered the False Claims Targeting Springfield. Now It's Also Facing Attacks". CNN. Archived from the original on September 18, 2024. Retrieved March 1, 2025.
- Bauder, David (September 19, 2024). "A News Site That Covers Haitian Americans Is Facing Harassment over Its Post-Debate Coverage of Ohio". Associated Press. Archived from the original on September 19, 2024. Retrieved March 1, 2025.
- Mullin, Benjamin (September 19, 2024). "Threats Against Haitians Land at the Doorstep of The Haitian Times". The New York Times. Archived from the original on September 20, 2024. Retrieved March 1, 2025.
- Merid, Feven (October 1, 2024). "In Springfield and Beyond, the Haitian Times Translates American Racism". Columbia Journalism Review. Archived from the original on October 1, 2024. Retrieved March 1, 2025.
- Miller, Bob (October 23, 2024). "Navigating Culture, Crisis, and Community: The Haitian Times at the Forefront of Haitian American Journalism". Editor & Publisher. Archived from the original on November 9, 2024. Retrieved March 1, 2025.
Use with caution
- Evelly, Jeanmarie (December 5, 2019). "Haitian Times' Publisher on 20 Years Covering the Diaspora". City Limits. Archived from the original on December 6, 2019. Retrieved March 1, 2025.
Interviews
- Rotinwa, Ayodeji (March 6, 2024). "Q&A: The Haitian Times". Columbia Journalism Review. Archived from the original on March 6, 2024. Retrieved March 1, 2025.
- García, Marcela (September 20, 2024). "How The Haitian Times Is Fact-Checking Trump's Springfield Claims". The Boston Globe. Archived from the original on September 20, 2024. Retrieved March 1, 2025.
Isaac Yeshurun Sasportas
- Ben-Ur, Aviva; Klooster, Wim, eds. (2024). Jewish Entanglements in the Atlantic World. Cornell University Press. ISBN 978-1-5017-7316-7.
- Girard, Philippe (January 2009). "Black Talleyrand: Toussaint Louverture's Diplomacy, 1798-1802". William and Mary Quarterly. 66 (1): 87–124. doi:10.5309/willmaryquar.70.1.0201. JSTOR 40212042. OCLC 5186513690.
- Girard, Philippe (July 2020). "Isaac Sasportas, the 1799 Slave Conspiracy in Jamaica, and Sephardic Ties to the Haitian Revolution". Jewish History. 33: 403–435. doi:10.1007/s10835-020-09358-z. JSTOR 48698827. OCLC 8644464542. S2CID 220510628.
- Jonathan I., Israel (2021). Revolutionary Jews from Spinoza to Marx. University of Washington Press. ISBN 978-0-295-74867-2.
- Klooster, Wim; Oostindie, Gert, eds. (2011). Curaçao in the Age of Revolutions, 1795-1800. Brill Publishers. ISBN 978-90-67-18380-2.
- Knight, Franklin W.; Gates Jr., Henry Louis, eds. (2016). "Sasportas, Isaac Yeshurun (?–1799)". Dictionary of Caribbean and Afro–Latin American Biography. Oxford University Press. ISBN 978-0-19-993580-2.
- Loker, Zvi (1981–1982). "An Eighteenth-Century Plan to Invade Jamaica; Isaac Yeshurun Sasportas — French Patriot or Jewish Radical Idealist?". Jewish Historical Studies. 28: 132–144. JSTOR 29778924. OCLC 9983787645. S2CID 159251084.
- Pluchon, Pierre; Debien, Gabriel (July 1978). "Un plan d'invasion de la Jamaïque en 1799 et la politique anglo-américaine de Toussaint Louverture". Revue de la société haïtienne d'histoire, de géographie et de géologie (in French). 36 (119): 3–72. OCLC 6526365.
Hypochondriac
- Bowenbank, Starr (October 19, 2023). "Brakence to Donate Proceeds from North American Tour to Palestinian Charities". Billboard. Retrieved July 16, 2025.
- Angel, H.D. (December 9, 2022). "Hypochondriac: Brakence". Pitchfork. Retrieved July 16, 2025.
- Kim, Joshua Minsoo (November 22, 2022). "Brakence Makes Glitchy Emo-Pop That's As Confessional As It Is Inventive". Chicago Reader. Retrieved July 16, 2025.
- Kim, Joshua Minsoo (December 22, 2022). "Scent and Sound". Chicago Reader. Retrieved July 16, 2025.
- Fantano, Anthony (March 6, 2024). "Brakence - Hypochondriac Album Review". The Needle Drop. Retrieved July 16, 2025 – via YouTube.
- "Things to Do Around Boston This Weekend and Beyond". The Boston Globe. December 15, 2022. Retrieved July 16, 2025.
- "From Empire of Light to Hunters: A Complete Guide to This Week's Entertainment". The Guardian. January 7, 2023. Retrieved July 16, 2025.
- https://www.thefader.com/artist/brakence
- https://www.allmusic.com/artist/brakence-mn0003996536
- https://www.npr.org/artists/1107768708/brakence
Janine Tavernier
Biography
Janine Tavernier was born on 23 May 1935 in Port-au-Prince, Haiti,[1] one year after the end of United States occupation.[2] She completed primary and secondary education at the Sacré-Coeur de Turgeau (Sacred Heart of Turgeau). Tavernier married young, around 1959, to Gervais A. Louis.[3]
Style and themes
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References
- Lubin 1965, p. 193; Spear 2020.
Works cited
- "Fleurs de muraille (r.)". Notre librairie (in French) (146): 133. October 2001.
- "Haïti/2e édition rentrée littéraire : Se réconcilier avec les livres". AlterPresse (in French). November 6, 2007. Archived from the original on January 30, 2010. Retrieved June 23, 2025.
- Brodziak, Sylvie, ed. (2013). Haïti. Enjeux d'écriture (in French). Presses universitaires de Vincennes. doi:10.3917/puv.brod.2013.01. ISBN 978-2-84292-359-4.
- Bruner, Charlotte H. (Fall 1983). "Janine Tavernier. Naïma, fille des dieux. Sherbrooke, Qué. Naaman. 1982. 75 pages". World Literature Today. 56 (4): 678. doi:10.2307/40139326. JSTOR 40139326. OCLC 7374903798. S2CID 163686778.
- Charles, Christophe (1980). La poésie féminine haitienne (in French). Editions Choucoune. OCLC 417485329.
- Charles, W. (February 25, 2015). "Non, Janine Tavernier n'est pas morte !". Le Nouvelliste (in French). Archived from the original on January 17, 2025. Retrieved June 23, 2025.
- Eugène, Jean (July 25, 1963). "«Splendeur» ou un cœur mis à nu". Le Nouvelliste (in French). pp. 1, 4.
- Lahens, Wébert (March 29, 2019). "Le laurier rose de Janine Tavernier". Le Nouvelliste (in French). Archived from the original on April 4, 2019. Retrieved June 23, 2025.
- Lubin, Maurice A. (April 1965). "Quelques poetes haitiens de la jeune generation". Journal of Inter-American Studies (in French). 7 (2): 179–199. doi:10.2307/165145. JSTOR 165145. OCLC 7286421043. S2CID 189345981.
- Magloire, Nadine (September 3, 1966). "Les femmes... maintenant". Le Nouvelliste (in French). pp. 1, 4.
- Monneveux, Philippe (2021). "La poésie haïtienne des origines à nos jours". Sens public (in French). 7 (2): 1–116. doi:10.7202/1089591ar. OCLC 9789448737. S2CID 249726291.
- Narcisse, Jasmine (April 28, 2017) [First published January 28, 2011]. "Janine Tavernier, Par-delà nos murailles". Île en île [fr] (in French). Archived from the original on July 24, 2024. Retrieved June 23, 2025.
- Naudin, Marie (April 1985). "Tavernier, Janine. Naïma fille des dieux. (Coll. Création, 113) Sherbrooke : Naaman, 1982. Pp. 76". The French Review. 58 (5): 763. JSTOR 393141.
- Saint-Fort, Hugues (Fall 2020). "Somptueuses surprises d'Une Soirée haïtienne". Journal of Haitian Studies (in French). 26 (2): 164–167. doi:10.1353/jhs.2020.0019. JSTOR 27032429. OCLC 9184206625. S2CID 235717968.
- Spear, Thomas C. (October 19, 2020) [First published January 28, 2011]. "Janine Tavernier". Île en île [fr] (in French). Archived from the original on July 31, 2024. Retrieved June 23, 2025.
Virginie Sampeur
- Brutus, Edner (1934). "Virginie Sampeur". La Relève (in French). 2 (7): 20–31.
- Charles, Christophe (1980). La poésie féminine haitienne (in French). Editions Choucoune. OCLC 417485329.
- Charles, Christophe (2012). La vie désenchantée de Virginie Sampeur : une biographie littéraire (in French). Presses nationales d'Haiti. ISBN 978-99935-9-197-9.
- Daut, Marlene L.; Glover, Kaiama L., eds. (2024). A History of Haitian Literature. Cambridge University Press. ISBN 978-1-009-48514-2.
- Didier, Béatrice; Fouque, Antoinette; Calle-Gruber, Mireille, eds. (2013). Le Dictionnaire universel des créatrices (in French). Éditions des Femmes. ISBN 978-2-7210-0631-8.
- Guyonneau, Christine H. (Spring 1986). "Francophone Women Writers from Sub-Saharan Africa and Its Diaspora: A Preliminary Bibliography". Callaloo (in French) (27): 404–431. JSTOR 2930667. OCLC 9964313978. S2CID 162577313.
- Herdeck, Donald E., ed. (1979). Caribbean Writers: A Bio-bibliographical-critical Encyclopedia. Three Continents Press. ISBN 978-0-914478-74-4.
- Ligue Féminine d'Action Sociale (2004) [1953]. Femmes haïtiennes (in French). Éditions Fardin [fr]. ISBN 978-99935-8-059-1.
- Ménard, Nadève (2024). "Un silence retentissant. « Un drame » de Virginie Sampeur et « Crime et châtiment » de Chantal Kénol". Études françaises [fr] (in French). 60 (2): 17–26. doi:10.7202/1118191ar. OCLC 10860354676. S2CID 279132676.
- Petit Frère, Dieulermesson (January 12, 2021). "Virginie Sampeur". Île en île [fr] (in French). Archived from the original on January 12, 2021. Retrieved June 25, 2025.
- Rebekkah, Dilts (2019). "(Un)veiling Sappho: Renée Vivien and Natalie Clifford Barney's Radical Translation Projects". Refract: An Open Access Visual Studies Journal. 60 (2): 79–110. doi:10.5070/r72145856. OCLC 1367537365. S2CID 212819361.
- Reinsel, Amy (2008). Poetry of Revolution: Romanticism and National Projects in Nineteenth-Century Haiti (PhD thesis). University of Pittsburgh. OCLC 1408291206. S2CID 152739938.
Use with caution
- Marcelin, Émile [in French] (1906). Médaillons littéraires : Poètes et prosateurs haïtiens (in French). Imprimerie de l'Abeille.
- Morpeau, Louis (1925). Anthologie d'un siècle de poésie haïtienne, 1817–1925 (in French). Bossard. OCLC 00993102.
Taking Haiti
- https://www.jstor.org/stable/41850215?seq=1
- https://www.tandfonline.com/doi/abs/10.1080/13260219.2005.10426815
- https://www.jstor.org/stable/3656621?seq=1
- https://read.dukeupress.edu/hahr/article-abstract/84/1/153/27121/Taking-Haiti-Military-Occupation-and-the-Culture
- https://muse.jhu.edu/article/7457
- https://www.jstor.org/stable/25613550?seq=1
- https://academic.oup.com/jah/article/89/2/671/756286
- https://www.tandfonline.com/doi/pdf/10.1080/03612759.2001.10525931?casa_token=kPD1qyD34a0AAAAA:sclwb8LbmYd_jmrTLBKeVHKFyQIQzcUDjur8UAxHmUuGzSBq0UR7d2Frk5VdY3HOta9pWST4Ys7qwA
- https://www.jstor.org/stable/30150962?seq=1
Red and Black in Haiti
- https://muse.jhu.edu/article/391054
- https://www.jstor.org/stable/41715423
- https://academic.oup.com/ahr/article/115/3/871/42781
- https://www.cambridge.org/core/journals/americas/article/red-and-black-in-haiti-radicalism-conflict-and-political-change-19341957-by-matthew-j-smith-chapel-hill-university-of-north-carolina-press-2009-pp-xi-296-table-illustrations-notes-bibliography-index-5995-cloth-2495-paper/BE6878A359681DF6200C0509F14EF0AF
- https://www.jstor.org/stable/41850666?seq=1
- https://www.jstor.org/stable/41305443?seq=1
- https://www.jstor.org/stable/41708572?seq=1
Haitian Communist Party
- Alexander, Robert Jackson, ed. (1982). Political Parties of the Americas: Canada, Latin America, and the West Indies. Vol. 2. Greenwood Press. ISBN 978-0-313-21474-5.
- Cadet, Jean-Jacques (2020). Le marxisme haïtien : marxisme et anticolonialisme en Haïti (1946–1986) (in French). Éditions Delga. ISBN 978-2-37607-196-9.
- Diederich, Bernard; Bart, Al (1969). Papa Doc: The Truth About Haiti Today. McGraw-Hill. OCLC 1428671432.
- Fowler, Carolyn (1980). A Knot in the Thread: The Life and Work of Jacques Roumain. Howard University Press. ISBN 978-0-88258-057-9.
- Hector, Michel (1989). Syndicalisme et socialisme en Haïti : 1932–1970 (in French). Henri Deschamps. OCLC 466483201.
- Heuman, Gad; Cross, Malcolm, eds. (1988). Labour in the Caribbean: From Emancipation to Independence. Macmillan Caribbean. ISBN 978-0-333-44729-1.
- Joseph, Celulien L. (2017). Thinking in Public: Faith, Secular Humanism, and Development in Jacques Roumain. Wipf and Stock. ISBN 978-1-4982-0382-1.
- Miles, Sarah K. (2020). "To Cross the Ocean: René Depestre, Anticolonial Writing, and Global Francophone Radicalism". Journal of Caribbean History. 54 (1): 55–81. doi:10.1353/jch.2020.0006. OCLC 8622099262. S2CID 226590641.
- Nicholls, David (1996) [1979]. From Dessalines to Duvalier: Race, Colour, and National Independence in Haiti. Rutgers University Press. ISBN 978-0-8135-2240-1.
- Smith, Matthew J. (2009). Red and Black in Haiti: Radicalism, Conflict, and Political Change, 1934–1957. University of North Carolina Press. ISBN 978-0-8078-3265-3.
- Sworakowski, Witold S., ed. (1973). World Communism: A Handbook, 1918–1965. Hoover Institution Press. ISBN 978-0-8179-1081-5.
- Voltaire, Frantz (1988). Pouvoir noir en Haïti : l'explosion de 1946 (in French). Éditions du CIDIHCA. ISBN 978-2-920862-11-1.
Use with caution
- Manigat, Leslie F. (2003). Eventail d'histoire vivante d'Haïti : des préludes à la révolution de Saint Domingue jusqu'à nos jours (1789–2003) (in French). Vol. 3. Collection du CHUDAC. ISBN 978-99935-2-039-9.
- Péan, Leslie J. R. (2006). Haïti : économie politique de la corruption (in French). Vol. 3. Maisonneuve et Larose. ISBN 978-2-7068-1937-7.
- Stevens, Margaret (2017). Red International and Black Caribbean: Communists in New York City, Mexico and the West Indies, 1919–1939. Pluto Press. ISBN 978-0-7453-3727-2.
Angelus
Works cited
- "10 Emerging Artists You Need to Hear This December". DJ Mag. December 12, 2021. Archived from the original on December 13, 2021. Retrieved November 21, 2025.
- "2020 Was the Year of Dancing by Ourselves". NPR. December 8, 2020. Archived from the original on December 8, 2020. Retrieved November 22, 2025.
- "Angelus Is the Soundtrack of Our Times". Paper. November 6, 2021. Archived from the original on December 9, 2023. Retrieved November 21, 2025.
- "Experts and Artists Share the Ways New Rappers Are Finding Success These Days". XXL. March 7, 2023. Archived from the original on March 7, 2023. Retrieved November 21, 2025.
- Bugara, Billy (April 20, 2021). "Digicore Captures the Angst of Coming of Age During a Global Pandemic". i-D. Archived from the original on November 12, 2024. Retrieved November 21, 2025.
- Dunn, Payton (August 24, 2022). "Angelus Is Watching Digicore Come to Life". Paper. Photography by Falun Huang and Monar. Archived from the original on February 23, 2024. Retrieved November 21, 2025.
- Enis, Eli (February 19, 2021). "A Look at Hyperpop Production with Angelus, Blackwinterwells, and Alice Gas". Illustrated by Robin Lewallen. Splice. Archived from the original on February 22, 2021. Retrieved November 22, 2025.
- Matulaityte, Giedre (March 4, 2021). "10 Musicians Who Are Shaping the Underground Scene on SoundCloud". Alternative Press. Archived from the original on June 28, 2022. Retrieved November 21, 2025.
- Ross, Gemma (August 24, 2022). "Metro Mix: Exploring the Parisian Underground with Angelus". Mixmag. Archived from the original on March 2, 2023. Retrieved November 21, 2025.
Blackwinterwells
Rodney Winter (born July 5, 1996), known professionally as Blackwinterwells, is a Canadian musician and producer.
Biography
Rodney Winter was born on July 5, 1996, in Hamilton, Ontario.[1] He[a] grew up listening to new wave music his parents played, such as the band Tears for Fears.[4] Winter was impressed by dubstep producers such as Skrillex in the early 2010s.[5] At age 14, while playing the video game World of Warcraft, another player in his dungeon told him about the genre.[4] Afterward, he discovered and downloaded FL Studio. Winter produced dubstep music for a few years and gained a small audience.[6] He initially released music as Drainpuppet on SoundCloud before using the moniker Blackwinterwells.[7] Shifting from dubstep, he began producing future bass and dance music with a sad atmosphere. Inspired by Lil Peep and Bladee, he began producing cloud rap around 2018.[5] He founded the musical collective Helix Tears that year.[8] Winter had previously not felt confident recording vocals, but after Lil Peep died, he felt a sense of urgency to practice more. According to Dazed, he considered Lil Peep a "reason for being".[9] By 2019, Winter had 400 followers on SoundCloud.[4]
Winter eventually became involved in the hyperpop scene, a community of musicians creating loud and energetic pop music, and found many close friends.[5] His association with the scene solidified in 2020 when he produced the song "Bad Idea" for Quinn.[10] Both were in the same Discord server consisting of around 50 young musicians. During a video call in February, he sent a glitchy beat with harsh synths to her, and she quickly recorded vocals about a recent argument she had on Twitter.[11] Winter was so excited by the song, which received 10,000 plays on SoundCloud in a few days, that he had trouble sleeping.[9] "Bad Idea" was placed on Spotify's "Hyperpop" playlist and received over one million streams on the platform by November.[11] "Iris" released.[citation needed]
Winter's output as Blackwinterwells greatly increased during the COVID-19 pandemic, and he retired the moniker Drainpuppet to pursue new interests. He released his first two albums in 2020: Seraph in April and Stone Ocean in October.[7] Each track of Stone Ocean has one or two features from glitchcore musicians in Helix Tears, which was initially dedicated to cloud rap but became associated with hyperpop.[12] Teodor Zetko of Exclaim! enjoyed the production and worldbuilding of certain tracks. He praised Winter for publicizing and embracing the musicians in the scene and thought D0llywood1's feature on the first and last tracks represented a "cyber-circle of life."[13]
As of 2021, Winter was a member of the hyperpop collective Bloodhounds.[9] Many singles in 2021,[7] such as "Omen". Winter released the extended play Sulfur in March 2022. His album Crystal Shards, released in April by Eyeball Records... He released the album Protector in December.[citation needed] Winter toured North America with Fish Narc and 8485 in 2022.[14] In November 2023, Winter performed as a supporting act in Paris and London during the Pitchfork Music Festival.[15] That month, he recorded a cover of "An Honest Mistake" by the Bravery for a compilation album by The Fader benefitting transgender charities.[16]
Musical style
Placeholder.
Notes
- Winter previously identified as a trans woman.[2] He identifies as cisgender as of 2025 and uses he/him and it/its pronouns.[3] This article uses he/him pronouns for consistency.
References
- Taylor 2021; Winter 2022; Montgomery 2024, p. 374; Haus of Decline 2025, 1:04:35.
- Xtra Magazine 2022; Montgomery 2024, pp. 374–375.
- Winter n.d.; Haus of Decline 2025, 1:03:45.
Works cited
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{{cite web}}: CS1 maint: deprecated archival service (link) - Winter, Rodney. "wellsy fr". Retrieved November 21, 2025 – via Twitter.
{{cite web}}: CS1 maint: deprecated archival service (link) - Zetko, Teodor (October 19, 2020). "Hamilton's Blackwinterwells Leads Glitchcore's Growing Wave on Stone Ocean". Exclaim!. Archived from the original on November 19, 2020. Retrieved November 21, 2025.