User:Temerarius

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Animalium soni


soleb


More information Soleb inscription. 𓇾𓆷𓇓𓇋𓇋𓉔𓍯𓅱 tA SAsw yhwin hieroglyphs ...
tA
SA		 swiihwAw
Soleb inscription.

𓇾𓆷𓇓𓇋𓇋𓉔𓍯𓅱

tA SAsw yhw
in hieroglyphs

Era: New Kingdom
(1550–1069 BC)
Close
More information Amarah west inscription. 𓇾𓆷𓇓𓅱𓇋𓇋𓉔𓌗𓄿 tA SAsw yhwAin hieroglyphs ...
tA
SA		 swwiihAiA
Amarah west inscription.

𓇾𓆷𓇓𓅱𓇋𓇋𓉔𓌗𓄿

tA SAsw yhwA
in hieroglyphs

Era: New Kingdom
(1550–1069 BC)
Close


ass


Did you know? The teapot effect is also known as dribbling.


Did you not know? Lift does not work like this.


Did you know? The Fuck tree “has a slutty little back arch”.[1]
Hermaphroditus
Schlieren photography

balls

  • File:Billard.png
    File:Billard.png
  • File:Paul Gauguin - The Night Café.jpg
    File:Paul Gauguin - The Night Café.jpg

die nazis

Mass suicides in Nazi Germany

nix

Nothing[2] & Null graph see also Emptiness


  • File:A monograph of the trilobites of North America- with coloured models of the species BHL42391499.jpg https://commons.wikimedia.org/wiki/Category:Blank_back_covers_of_books
    File:A monograph of the trilobites of North America- with coloured models of the species BHL42391499.jpg https://commons.wikimedia.org/wiki/Category:Blank_back_covers_of_books
  • Activities and results, 1904 to 1910 (1911) (14765755835).jpg
    Activities and results, 1904 to 1910 (1911) (14765755835).jpg
  • All Essential Matters on Firearms WDL11403.jpg
    All Essential Matters on Firearms WDL11403.jpg
  • File:A chronology of paper and papermaking (1864) (14779262854).jpg
    File:A chronology of paper and papermaking (1864) (14779262854).jpg
  • File:A history of British butterflies BHL14821449.jpg
    File:A history of British butterflies BHL14821449.jpg
  • File:A treatise on the blood, inflammation, and gun-shot wounds (1817) (14776789731).jpg
    File:A treatise on the blood, inflammation, and gun-shot wounds (1817) (14776789731).jpg
  • File:A treatise on the following chirurgical subjects - Chap. I. On ruptures. II. On fractures of the skull. III. On fractures simple and compound. IV. On amputations. V. On some African distempers. VI. Of (14598014920).jpg
    File:A treatise on the following chirurgical subjects - Chap. I. On ruptures. II. On fractures of the skull. III. On fractures simple and compound. IV. On amputations. V. On some African distempers. VI. Of (14598014920).jpg
  • File:Abraham Lincoln - (1917) (14598365158).jpg
    File:Abraham Lincoln - (1917) (14598365158).jpg
  • File:An act for establishing an health office - and to secure the city and port of Philadelphia from the introduction of pestilential and contagious diseases; passed the first day of April, 1803 (1803) (14576587790).jpg
    File:An act for establishing an health office - and to secure the city and port of Philadelphia from the introduction of pestilential and contagious diseases; passed the first day of April, 1803 (1803) (14576587790).jpg
  • File:An actor's notebooks, being some memories, friendships, criticisms and experiences of Frank Archer (1912) (14784153185).jpg
    File:An actor's notebooks, being some memories, friendships, criticisms and experiences of Frank Archer (1912) (14784153185).jpg
  • File:An inaugural essay, on the treatment of wounds of the femoral vein - submitted to the examination of Samuel Bard and the trustees and professors of the College of Physicians and Surgeons of the (14580046249).jpg
    File:An inaugural essay, on the treatment of wounds of the femoral vein - submitted to the examination of Samuel Bard and the trustees and professors of the College of Physicians and Surgeons of the (14580046249).jpg
  • File:An inaugural essay, on the treatment of wounds of the femoral vein - submitted to the examination of Samuel Bard and the trustees and professors of the College of Physicians and Surgeons of the (14766366012).jpg
    File:An inaugural essay, on the treatment of wounds of the femoral vein - submitted to the examination of Samuel Bard and the trustees and professors of the College of Physicians and Surgeons of the (14766366012).jpg
  • File:Anecdotes, poetry, and incidents of the war - North and South - 1860-1865 (1866) (14576088338).jpg
    File:Anecdotes, poetry, and incidents of the war - North and South - 1860-1865 (1866) (14576088338).jpg
  • File:Annals of Philadelphia and Pennsylvania, in the olden time - being a collection of memoirs, anecdotes, and incidents of the city and its inhabitants, and of the earliest settlements of the inland part (14781673095).jpg
    File:Annals of Philadelphia and Pennsylvania, in the olden time - being a collection of memoirs, anecdotes, and incidents of the city and its inhabitants, and of the earliest settlements of the inland part (14781673095).jpg
  • File:Annals of the Entomological Society of America (1911) (18387058546).jpg
    File:Annals of the Entomological Society of America (1911) (18387058546).jpg
  • File:Annual catalogue of the teachers, officers and students of Converse College (1902) (14597157299).jpg
    File:Annual catalogue of the teachers, officers and students of Converse College (1902) (14597157299).jpg
  • File:Annual report (1800) (14782110272).jpg
    File:Annual report (1800) (14782110272).jpg
  • File:Annual report (1916) (18238910398).jpg
    File:Annual report (1916) (18238910398).jpg
  • File:Annual report (1916) (18400294726).jpg
    File:Annual report (1916) (18400294726).jpg
  • File:Apontamentos de legislação para uso dos procuradores da Coroa e Fazenda Nacional (1846) (14582461929).jpg
    File:Apontamentos de legislação para uso dos procuradores da Coroa e Fazenda Nacional (1846) (14582461929).jpg
  • File:Archives de biologie BHL6900218.jpg
    File:Archives de biologie BHL6900218.jpg
  • File:Art Work of York, Harrisburg and Lancaster, Published in Nine Parts (1901) (14801488523).jpg
    File:Art Work of York, Harrisburg and Lancaster, Published in Nine Parts (1901) (14801488523).jpg
  • File:Beiträge zur kenntniss der Dracäneen (1854) (20353943562).jpg
    File:Beiträge zur kenntniss der Dracäneen (1854) (20353943562).jpg
  • File:Birds and flowers, or, Lays and lyrics of rural life (1873) (14568710118).jpg
    File:Birds and flowers, or, Lays and lyrics of rural life (1873) (14568710118).jpg
  • File:Bizarre (1915) (14768751014).jpg
    File:Bizarre (1915) (14768751014).jpg
  • File:British fauna, containing a compendium of the zoology of the British Islands - arranged according to the Linnean system (1807) (20229641578).jpg
    File:British fauna, containing a compendium of the zoology of the British Islands - arranged according to the Linnean system (1807) (20229641578).jpg
  • File:Bulletin (1916) (14596234859).jpg
    File:Bulletin (1916) (14596234859).jpg
  • File:Burns's Obstetrical works - the anatomy of the gravid uterus - with practical inferences relative to pregnancy and labour - observations on abortion - containing an account of the manner in which it (14595840619).jpg
    File:Burns's Obstetrical works - the anatomy of the gravid uterus - with practical inferences relative to pregnancy and labour - observations on abortion - containing an account of the manner in which it (14595840619).jpg
  • File:Catalogue of an exhibition illustrating the varied interests of book buyers, 1450-1600, selected mainly from the collections of members of the Club of Odd Volumes, and held at the Club house, 50 Mt. (14766746064).jpg
    File:Catalogue of an exhibition illustrating the varied interests of book buyers, 1450-1600, selected mainly from the collections of members of the Club of Odd Volumes, and held at the Club house, 50 Mt. (14766746064).jpg
  • File:Constantine the Great; the reorganisation of the empire and the triumph of the church (1905) (14587279207).jpg
    File:Constantine the Great; the reorganisation of the empire and the triumph of the church (1905) (14587279207).jpg
  • https://la.wikipedia.org/wiki/Les_Hermaphrodites File:Description de l'isle des hermaphrodites, nouvellement decouverte - contenant les mœurs, les coutumes and les ordonnances des habitans de cette isle, comme aussi le discours de Jacophile à Limne, avec (14775474854).jpg
    https://la.wikipedia.org/wiki/Les_Hermaphrodites File:Description de l'isle des hermaphrodites, nouvellement decouverte - contenant les mœurs, les coutumes and les ordonnances des habitans de cette isle, comme aussi le discours de Jacophile à Limne, avec (14775474854).jpg
  • File:Explanation of the synopsis of chemical nomenclature and arrangement - containing several important alterations of the plan originally reported by the French Academicians (1801) (14593469270).jpg
    File:Explanation of the synopsis of chemical nomenclature and arrangement - containing several important alterations of the plan originally reported by the French Academicians (1801) (14593469270).jpg
  • File:First(-fourth) annual report of the Geological survey of Texas, 1889(-1892) Edwin T. Dumble, state geologist (1890) (14580556370).jpg
    File:First(-fourth) annual report of the Geological survey of Texas, 1889(-1892) Edwin T. Dumble, state geologist (1890) (14580556370).jpg
  • File:Haandbog i den danske flora (1864) (14584561557).jpg
    File:Haandbog i den danske flora (1864) (14584561557).jpg
  • File:Ioannis Kupezky, incomparabilis artificis, Imagines et picturae - Valentin Daniel Preisler, Bernhard Vogel - 1745 - 00a.jpg
    File:Ioannis Kupezky, incomparabilis artificis, Imagines et picturae - Valentin Daniel Preisler, Bernhard Vogel - 1745 - 00a.jpg
  • File:Ioannis Kupezky, incomparabilis artificis, Imagines et picturae - Valentin Daniel Preisler, Bernhard Vogel - 1745 - 74b.jpg
    File:Ioannis Kupezky, incomparabilis artificis, Imagines et picturae - Valentin Daniel Preisler, Bernhard Vogel - 1745 - 74b.jpg
  • File:Pantheum mythicum, ed. 5ª (BL) — back cover.png
    File:Pantheum mythicum, ed. 5ª (BL) — back cover.png
  • File:Poems (1911) (14765498901).jpg
    File:Poems (1911) (14765498901).jpg
  • File:Psychrolousia- or, the history of cold-bathing, both in ancient and modern - In two parts (1732) (14596797199).jpg
    File:Psychrolousia- or, the history of cold-bathing, both in ancient and modern - In two parts (1732) (14596797199).jpg
  • File:Risposta del Dr. Luigi Cocco alle osservazioni di Luigi F. Schopen, fatte circa le opinioni del prof. Seguenza sul Lias superiore dei dintorni di Taormina, 1886 BHL20277208.jpg
    File:Risposta del Dr. Luigi Cocco alle osservazioni di Luigi F. Schopen, fatte circa le opinioni del prof. Seguenza sul Lias superiore dei dintorni di Taormina, 1886 BHL20277208.jpg
  • File:Studies of nature (Volume 1) (1808) (14779726281).jpg
    File:Studies of nature (Volume 1) (1808) (14779726281).jpg
  • File:The American forest - or, Uncle Philip's conversations with the children about the trees of America (1834) (14565904709).jpg
    File:The American forest - or, Uncle Philip's conversations with the children about the trees of America (1834) (14565904709).jpg
  • File:The birds of New England and adjacent states - containing descriptions of the birds of New England together with a history of their habitats..; with illustrations of many species of the birds, and (14568860800).jpg
    File:The birds of New England and adjacent states - containing descriptions of the birds of New England together with a history of their habitats..; with illustrations of many species of the birds, and (14568860800).jpg
  • File:The Easby Abbey breeding stud - (1860) (14782344705).jpg
    File:The Easby Abbey breeding stud - (1860) (14782344705).jpg
  • File:The Greenock Directory (1815) (14798530593).jpg
    File:The Greenock Directory (1815) (14798530593).jpg
  • File:The iron furnace- or, Slavery and secession (1863) (14782534443).jpg
    File:The iron furnace- or, Slavery and secession (1863) (14782534443).jpg
  • File:The plays of William Shakspeare - with the corrections and illustrations of various commentators, to which are added notes (1803) (14593818720).jpg
    File:The plays of William Shakspeare - with the corrections and illustrations of various commentators, to which are added notes (1803) (14593818720).jpg
  • File:Travels into North America - containing its natural history, and a circumstantial account of its plantations and agriculture in general, with the civil, ecclesiastical and commercial state of the (14579802197).jpg
    File:Travels into North America - containing its natural history, and a circumstantial account of its plantations and agriculture in general, with the civil, ecclesiastical and commercial state of the (14579802197).jpg

pinxit

A beekeeper who finds another's practices inadequate may insult them by calling them a mere "bee-haver."[3][4]
The first issue relates to the cultural or contextual interpretation of the emoji. When the author picks an emoji, they think about it in a certain way, but the same character may not trigger the same thoughts in the mind of the receiver.[126] For example, people in China have developed a system for using emoji subversively so that a smiley face could be sent to convey a despising, mocking, and obnoxious attitude, as the orbicularis oculi (the muscle near that upper eye corner) on the face of the emoji does not move, and the orbicularis oris (the one near the mouth) tightens, which is believed to be a sign of suppressing a smile.[127]
  • Gore Vidal and Truman Capote were competitive acquaintances who were, initially, cordial.
    Gore Vidal and Truman Capote were competitive acquaintances who were, initially, cordial.
  • Their rivalry prompted Tennessee Williams to complain: "You would think they were running neck-and-neck for some fabulous gold prize."
    Their rivalry prompted Tennessee Williams to complain: "You would think they were running neck-and-neck for some fabulous gold prize."
  • Capote said of Vidal at the time: "I'm always sad about Gore—very sad that he has to breathe every day."[75]
    Capote said of Vidal at the time: "I'm always sad about Gore—very sad that he has to breathe every day."[75]
  • Vidal responded to news of Capote's death by calling it "a wise career move".[6]
    Vidal responded to news of Capote's death by calling it "a wise career move".[6]
  • Ghost sign
    Ghost sign
  • Did you know? Watching paint dry has been found to be important in the development of modern environmentally friendly water-based paint, replacing earlier solvent-derived paints and coatings. The drying process is observed in order to better understand how aqueous material dries on the surface being painted, and forms a protective layer.[10] This is particularly important for the marine and shipbuilding industry, to develop eco-friendly coatings that comply with increasingly strict regulations.[11]
    Did you know? Watching paint dry has been found to be important in the development of modern environmentally friendly water-based paint, replacing earlier solvent-derived paints and coatings. The drying process is observed in order to better understand how aqueous material dries on the surface being painted, and forms a protective layer.[10] This is particularly important for the marine and shipbuilding industry, to develop eco-friendly coatings that comply with increasingly strict regulations.[11]
  • Semiotics is a dead field.
    Semiotics is a dead field.
  • Sign post forest
    Sign post forest
  • "But they said he would arrive upon an ass."
    "But they said he would arrive upon an ass."

Public Appearances

Take me to your leader: already an old cliche in 1984. BF Skinner imagining George Orwell
Following this hierarchy, Graham notes that articulate forms of name-calling (e.g., "The author is a self-important dilettante") are no different from crude insults. Graham's hierarchy of disagreement When in disagreement people often become more animated and engaged, and this leads to them becoming angry.[2]

Non-professional activities

A fun coloring book - colors of urine, Latin-language medical text
Wikipedians, protect the image for Static cling. Keep it. Add it to other pages. Embed it in the songs of birds. Tattoo it in your tender places


Florida Man

fuck

Did you know? The Bannatyne Manuscript[5] is not the earliest surviving record of the word "fuck".[6][7][8][9][10][11]

sharp

"Eventually, chimps used their reflections for self-directed responding behaviors, such as picking their noses, making faces, and blowing bubbles at their reflections." Mirror test
From The Guardian, 2004:
In our profile of Daniel Dennett (pages 20 to 23, Review, April 17), we said he was born in Beirut. In fact, he was born in Boston. His father died in 1947, not 1948. He married in 1962, not 1963. The seminar at which Stephen Jay Gould was rigorously questioned by Dennett's students was Dennett's seminar at Tufts, not Gould's at Harvard. Dennett wrote Darwin's Dangerous Idea before, not after, Gould called him a "Darwinian fundamentalist". Only one chapter in the book, not four, is devoted to taking issue with Gould. The list of Dennett's books omitted Elbow Room, 1984, and The Intentional Stance, 1987. The marble sculpture, recollected by a friend, that Dennett was working on in 1963 was not a mother and child. It was a man reading a book.[12]
Errata
Did you know? Lois "Lipstick" Long “combined an ability to be perpetually stimulated, with an ability to be perpetually critical”[13]--on roller skates.[14]
Did you know? Richard Kearton has been called the "Machiavelli of bird photography."[15]
Sharps containers and their contents should be removed from premises regularly to prevent excessive waste item accumulation, which could lead to unsafe incidental handling

Relativity Group

After a lecture on relativity, Whitehead thanked “Professor Russell for leaving the vast darkness of the subject unobscured.”[16]


Did you know? Lady Ottoline Morrell and Maria Nys were supposedly not members of the Bloomsbury Group, while Lytton Strachey, Duncan Grant, and Vanessa Bell denied it was a group at all.

ddd

ff

The more technical use of the term chiaroscuro is the effect of light modelling in painting, drawing, or printmaking, where three-dimensional volume is suggested by the value gradation of colour and the analytical division of light and shadow shapes—often called "shading".
Did you know? Slave trader and diplomat Richard Oswalt (Treaty of Paris (painting), right) was ugly.[17]
Like the technical writing Ikea provides with their products, ancient Egyptians used visual communication to explain a procedure.
Like the technical writing that Ikea provides with their products, ancient Egyptian technical writers often relied on visual communication to explain a procedure.


  • File:Amaury-duval, donna di saint-jean-de-luz, 1866 ca.jpg
    File:Amaury-duval, donna di saint-jean-de-luz, 1866 ca.jpg
  • File:Amaury-duval, nascita di venere, ante 1863, 02 conchiglia e firma.jpg
    File:Amaury-duval, nascita di venere, ante 1863, 02 conchiglia e firma.jpg

cc

THIC RESQUIESCIT IN PACE
The pieces were made from resin in his apartment, which upset the landlord.[3]

Phallic Graffiti

Phallic graffiti (alternatively dick graffiti, penis graffiti, or cock and balls graffiti) is the illustration of the male sex organ rendered as graffiti. Phallic graffiti commonly incorporate both the penis and testicles and, while they can be considered lewd in nature, have been produced in specific cultural settings throughout history.

History

Did you know? The Oriental Pearl TV Tower has been called "proof of the city's phallic worship", an "aphrodisiac of the materialist", and a "great phallic monster of truly monumental ugliness, a bit like an enormous asparagus with a silver ball on top."[18][19]

Cock and balls of antiquity

Greece

R

Yaldabaoth

The donkey-headed Seth depicted in the Greek Magical Papyri
Alexamenos graffito depicting a crucified Jesus as a donkey-headed god

fuckfuckfuck

Opaque grab bags labeled "girls" and "boys"
Did you know? Gender is often given as a binary—even at lunch
Did you know? Psalm 68 is the "most difficult and obscure of all the psalms."
Did you know? The problem of rigid origami ("if we replaced the paper with sheet metal and had hinges in place of the crease lines, could we still fold the model?") has great practical importance.
Did you know? Lewis and Short was “never a very good dictionary.”[20]

fuck


Did you know? Ugly Gerry has been called "the world's most revolting font".
A spherical die

Gender


  • accidental ally
    accidental ally
  • lol
    lol
  • wait were those old people who wanted to stop gender anarchists too or
    wait were those old people who wanted to stop gender anarchists too or

ballon ii


oranges

  • File:Edouard Manet 032.jpg
    File:Edouard Manet 032.jpg
  • File:Jules Joseph Lefebvre - Servant - Google Art Project.jpg
    File:Jules Joseph Lefebvre - Servant - Google Art Project.jpg


bifurcation klee

Nightingale floors use nails to make a chirping noise under pressure

The floors were made from dried boards. Upside-down V-shaped joints move within the boards when pressure is applied.[21]

I


  • File:Wall painting of queen Ahmes-Nefertari and pharaoh Amenophis I from Deir el Medina - Berlin ÄM 2060 and 2061 - 02.jpg
    File:Wall painting of queen Ahmes-Nefertari and pharaoh Amenophis I from Deir el Medina - Berlin ÄM 2060 and 2061 - 02.jpg
  • https://commons.wikimedia.org/wiki/User:ArchaiOptix
    https://commons.wikimedia.org/wiki/User:ArchaiOptix
  • File:Group YZ - ARV 1525 16 - Eros and woman - athletes and youth - Ferrara MAN 3194 - 02.jpg
    File:Group YZ - ARV 1525 16 - Eros and woman - athletes and youth - Ferrara MAN 3194 - 02.jpg
  • File:Vassily Kandinsky, 1926 - Several Circles, Gugg 0910 25.jpg
    File:Vassily Kandinsky, 1926 - Several Circles, Gugg 0910 25.jpg
  • "Formen werden, nicht gemacht."
    "Formen werden, nicht gemacht."
  • File:Paul Klee - Dance of Moth, 1923.jpg
    File:Paul Klee - Dance of Moth, 1923.jpg
  • Snelson structures
    Snelson structures
  • File:Forest of synthetic pyramidal dendrites grown using Cajal's laws of neuronal branching.png
    File:Forest of synthetic pyramidal dendrites grown using Cajal's laws of neuronal branching.png
  • File:Invariance.jpg
    File:Invariance.jpg

T

Attic red figure vessel with satyr pushing woman on swing


I

An illustrative page rendered empty by absence of Plate III[22]
"Manuale quoddam duodecimi saeculi suadebat: 'Dum diu urinam inspicis, ad eius colorem, substantiam, quantitatemque, atque ad ea quae in ea sunt—ex quorum diversitate diversa morborum genera dignosces—animum advertas..."[23]


Santiago Ramón y Cajal was born on 1 May 1852 in the town of Petilla de Aragón, Navarre, Spain.[1] As a child he was transferred many times from one school to another because of behavior that was declared poor, rebellious, and anti-authoritarian. An extreme example of his precociousness and rebelliousness at the age of eleven is his 1863 imprisonment for destroying his neighbor's yard gate with a homemade cannon.[5]

evelyn de morgan

  • De Morgan rejoined: "I'll go to the Drawing Room if you like...but if I go, I'll kick the Queen!"[6] Stirling recounts another incident in which Evelyn De Morgan rejected further attempts to introduce her to society: "It was...suggested to Evelyn that she might like to go into Society and see a little of the world, but she jumped to a conclusion respecting this process which was clearly unjustifiable in her case. 'No one shall drag me out with a halter round my neck to sell me!' was her uncompromising rejoinder."[6]
    De Morgan rejoined: "I'll go to the Drawing Room if you like...but if I go, I'll kick the Queen!"[6] Stirling recounts another incident in which Evelyn De Morgan rejected further attempts to introduce her to society: "It was...suggested to Evelyn that she might like to go into Society and see a little of the world, but she jumped to a conclusion respecting this process which was clearly unjustifiable in her case. 'No one shall drag me out with a halter round my neck to sell me!' was her uncompromising rejoinder."[6]
  • File:Cassandra1.jpeg
    File:Cassandra1.jpeg
  • File:Evelyn De Morgan - Angel of Death.jpg
    File:Evelyn De Morgan - Angel of Death.jpg
  • File:Charles T. Webber - Babes Ascending - 1881.jpg
    File:Charles T. Webber - Babes Ascending - 1881.jpg
  • "How can I tell what I think till I see what I say? EM Forster Chapter Five: The Plot"
    "How can I tell what I think till I see what I say? EM Forster Chapter Five: The Plot"

fuck

A


Ludovicvs Grittivs grat so Gritty could grut
Chocolate-coated marshmallow treats ...after eventually concluding that these names are racist and therefore inappropriate,[17] companies changed the product-name to Schokoküsse[18], Schaumküsse[19], or to brand-specific names like Dickmann's.[20]
Drinking lemonade is usually considered more pleasant than eating raw lemons.
The autist may perceive the world more accurately[24] or rationally.[25]
"The twenty-first century proves daily to be extraordinarily challenging."
"The twenty-first century proves daily to be extraordinarily challenging." Notes on Complexity[26]

f

Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé' MET DP859236.jpg

Category: Face in hole

a

b

infinite regress of homunculus

A 1980 Israeli law forbade banned artwork composed of the four colours of the Palestinian flag,[27] and Palestinians were arrested for displaying such artwork or even for carrying sliced melons with the same pattern.[28][29][30]


poison


poisson

  • File:Comparison refraction diffraction spectra.svg
    File:Comparison refraction diffraction spectra.svg


ufcccuffkc

kpeediiiaewikikiki frieeeee enzykloepoediaaaaaa aliquiiii coniiiieacensis ediiiiit

fac

"Me? Nothing much. Just tweaking my nipple in the blinding white void. Hookah?"


fick

  • "sasanian" shit
    "sasanian" shit

etruscan risque frescoes and rough sarcophaguses


f

  • Whitefield welcomed opposition because as he said, "the more I am opposed, the more joy I feel". He proved himself adept at creating controversy. In his 1740 visit to Charles Town, it "took Whitefield only four days to plunge Charles Town into religious and social controversy." Whitefield thought he might be martyred for his views. After he attacked the established church he predicted that he would "be set at nought by the Rabbies of our Church, and perhaps at last be killed by them".
    Whitefield welcomed opposition because as he said, "the more I am opposed, the more joy I feel".[31] He proved himself adept at creating controversy. In his 1740 visit to Charles Town, it "took Whitefield only four days to plunge Charles Town into religious and social controversy."[32] Whitefield thought he might be martyred for his views. After he attacked the established church he predicted that he would "be set at nought by the Rabbies of our Church, and perhaps at last be killed by them".[33]
  • After Whitefield condemned Moravians and their practices, his former London printer (a Moravian) called Whitefield "a Mahomet, a Caesar, an imposter, a Don Quixote, a devil, the beast, the man of sin, the Antichrist".[4]
    After Whitefield condemned Moravians and their practices, his former London printer (a Moravian) called Whitefield "a Mahomet, a Caesar, an imposter, a Don Quixote, a devil, the beast, the man of sin, the Antichrist".[4]
  • Whitefield was a plantation owner and slaveholder and viewed the work of slaves as essential for funding his orphanage's operations.[30][31] ... Whitefield left almost £1,500 (equivalent to £263,000 in 2023) to friends and family. Furthermore, he had deposited £1,000 (equivalent to £175,000 in 2023) for his wife if he predeceased her and had contributed £3,300 (equivalent to £578,000 in 2023) to the Bethesda Orphanage. "Questions concerning the source of his personal wealth dogged his memory. His will stated that all this money had lately been left him 'in a most unexpected way and unthought of means.'"[4]
    Whitefield was a plantation owner and slaveholder and viewed the work of slaves as essential for funding his orphanage's operations.[30][31] ... Whitefield left almost £1,500 (equivalent to £263,000 in 2023) to friends and family. Furthermore, he had deposited £1,000 (equivalent to £175,000 in 2023) for his wife if he predeceased her and had contributed £3,300 (equivalent to £578,000 in 2023) to the Bethesda Orphanage. "Questions concerning the source of his personal wealth dogged his memory. His will stated that all this money had lately been left him 'in a most unexpected way and unthought of means.'"[4]
  • When listening to Whitefield preaching from the Philadelphia court house, Franklin walked away towards his shop in Market Street until he could no longer hear Whitefield distinctly—Whitefield could be heard over 500 feet.
    When listening to Whitefield preaching from the Philadelphia court house, Franklin walked away towards his shop in Market Street until he could no longer hear Whitefield distinctly—Whitefield could be heard over 500 feet.
  • Regarding the changes in Whitefield, someone asked Lady Townshend, "Pray, madam, is it true that Whitefield has recanted?" She replied, "No, sir, he has only canted."[82] One meaning of cant is "to affect religious or pietistic phraseology, especially as a matter of fashion or profession; to talk unreally or hypocritically with an affectation of goodness or piety".[83]
    Regarding the changes in Whitefield, someone asked Lady Townshend, "Pray, madam, is it true that Whitefield has recanted?" She replied, "No, sir, he has only canted."[82] One meaning of cant is "to affect religious or pietistic phraseology, especially as a matter of fashion or profession; to talk unreally or hypocritically with an affectation of goodness or piety".[83]


William W. Hallo recounts stories of a “little old seventeenth-century lady who used to say to her pastor that she ‘had found great support in that blessed word ‘Mesopotamia,’” and of the eighteenth-century evangelist George Whitefield, who “could reduce grown men to tears by the mere pronunciation of the word ‘Mesopotamia.’”[34]
Whitefield had what is known as a “lazy eye” (strabismus) which did not affect his vision, but had the effect of making individuals in large crowds think that his eyes were directly on them.

u

c

Ethiopian Madonna.jpg
  • File:Ethiopian - John the Evangelist - Walters W850153V - Open Group.jpg
    File:Ethiopian - John the Evangelist - Walters W850153V - Open Group.jpg
  • File:Ethiopian Church Painting (2261217481).jpg
    File:Ethiopian Church Painting (2261217481).jpg
  • File:Laur chanda. C.1450-75. Pre-mughal. BKB 226.JPG
    File:Laur chanda. C.1450-75. Pre-mughal. BKB 226.JPG
  • File:Krsna Watches the Gopis in Garden Pool.jpg
    File:Krsna Watches the Gopis in Garden Pool.jpg
  • File:Tantric painting of Shiva (Rajasthan, 19th century).jpg
    File:Tantric painting of Shiva (Rajasthan, 19th century).jpg
  • https://commons.wikimedia.org/wiki/Category:Obeliscus_Pamphilius_(1650)
    https://commons.wikimedia.org/wiki/Category:Obeliscus_Pamphilius_(1650)
Ethiopian whole scroll. Wellcome L0025427.jpg

k

Did you know? The Berlin Green Head is Egyptian and, like, gray.


f

...with much of his audiences not understanding either his philosophies, or his attire, which was made out of red cloth and embroidered with green letters.[37] In late 1884, Price's wife gave birth to their second child, whom Price also named Iesu Grist, and on 27 May 1886 she then bore him a daughter, whom they named Penelopen.[38] He believed that his son had an important future ahead of him, being the prophesied second coming of Jesus Christ, his namesake, and predicted that he would come to reign over the earth. Meanwhile, in 1892 he erected a pole which was over 60 feet high, with a crescent moon symbol at its peak, on top of Caerlan hill...

fuck

asdf
One of the first nominalist critiques of Plato's realism was that of Diogenes of Sinope, who said "I've seen Plato's onions and peas, but not his onionness and peaness."[9]
  • Cherry picking may also refer to: Rosinenpicken [de], the childish habit of picking out the cherries from a cherry cake, leaving the rest of the cake behind; used colloquially to suggest an effort to secure only the most attractive parts of something specific, leaving behind the unattractive parts
    Cherry picking may also refer to: Rosinenpicken [de], the childish habit of picking out the cherries from a cherry cake, leaving the rest of the cake behind; used colloquially to suggest an effort to secure only the most attractive parts of something specific, leaving behind the unattractive parts
  • Ascender (typography)
    Ascender (typography)

zodiac

"...the secrets of the Egyptians were also secrets from the Egyptians themselves." -Hegel -Zizek [35]

announcement

Let it be known user Sinaitic is me.

https://commons.wikimedia.org/wiki/Category:Pointing_in_art

https://commons.wikimedia.org/wiki/Category:Emerencjanna_Pociej

public corkboard

This is a public and anarchistic space. Users other than the author may insert art here.

nsfw that makes you go lol

https://commons.wikimedia.org/wiki/Category:Pre-Raphaelite_paintings_of_females

https://en.wikipedia.org/wiki/Category:Inscriptions_of_disputed_origin
https://en.wikipedia.org/wiki/Category:Hebrew_inscription_forgeries
  • File:Clytemnestra by John Collier, 1882.jpg
    File:Clytemnestra by John Collier, 1882.jpg
  • Cassandra
    Cassandra
  • Priestess of Delphi
    Priestess of Delphi
  • eggs
    eggs
  • File:Godward A Grecian Girl 1908.jpg
    File:Godward A Grecian Girl 1908.jpg
  • File:John William Waterhouse - Mariana in the South (1897).jpg
    File:John William Waterhouse - Mariana in the South (1897).jpg
  • Elihu Vedder - Head of Medusa
    Elihu Vedder - Head of Medusa

secretum et Gabinetto Segreto

cynegeticus

Hipparchia, however, was quite happy with this. Crates called their marriage "dog-coupling" (cynogamy).[36] We are told that they lived in the stoas and porticoes of Athens.[37] Apuleius wrote of their having sex, publicly, in broad daylight.[38][39]



Cynegeticus

More information Ancient Greek Name, Transliteration ...
Ancient Greek Name Transliteration English Translation
Ψυχή Psychḗ Soul
Θυμός Thymós Spirit
Πόρπαξ Pórpax Shield
Στύραξ Stýrax Resin (or a type of tree)
Λογχή Lonkhḗ Lance
Λόχος Lókhos Ambush
Φρουρά Phrurá Guard
Φύλαξ Phýlax Guardian
Τάξις Táxis Order
Ξίφων Xíphōn Dirk
Φόναξ Phónax Killer
Φλέγων Phlégōn Blazing
Ἀλκή Alkḗ Might
Τεύχων Téuchōn, Armor
Ὑλεύς Hyléus Ranger
Μήδας Médas Ruler
Πόρθων Pórthōn Ravager
Σπέρχων Spérkhōn Eager
Ὀργή Orgḗ Rage
Βρέμων Brémōn Roaring
Ὕβρις Hýbris Pride
Θάλλων Thállōn Blooming
Ῥώμη Rhṓmē Rome
Ἀνθεύς Anthéus Flowery
Ἥβα Hḗba Youth
Γηθεύς Gēthéus Joyful
Χαρά Khará Joy
Λεύσων Léusōn Watcher
Αὐγώ Augṓ Radiant
Πολεύς Poléus Abundant
Βία Bía Force
Στίχων Stíkhōn Line
Σπουδή Spudḗ Zeal
Βρύας Brýas To Swell
Οἰνάς Oinás Wine
Στέρρος Stérros Sturdy
Κραύγη Cráugē Shout
Καίνων Káinōn Fresh
Τύρβας Týrbas Uproar
Σθένων Sthénōn Might
Αἰθήρ Aithḗr Sky
Ἀκτίς Aktís Beam
Αἰχμή Aikhmḗ Edge
Νόης Nóēs Mind
Γνώμη Gnṓmē Judgment
Στίβōν Stíbon Course
Ὁρμή Hormḗ Charge
Close

St. Eyeroll and St. Hidden

unidentified identifiers

At the beginning of 6th century, a tribe called Qadišaiē (Kαδίσηνοι), who were of either Kurdish or Arab origin, dwelt there. The Qadišaye practiced idolatry.[40]
  • File:Qualitative observations are relative.png
    File:Qualitative observations are relative.png

historic bdsm art

cornel west eating pizza

Did you know? Amarna Tomb 17 has "no interesting features."[41] Pictured: Tomb 18

fuck

fuck

  • Tychon
    Tychon
  • File:Stela dedicated to Neith and Ptah by Wadjmes, limestone - Museo Egizio, Turin C 1548 p01.jpg
    File:Stela dedicated to Neith and Ptah by Wadjmes, limestone - Museo Egizio, Turin C 1548 p01.jpg
  • File:Goddess Neith E3730 mp3h8827.jpg
    File:Goddess Neith E3730 mp3h8827.jpg
  • File:Neith Génératrice (Athénè, Physis, Minerve), N372.2 C35.jpg
    File:Neith Génératrice (Athénè, Physis, Minerve), N372.2 C35.jpg
  • File:An attempt to depict the creative activities of Prajapati.jpg
    File:An attempt to depict the creative activities of Prajapati.jpg
  • For example, Herodotus relates that, when the Egyptians disrespected Amasis for having been born a commoner, he had his golden footbath (ποδανιπτήρ) melted down, made into a statue of a god, and placed in the centre of city where people would worship it. After the people of that city had worhsipped and "did great reverence" to it, Amasis gathered them and declared to them that the golden image they now worshipped had once been a footbath where people would vomit, urinate and wash their feet. He claimed that likewise, although he was once a man of the people, he was now their king and they ought to fittingly respect him.[31]
    For example, Herodotus relates that, when the Egyptians disrespected Amasis for having been born a commoner, he had his golden footbath (ποδανιπτήρ) melted down, made into a statue of a god, and placed in the centre of city where people would worship it. After the people of that city had worhsipped and "did great reverence" to it, Amasis gathered them and declared to them that the golden image they now worshipped had once been a footbath where people would vomit, urinate and wash their feet. He claimed that likewise, although he was once a man of the people, he was now their king and they ought to fittingly respect him.[31]

I don't want to talk about it


The family is the cradle of the world’s misinformation. There must be something in family life that generates factual error. Over-closeness, the noise and heat of being. Perhaps even something deeper like the need to survive. Murray says we are fragile creatures surrounded by a world of hostile facts. Facts threaten our happiness and security. The deeper we delve into things, the looser our structure may seem to become. The family process works towards sealing off the world. Small errors grow heads, fictions proliferate. I tell Murray that ignorance and confusion can’t possibly be the driving forces behind family solidarity. What an idea, what a subversion. He asks me why the strongest family units exist in the least developed societies. Not to know is a weapon of survival, he says. Magic and superstition become entrenched as the powerful orthodoxy of the clan. The family is strongest where objective reality is most likely to be misinterpreted.
On that occasion, DeLillo handed LeClair a business card with his name printed on it and beneath that the message "I don't want to talk about it."[26]
  • Historians point to Giulia Tofana dying in her sleep in 1651 with no one aware of her poisoning activities.[2][1] Confusion of her activities with other poisoners active in the area has led to tales that she died in 1659, or 1709, or 1730, with further elaboration that she took sanctuary in a convent and continued to manufacture and distribute poison for many years until she was found out, executed, and her body thrown over the wall of the church that had provided her with sanctuary.[2]
    Historians point to Giulia Tofana dying in her sleep in 1651 with no one aware of her poisoning activities.[2][1] Confusion of her activities with other poisoners active in the area has led to tales that she died in 1659, or 1709, or 1730, with further elaboration that she took sanctuary in a convent and continued to manufacture and distribute poison for many years until she was found out, executed, and her body thrown over the wall of the church that had provided her with sanctuary.[2]
  • File:The Merchant Prince of Cornville.jpg Cyranoids are "people who do not speak thoughts originating in their own central nervous system: Rather, the words they speak originate in the mind of another person who transmits these words to the cyranoid by radio transmission".[1] The concept was developed by psychologist Stanley Milgram as a research method.
    File:The Merchant Prince of Cornville.jpg Cyranoids are "people who do not speak thoughts originating in their own central nervous system: Rather, the words they speak originate in the mind of another person who transmits these words to the cyranoid by radio transmission".[1] The concept was developed by psychologist Stanley Milgram as a research method.
  • MS 5236 (inventory number of the Schøyen Collection) is an ancient Greek amulet of the 6th century BC, which is unique in two respects: it is the only known magic amulet of the time inscribed with a text that was stamped as opposed to incised, and it is the only extant specimen of ephesia grammata made of gold. The only partially comprehensible inscription is an invocation of the god Phoebus Apollo and may have been composed in central Greece or western Asia Minor. As such magical amulets are known to have been mass-produced, the existence of MS 5236 indicates that, despite the singularity of the foil, an inkless block printing process was practised in ancient Greece to a certain degree,[1][2] for texts of some length, beyond the examples known from Roman lead pipe inscriptions and the many types of stamps used to mark bricks and pottery with the maker's name and other details.
    MS 5236 (inventory number of the Schøyen Collection) is an ancient Greek amulet of the 6th century BC, which is unique in two respects: it is the only known magic amulet of the time inscribed with a text that was stamped as opposed to incised, and it is the only extant specimen of ephesia grammata made of gold. The only partially comprehensible inscription is an invocation of the god Phoebus Apollo and may have been composed in central Greece or western Asia Minor. As such magical amulets are known to have been mass-produced, the existence of MS 5236 indicates that, despite the singularity of the foil, an inkless block printing process was practised in ancient Greece to a certain degree,[1][2] for texts of some length, beyond the examples known from Roman lead pipe inscriptions and the many types of stamps used to mark bricks and pottery with the maker's name and other details.
  • Water pipe with Latin inscription from the reign of Vespasian. The text is unusual for being sunk into the surface and its sizable length of 1 m.[1]
    Water pipe with Latin inscription from the reign of Vespasian. The text is unusual for being sunk into the surface and its sizable length of 1 m.[1]

yo-he-ho

Mindustry was popular among US federal prison inmates, where it was sold for $2 USD on the inmate app store, until it was banned in July 2023 because "it was found to jeopardize the safety, security and orderly operation" of federal prisons.[23]


Oscar White Muscarella 1986.jpg "Collecting ancient artifacts — antiquities — is inherently immoral and unethical." [42]
Siloam inscription reproduction
Bow-wow. The bow-wow or cuckoo theory, which Müller attributed to the German philosopher Johann Gottfried Herder, saw early words as imitations of the cries of beasts and birds. Pooh-pooh. The pooh-pooh theory saw the first words as emotional interjections and exclamations triggered by pain, pleasure, surprise, etc. Ding-dong. Müller suggested what he called the ding-dong theory, which states that all things have a vibrating natural resonance, echoed somehow by humans in their earliest words. Yo-he-ho. The yo-he-ho theory claims that language emerged from collective rhythmic labor; that is, the attempt to synchronize muscular efforts resulting in sounds such as heave alternating with sounds such as ho. Ta-ta. The ta-ta theory did not feature in Max Müller's list, having been proposed in 1930 by Sir Richard Paget.[35] According to the ta-ta theory, humans made the earliest words by tongue movements that mimicked manual gestures, rendering them audible. Most scholars today consider all such theories not so much wrong—they occasionally offer peripheral insights—as naïve and irrelevant.[36][37]

flaveurs

The tongue allows horses to experience the sense of taste.[3] Similar to all mammals, this sense is closely linked to olfaction, enabling horses to perceive what Michel-Antoine Leblanc refers to as "flaveurs".[2]
  • latin ß
    latin ß
  • "This one's for ecstasy, and this one's for estrogen."
    "This one's for ecstasy, and this one's for estrogen."

fuck bigots

  • uhhh... umm... this one doesn't look so good. But that was almost 20 years ago now
    uhhh... umm... this one doesn't look so good. But that was almost 20 years ago now
  • 2017?!?! They were still...
    2017?!?! They were still...
  • Oh good, now it's just Bowser.
    Oh good, now it's just Bowser.

fuck

the inferiority of a roman copy

emocore

There is no humanism but anarchism

there is no individualism but humanism

"These yellow ribbons are for the young people, to show we care, and these orange ribbons are for the companions."

Qaryat al-Faw

  • zodiac
    zodiac

fuck

  • bet dud
    bet dud
  • For the law will state that there are twelve feasts to the twelve gods who give their names to the several tribes: Rutherford, pp. 45–46; Plato, The Laws 828 b-d 12 Olympians
    For the law will state that there are twelve feasts to the twelve gods who give their names to the several tribes: Rutherford, pp. 45–46; Plato, The Laws 828 b-d 12 Olympians

ANARCHY

The first mention of the enema in medical literature is in the Ancient Egyptian Ebers Papyrus (c. 1550 BCE). One of the many types of medical specialists was a Nery-Pehuyt, the Shepherd of the Anus. Many medications were administered by enemas.[43] There was a Keeper of the Royal Rectum[44] who may have primarily been the pharaoh's enema maker. The god Thoth, according to Egyptian mythology, invented the enema.[45]
Thrésor de l'histoire des langues de cest univers https://archive.org/details/bub_gb_u7iC2GQWUI8C
The Majesty of Seth said to the Majesty of Horus, How beautiful are thy buttocks! How flourishing (?).... The Majesty of Horus said, Wait that I may tell it... to their palace. The Majesty of Horus said to his mother Isis... Seth desires (?) to have intercourse with me. And she said to him, Take care, do not approach him for that; when he mentions it to thee a second time, say thou to him, It is altogether too difficult for me because of (my) nature (?), since thou art too heavy for me; my strength will not be equal to thine, thou shalt say to him. Then, when he shall have given thee strength, do thou place thy fingers between thy buttocks. Lo, it will give... Lo, he will enjoy it exceedingly (?)... this seed which has come forth from his generative organ, without letting the sun see it... Come thou. [46] [47]
In "The Making of Egypt," Petrie pushes pseudoscience yet praises diversity.[48]
"One of the finest" reliefs Petrie found in Koptos was this ithyphallic representation of Min before Senureset I. Prudery toward erect representations got in the way of photography and exhibition of the city's artifacts in Victorian times and the late 20th century. Here, then-assistant Margaret Murray covered the member for Petrie's photograph. Some items were totally omitted from the initial record to protect sensibilities, which can lead to problems of provenance for archaeological phalloi.[49]
[50]
Illahun, Kahun, and Gurob
Scarabs of Khyan and Yaqub-Har. Ryholt notes that the name, Khyan, generally has been "interpreted as Amorite Hayanu (reading h-ya-a-n) which the Egyptian form represents perfectly, and this is in all likelihood the correct interpretation."[35] It should be stressed that Khyan's name was not original and had been in use for centuries before the fifteenth (Hyksos) Dynasty. The name Hayanu is recorded in the Assyrian king lists—see "Khorsabad List I, 17 and the SDAS List, I, 16"--"for a remote ancestor of Shamshi-Adad I (c.1800 BC)."[35]

fuck


ANARCHY

w
  • File:Osman Hamdi Bey - The Tortoise Trainer - Google Art Project.jpg
    File:Osman Hamdi Bey - The Tortoise Trainer - Google Art Project.jpg
  • File:AiKhanoumSunDial.jpg
    File:AiKhanoumSunDial.jpg
  • File:Sakuntala plate reconstitution.jpg
    File:Sakuntala plate reconstitution.jpg
  • File:AiKhanoumPlateSharp.jpg
    File:AiKhanoumPlateSharp.jpg
  • Greco-Buddhist art
    Greco-Buddhist art
  • File:CupidsAndBuddha.JPG
    File:CupidsAndBuddha.JPG
  • File:Euthydemos I Ai Khanoum mint.jpg
    File:Euthydemos I Ai Khanoum mint.jpg
  • Euthydemos I Ai Khanoum mint 2.jpg
    Euthydemos I Ai Khanoum mint 2.jpg
  • File:Ai-Khanoum statuette.jpg
    File:Ai-Khanoum statuette.jpg

fuck

  • The obelisk and wider quarry were inscribed on the UNESCO World Heritage List in 1979 along with other examples of Upper Egyptian architecture, as part of the "Nubian Monuments from Abu Simbel to Philae" (despite the quarry site being neither Nubian, nor between Abu Simbel and Philae).
    The obelisk and wider quarry were inscribed on the UNESCO World Heritage List in 1979 along with other examples of Upper Egyptian architecture, as part of the "Nubian Monuments from Abu Simbel to Philae" (despite the quarry site being neither Nubian, nor between Abu Simbel and Philae).[51]
  • File:GebelTeirRockDrawing.jpg
    File:GebelTeirRockDrawing.jpg
  • File:GebelTeirCow.jpg
    File:GebelTeirCow.jpg
  • File:WadiAbuSafaPetroglyphs4.jpg
    File:WadiAbuSafaPetroglyphs4.jpg

fuck

fuck

cleveland

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fuck

  • Edith Hall argued in an introduction that modern readers "will be struck in particular by the un-Euripidean lack of interest in women" in Rhesus (play)
    Edith Hall argued in an introduction that modern readers "will be struck in particular by the un-Euripidean lack of interest in women" in Rhesus (play)
  • File:Iasos Agora frieze 5526.jpg
    File:Iasos Agora frieze 5526.jpg
  • Harpy tomb
    Harpy tomb
  • File:Detail Harpy tomb VII.JPG
    File:Detail Harpy tomb VII.JPG

fuc

Yashdoda

File:Yashoda with Krishna, Raja Ravi Varma.jpg

fuck

fuck

  • File:King wenis of egypt being suckled by a unkown goddess.jpg
    File:King wenis of egypt being suckled by a unkown goddess.jpg
  • File:Premier-secret-confie-a-Venus.jpg
    File:Premier-secret-confie-a-Venus.jpg
  • File:Information bias.png
    File:Information bias.png
  • File:Atargatis, Nabatean, c.100 AD, Jordan Archaeological Museum.jpg
    File:Atargatis, Nabatean, c.100 AD, Jordan Archaeological Museum.jpg

Fuck

  • File:The nickel and dime store, WPA poster, ca. 1941.jpg
    File:The nickel and dime store, WPA poster, ca. 1941.jpg
  • In these scrolls, Medjed is depicted as a dome with eyes, supported by two human-like feet. A few scrolls also portray the deity with a red knotted belt above or below his eyes. The scholars E. A. Wallis Budge, H. Milde, and Mykola Tarasenko have argued that Medjed's dome-like torso is either a shroud or a "shapeless body" that symbolizes the deity's imperceptible nature, and Cariddi has proposed that Medjed's prominent eyes and legs could signify that he can "see, move and act even though humans cannot perceive him". In contrast, Bernard Bruyère and Terence DuQuesne have contended that Medjed is actually a personification of an oil jar, and that his red "belt" is actually a stylized lid fastener.
    In these scrolls, Medjed is depicted as a dome with eyes, supported by two human-like feet. A few scrolls also portray the deity with a red knotted belt above or below his eyes.[52] The scholars E. A. Wallis Budge, H. Milde, and Mykola Tarasenko have argued that Medjed's dome-like torso is either a shroud or a "shapeless body" that symbolizes the deity's imperceptible nature,[53][54][55] and Cariddi has proposed that Medjed's prominent eyes and legs could signify that he can "see, move and act even though humans cannot perceive him".[56] In contrast, Bernard Bruyère and Terence DuQuesne have contended that Medjed is actually a personification of an oil jar, and that his red "belt" is actually a stylized lid fastener.[56][57][58]
  • File:Lubok zodiac.jpg
    File:Lubok zodiac.jpg
  • draping inspo
    draping inspo
  • crook and flailFile:Ramesseum 29.JPG
    crook and flailFile:Ramesseum 29.JPG
  • https://commons.wikimedia.org/wiki/Category:Horus_and_Seth_crowning_Ramses_III
    https://commons.wikimedia.org/wiki/Category:Horus_and_Seth_crowning_Ramses_III
  • It was Glanvill's style to seek out a "middle way" on contemporary philosophical issues. In 1661 he predicted "To converse at the distance of the Indes by means of sympathetic conveyances may be as natural to future times as to us is a literary correspondence."[2]
    It was Glanvill's style to seek out a "middle way" on contemporary philosophical issues. In 1661 he predicted "To converse at the distance of the Indes by means of sympathetic conveyances may be as natural to future times as to us is a literary correspondence."[2]

fuck


fuck

  • File:Skade by Saltza.jpg
    File:Skade by Saltza.jpg
  • File:Postcard from Adolf Fonahn to Walter Pagel Wellcome L0003335EC.jpg
    File:Postcard from Adolf Fonahn to Walter Pagel Wellcome L0003335EC.jpg
  • edepol
    edepol
  • File:Sunrise at Creation.jpg
    File:Sunrise at Creation.jpg
  • vinculata seu coifant?
    vinculata seu coifant?
  • lol
    lol
  • File:Età imperiale, gemma con chum criocefalo, II-IV secolo ca., in magnetite.jpg
    File:Età imperiale, gemma con chum criocefalo, II-IV secolo ca., in magnetite.jpg
  • File:Medinet Habu Temple, Piles of Genitals.jpg
    File:Medinet Habu Temple, Piles of Genitals.jpg
  • File:VotiveBarqueOfKamose.png
    File:VotiveBarqueOfKamose.png
  • Head cone
    Head cone
  • File:Medinet Habu Ramses III14.JPG
    File:Medinet Habu Ramses III14.JPG

f

fuck

  • File:Water buffalo calf suckling, near Mehsana, Gujarat, India, 2.jpg
    File:Water buffalo calf suckling, near Mehsana, Gujarat, India, 2.jpg
  • Senatus consultum de bacchanalibus.jpg
    Senatus consultum de bacchanalibus.jpg
  • File:Johann König - Apollo und Coronis (Agnes Etherington Art Centre).jpg
    File:Johann König - Apollo und Coronis (Agnes Etherington Art Centre).jpg

fuck

please

f

fuck

  • File:Chorsi.png
    File:Chorsi.png
  • File:Idn.duke.edu Soviet propaganda poster 1920s - Bednyi, Demian -Put All the Past in The Garbage Dump В мусорную яму No known copyright.jpg
    File:Idn.duke.edu Soviet propaganda poster 1920s - Bednyi, Demian -Put All the Past in The Garbage Dump В мусорную яму No known copyright.jpg
  • File:Magical touch of Hand.jpg
    File:Magical touch of Hand.jpg
  • File:CandidateStabbingSkulls.png
    File:CandidateStabbingSkulls.png
  • https://commons.wikimedia.org/wiki/Category:Forgery_idols
    https://commons.wikimedia.org/wiki/Category:Forgery_idols
  • the roman e5in hieroglyphs in herculaneum
    the roman
    More information e5 in hieroglyphs ...
    e5
    in hieroglyphs
    Close
    in herculaneum
  • File:Simonian Aeonology.jpg
    File:Simonian Aeonology.jpg
  • File:Foot binding shoes 1.jpg
    File:Foot binding shoes 1.jpg

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fuck


  • false fecit
    false fecit

etty

  • William Etty self-portrait.jpg
    William Etty self-portrait.jpg
  • Etty hoped that his audience would take from the painting the moral lesson that women are not chattels and that men infringing on their rights should justly be punished, but he made little effort to explain this to audiences. The painting was immediately controversial and perceived as a cynical combination of a pornographic image and a violent and unpleasant narrative, and it was condemned as an immoral piece of the type one would expect from a foreign, not a British, artist.
    Etty hoped that his audience would take from the painting the moral lesson that women are not chattels and that men infringing on their rights should justly be punished, but he made little effort to explain this to audiences. The painting was immediately controversial and perceived as a cynical combination of a pornographic image and a violent and unpleasant narrative, and it was condemned as an immoral piece of the type one would expect from a foreign, not a British, artist.

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The Egyptian word for the space between anus and genitals is wpt mtny. asdf[59]


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  • File:"Betsy and I Killed the Bear" -- Cascadia Mineral Springs, Cascadia, Oregon (7839717994).jpg
    File:"Betsy and I Killed the Bear" -- Cascadia Mineral Springs, Cascadia, Oregon (7839717994).jpg
  • File:"Betty telling Marjorie a joke" (4251450149).jpg
    File:"Betty telling Marjorie a joke" (4251450149).jpg
  • File:Hula 1930s.jpg
    File:Hula 1930s.jpg
  • File:Hooleh Huts v.jpg
    File:Hooleh Huts v.jpg
  • “REPRESENTATION OF THE BREAST PLATE” 1851 book illustration- Precious stones - being an account of the stones mentioned in the Sacred Scriptures (IA PreciousStonesBeingAnAccountOfTheStonesMentionedInTheSacred) (page 69 crop).jpg
    “REPRESENTATION OF THE BREAST PLATE” 1851 book illustration- Precious stones - being an account of the stones mentioned in the Sacred Scriptures (IA PreciousStonesBeingAnAccountOfTheStonesMentionedInTheSacred) (page 69 crop).jpg
  • File:Flag of the Brussels-Capital Region.svg
    File:Flag of the Brussels-Capital Region.svg

Fuck

Bernardino Drovetti.jpg While he contributed significantly to the creation of three of the largest Egyptological collections in Europe and substantially increased the European interest in ancient Egypt, Drovetti is also remembered for his ruthlessness towards other collectors and excavators. He was particularly hostile against Henry Salt, Giovanni Battista Belzoni and Jean-François Champollion

fuck capital

ATU 441: Hans My Hedgehog

The first part of the tale is classified in the Aarne-Thompson-Uther Index as ATU 441, "Hans My Hedgehog", a cycle of stories where the animal bridegroom is a porcupine, a pig or a hog. Other tales of this classification are Italian The Pig King, French Prince Marcassin and Romanian The Enchanted Pig (first part).

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fuck capital

Norman Levi Bowen (left) with O. Frank Tuttle
  • amš
    amš
  • "Black Buck", Folio from the Shah Jahan Album MET DT4811.jpg
    "Black Buck", Folio from the Shah Jahan Album MET DT4811.jpg
  • File:Paddle Doll MET 31.3.43 0032.jpg
    File:Paddle Doll MET 31.3.43 0032.jpg
  • File:Fragment of a Leather Hanging(?) with an Erotic Scene MET DP115784.jpg
    File:Fragment of a Leather Hanging(?) with an Erotic Scene MET DP115784.jpg
  • File:Harvesting Sicamore Figs, Tomb of Djari MET INST.1979.2.5 EGDP013018.jpg
    File:Harvesting Sicamore Figs, Tomb of Djari MET INST.1979.2.5 EGDP013018.jpg
  • Albertina 2018 Rudolf Koppitz Motion Study.jpg
    Albertina 2018 Rudolf Koppitz Motion Study.jpg

fuck

  • Marlik
    Marlik
  • File:Swastika iran.jpg
    File:Swastika iran.jpg

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fuck

  • File:A champion of the union LCCN2003674828.jpg
    File:A champion of the union LCCN2003674828.jpg
  • File:1947 Arab-Israeli War (997008136833405171).jpg
    File:1947 Arab-Israeli War (997008136833405171).jpg
  • Erechtheus
    Erechtheus
  • Acrolith
    Acrolith

fuck

Part of page 2 and page 3 of the Kahun Gynaecological Papyrus

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Khnum (left) fashions the god Ihy (middle) on a potter's wheel, with the help of the goddess Heqet, Dendera Temple.

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  • growth points for flora in petroglyphs
    growth points for flora in petroglyphs
  • petroglyphs after cleaning by Ryan Gosling
    petroglyphs after cleaning by Ryan Gosling

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fuck

Kom el-Hisn The site was initially uncovered by Flinders Petrie during his excavation at Naukratis in 1881. Another survey in 1902, this time by Georges Daressy, found more artifacts related to Ramesses II such as two broken colossi of Amenemhat III later usurped by Ramesses II, and four blocks originally inscribed for Ramesses II, but later usurped by Shoshenq II and reused for a chapel.[4] In the early 1940s, mudbrick tombs were uncovered after a heavy rainfall. El-Amir, Farad, and Hamada excavated what turned out to be a large necropolis from 1943 to 1949. There was a count of over one thousand graves ranging from lower to upper class burials. The most common were simple sand-pit burials. Among these, blades were found in a portion of the tombs labeled the “warrior group”, but most burials contained no or little grave goods. The 1946 and 1948 excavations yielded a large number of "pot-burials" containing the remains of children. Among these, family tombs or mass graves were also found containing mostly children. They were identified the length of necklaces found with the remains. The exact number of graves is unknown. The majority date to the First Intermediate Period and Middle Kingdom. This excavation was not fully published and excluded a number of possible Roman graves.[5] No maps or field notes from this excavation survive and much of what survives has remained unpublished.

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Lepsius on a spelling variant.[60] Heryshaf
  • For none may tarry in the land of Egypt, None there is who has not passed yonder.
    For none may tarry in the land of Egypt, None there is who has not passed yonder.
  • The span of earthly things is as a dream; But a fair welcome is given him who has reached the West.[10]
    The span of earthly things is as a dream; But a fair welcome is given him who has reached the West.[10]

aha

asdf

Ḥeḥ (ḥḥ, also Huh, Hah, Hauh, Huah, and Hehu[citation needed]) was the personification of infinity or eternity in the Ogdoad in ancient Egyptian religion.[1]

Aha ha is a species of Australian wasp, named by the entomologist Arnold Menke in 1977 as a joke. Menke described several years after its discovery how, when he received a package from a colleague containing insect specimens, he exclaimed "Aha, a new genus", with fellow entomologist Eric Grissell responding "ha" doubtfully.[61] The name of the insect is commonly found in lists of bizarre scientific names.[62][63] The name was also used as the vehicle registration plate of Menke's car, "AHA HA".[64]

Ahaha (fl. circa 1870 BC), was an Ancient Assyrian businesswoman of the city of Assur whom is one of the earliest-known well-documented businesswomen in history. She is known for pursuing the resolution an issue of financial fraud committed against her.[65]

Not to be confused with ahaha.

Ahaha lived during the Old Assyrian period and had two brothers, Buzazu and Assur-mutappil. During her era of Assyrian culture, it was customary for women to head the household in the absence of their husbands, and conduct business and manage finances.[66][67]

Fate goddesses

Tale of the Doomed Prince The Seven Hathors who appear at the prince's birth to decree his fate may appear analogous to the Moirai or Parcae of Graeco-Roman mythology,[68][69][70] or to the Norns of Norse mythology.[71]

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Egyptian

Incest in folklore and mythology Horus, the grandson of Geb, had his own mother, Isis, become his imperial consort.[72] The goddess Hathor was simultaneously considered to be the mother, wife, and daughter of the sun god Ra.[73]

Hathor was also occasionally seen as the mother and wife of Horus.[74][75][76][77][78][79][80][81][82][83][84][85][86][87][88]: 107–115, 122–123, 145–146, 153–156, 187–188, 202–203 [89][90][91][92]

In Egyptian mythology, there are frequent sibling marriages. For example, Shu and Tefnut are brother and sister and they produce offspring, Geb and Nut.[93][94]

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  • File:Funerary stela of Kha.jpg
    File:Funerary stela of Kha.jpg
  • File:Cubito pieghevole 2KA2834.tif
    File:Cubito pieghevole 2KA2834.tif
  • File:Forms of bread from TT8.jpg
    File:Forms of bread from TT8.jpg

pt

Flinderella
A second performance was given on 25 April 2024. [95]

In 1923, Petrie was knighted for services to British Archaeology and Egyptology.[96] Students of UCL commemorated the investiture by writing and performing a musical play. A hundred years later, the questions had changed: "Between investigations on eugenics, decolonial practice, and calls for repatriation, what has become of Flinderella?" [95]

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[S]he was homeschooled... her first acting job was an advertisement for potato chips that included a poisonous ingredient and never made it to market.[11]

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Ithyphallic god Min, tumescence obscured
nHsy - Nubian
nHsy - Nubian
[97]
Rev John Skinner saw proof of extreme antiquity in a reflection of a widespread belief in night spirits that vanish at dawn.[98]
Ramesses II was issued an Egyptian "passeport" in 1975 when his mummy left the country for antifungal cleaning in France.[99] This was not a passport.


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The sun rides in a chariot and rises crowned as a bridegroom. Eliezer[100]
  • Seignac, Diane chassant (5613442047).jpg
    Seignac, Diane chassant (5613442047).jpg
  • Xoanon
    Xoanon
  • Broddenbjerg idol
    Broddenbjerg idol
  • The Old Norse term for a god áss (the singular of Æsir; derived from the Common Germanic root *ans, *ansuz and also recorded for Gothic as the Latin plural Anses by Jordanes) has a homonym meaning "pole" or "beam". Jacob Grimm proposed that as the origin of the "god word" and the etymology was accepted by some scholars; it would suggest that the word is derived from god-images in pole form, but relating it to the Indian asuras as a term of Indo-European origins is equally plausible. Some of the wooden figures take the form of a simple pole or post, sometimes set up in a heap of stones.
    The Old Norse term for a god áss (the singular of Æsir; derived from the Common Germanic root *ans, *ansuz and also recorded for Gothic as the Latin plural Anses by Jordanes) has a homonym meaning "pole" or "beam". Jacob Grimm proposed that as the origin of the "god word" and the etymology was accepted by some scholars;[101][102] it would suggest that the word is derived from god-images in pole form, but relating it to the Indian asuras as a term of Indo-European origins is equally plausible.[103] Some of the wooden figures take the form of a simple pole or post, sometimes set up in a heap of stones.[104]
  • File:Beauty-case, wood - Museo Egizio Turin S 8479 p04.jpg
    File:Beauty-case, wood - Museo Egizio Turin S 8479 p04.jpg
  • File:Dendera Relief 13.JPG
    File:Dendera Relief 13.JPG
  • Female topless egyption dancer on ancient ostrakon.jpg
    Female topless egyption dancer on ancient ostrakon.jpg

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Nasadiya Sukta (Hymn of non-Eternity):

Who really knows?
Who can here proclaim it?
Whence, whence this creation sprang?
Gods came later, after the creation of this universe.

Who then knows whence it has arisen?
Whether God's will created it, or whether he was mute;
Only he who is its overseer in highest heaven knows,
He only knows, or perhaps he does not know.

—Rig Veda 10.129.6–7[105]


  • File:Chariot of Yuya, great grandfather of King Tut.jpg
    File:Chariot of Yuya, great grandfather of King Tut.jpg
  • File:Codex Manesse 311r Alram von Gresten.jpg
    File:Codex Manesse 311r Alram von Gresten.jpg
  • Punt beehive house
    Punt beehive house

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ww

  • File:Tomb of Nebamun.jpg
    File:Tomb of Nebamun.jpg
  • grape
    grape

lotus

1234

zodiac

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TT1

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"This is perhaps the most perfect example of the embalmer's art at the time of its zenith in Ancient Egypt."[106][107]
Anubis was often portrayed with a scarf, this is symbol of protection sa.[108]
Painting of two kneeling, weeping women
The foot of Iyneferti's mummy board depicting two of her daughters. The text between them reads: "She says: don't leave me!"[109]
Cygnus cygnus, the whooper swan, is the type species of the genus Cygnus.

gugel

  • For the company, see Google. It was tailored to fit the head and shoulders and was usually made from wool or loden. Originally worn by commoners, it became fashionable with the nobility from the 14th century. In the fashionable style, the gugel was worn on top of the head like a hat, with the head part inverted inside the collar, which then hung over the ears. From about 1360, this style of gugel was also worn outside Germany, being called a chaperon in France and a cappucio in Italy. By about 1400 the trailing point was sometimes of enormous proportions. See also - Pointy hat
    For the company, see Google. It was tailored to fit the head and shoulders and was usually made from wool or loden. Originally worn by commoners, it became fashionable with the nobility from the 14th century. In the fashionable style, the gugel was worn on top of the head like a hat, with the head part inverted inside the collar, which then hung over the ears. From about 1360, this style of gugel was also worn outside Germany, being called a chaperon in France and a cappucio in Italy. By about 1400 the trailing point was sometimes of enormous proportions. See also - Pointy hat

55

99

  • "2d carving"
    "2d carving"

33

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A lion-headed goddess is a lion-goddess in human form, while a royal sphinx, conversely, is a man who has assumed the form of a lion. Henry Fischer[110][111]
  • good daisies
    good daisies
  • Drawings of Ninevah expedition by Sir Henry Layards Wellcome M0004409.jpg
    Drawings of Ninevah expedition by Sir Henry Layards Wellcome M0004409.jpg
  • F83-Revest-Eglise-St-Christophe-HST-Mort-de-St-Joseph-19e-Détail-Seins-de-Ste-Agathe-Martyre-DSC 0487.JPG
    F83-Revest-Eglise-St-Christophe-HST-Mort-de-St-Joseph-19e-Détail-Seins-de-Ste-Agathe-Martyre-DSC 0487.JPG
  • Menahem Mansoor argued in 1956 that re-examination of the case would be justified.[48][7] Mansoor's conclusion was immediately attacked by Moshe H. Goshen-Gottstein and by Oskar K. Rabinowicz.[49] J. L. Teicher and others argued the scroll could be genuine.[50][51][52][53][54][55][56] More recently, Shlomo Guil (2017),[57] Idan Dershowitz [de] (2021),[13][58] Ross Nichols (2021),[59] and others[60][61][62][63][64][65][66][67] have argued that the strips were genuine. However, such claims have been contested by many scholars.[68][69][70][71][72][73][43][74][75][76][77][78][79][80][81] In his 2021 book[82] on the Shapira Scroll, The Valediction of Moses: A Proto-Biblical Book, Dershowitz, an Israeli-American professor at Potsdam University in Germany, has argued that linguistic, literary, and archival evidence indicate that the scroll is not only authentic but a precursor to the Book of Deuteronomy. He has termed the contents of the scroll as "The Valediction of Moses", or "V."[83]
    Menahem Mansoor argued in 1956 that re-examination of the case would be justified.[48][7] Mansoor's conclusion was immediately attacked by Moshe H. Goshen-Gottstein and by Oskar K. Rabinowicz.[49] J. L. Teicher and others argued the scroll could be genuine.[50][51][52][53][54][55][56] More recently, Shlomo Guil (2017),[57] Idan Dershowitz [de] (2021),[13][58] Ross Nichols (2021),[59] and others[60][61][62][63][64][65][66][67] have argued that the strips were genuine. However, such claims have been contested by many scholars.[68][69][70][71][72][73][43][74][75][76][77][78][79][80][81] In his 2021 book[82] on the Shapira Scroll, The Valediction of Moses: A Proto-Biblical Book, Dershowitz, an Israeli-American professor at Potsdam University in Germany, has argued that linguistic, literary, and archival evidence indicate that the scroll is not only authentic but a precursor to the Book of Deuteronomy. He has termed the contents of the scroll as "The Valediction of Moses", or "V."[83]
  • Nuzi Ware Tell Djigan N 3166.jpg
    Nuzi Ware Tell Djigan N 3166.jpg
  • A wide range of chemicals, both household and commercial, can give a variety of patinas. They are often used by artists as surface embellishments either for color, texture, or both. Patination composition varies with the reacted elements and these will determine the color of the patina. For copper alloys, such as bronze, exposure to chlorides leads to green, while sulfur compounds (such as "liver of sulfur") tend to brown. The basic palette for patinas on copper alloys includes chemicals like ammonium sulfide (blue-black), liver of sulfur (brown-black), cupric nitrate (blue-green), and ferric nitrate (yellow-brown). For artworks, patination is often deliberately accelerated by applying chemicals with heat. Colors range from matte sandstone yellow to deep blues, greens, whites, reds, and various blacks. Some patina colors are achieved by the mixing of colors from the reaction with the metal surface with pigments added to the chemicals. Sometimes the surface is enhanced by waxing, oiling, or other types of lacquers or clear-coats. More simply, the French sculptor Auguste Rodin used to instruct assistants at his studio to urinate over bronzes stored in the outside yard. A patina can be produced on copper by the application of vinegar (acetic acid). This patina is water-soluble and will not last on the outside of a building like a "true" patina.
    A wide range of chemicals, both household and commercial, can give a variety of patinas. They are often used by artists as surface embellishments either for color, texture, or both. Patination composition varies with the reacted elements and these will determine the color of the patina. For copper alloys, such as bronze, exposure to chlorides leads to green, while sulfur compounds (such as "liver of sulfur") tend to brown. The basic palette for patinas on copper alloys includes chemicals like ammonium sulfide (blue-black), liver of sulfur (brown-black), cupric nitrate (blue-green), and ferric nitrate (yellow-brown). For artworks, patination is often deliberately accelerated by applying chemicals with heat. Colors range from matte sandstone yellow to deep blues, greens, whites, reds, and various blacks. Some patina colors are achieved by the mixing of colors from the reaction with the metal surface with pigments added to the chemicals. Sometimes the surface is enhanced by waxing, oiling, or other types of lacquers or clear-coats. More simply, the French sculptor Auguste Rodin used to instruct assistants at his studio to urinate over bronzes stored in the outside yard. A patina can be produced on copper by the application of vinegar (acetic acid). This patina is water-soluble and will not last on the outside of a building like a "true" patina.
  • Whether Eridu at one time also played an important political role in Sumerian affairs is not certain, though not improbable. At all events the prominence of "Ea" led, as in the case of Nippur, to the survival of Eridu as a sacred city, long after it had ceased to have any significance as a political center. Myths in which Ea figures prominently have been found in Assurbanipal's library, and in the Hattusas archive in Hittite Anatolia. As Ea, Enki had a wide influence outside of Sumer, being equated with El (at Ugarit) and possibly Yah (at Ebla) in the Canaanite 'ilhm pantheon. He is also found in Hurrian and Hittite mythology as a god of contracts, and is particularly favourable to humankind. It has been suggested that etymologically the name Ea comes from the term *hyy (life), referring to Enki's waters as life-giving. Enki/Ea is essentially a god of civilization, wisdom, and culture. He was also the creator and protector of man, and of the world in general. Traces of this version of Ea appear in the Marduk epic celebrating the achievements of this god and the close connection between the Ea cult at Eridu and that of Marduk. The correlation between the two rises from two other important connections: (1) that the name of Marduk's sanctuary at Babylon bears the same name, Esaggila, as that of a temple in Eridu, and (2) that Marduk is generally termed the son of Ea, who derives his powers from the voluntary abdication of the father in favour of his son. Accordingly, the incantations originally composed for the Ea cult were re-edited by the priests of Babylon and adapted to the worship of Marduk, and, similarly, the hymns to Marduk betray traces of the transfer to Marduk of attributes which originally belonged to Ea.
    Whether Eridu at one time also played an important political role in Sumerian affairs is not certain, though not improbable. At all events the prominence of "Ea" led, as in the case of Nippur, to the survival of Eridu as a sacred city, long after it had ceased to have any significance as a political center. Myths in which Ea figures prominently have been found in Assurbanipal's library, and in the Hattusas archive in Hittite Anatolia. As Ea, Enki had a wide influence outside of Sumer, being equated with El (at Ugarit) and possibly Yah (at Ebla) in the Canaanite 'ilhm pantheon. He is also found in Hurrian and Hittite mythology as a god of contracts, and is particularly favourable to humankind. It has been suggested that etymologically the name Ea comes from the term *hyy (life), referring to Enki's waters as life-giving.[112] Enki/Ea is essentially a god of civilization, wisdom, and culture. He was also the creator and protector of man, and of the world in general. Traces of this version of Ea appear in the Marduk epic celebrating the achievements of this god and the close connection between the Ea cult at Eridu and that of Marduk. The correlation between the two rises from two other important connections: (1) that the name of Marduk's sanctuary at Babylon bears the same name, Esaggila, as that of a temple in Eridu, and (2) that Marduk is generally termed the son of Ea, who derives his powers from the voluntary abdication of the father in favour of his son. Accordingly, the incantations originally composed for the Ea cult were re-edited by the priests of Babylon and adapted to the worship of Marduk, and, similarly, the hymns to Marduk betray traces of the transfer to Marduk of attributes which originally belonged to Ea.

22

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  • "The "gloomy Gus" Christ he produced for the Supper at Emmaus looks a lot like Van Meegeren himself with his exaggeratedly high forehead and heavy-lidded, brooding eyes."
    "The "gloomy Gus" Christ he produced for the Supper at Emmaus looks a lot like Van Meegeren himself with his exaggeratedly high forehead and heavy-lidded, brooding eyes."
  • Han van Meegeren (1889-1947) 'De Emmausgangers', Bestanddeelnr 133-1145.jpg
    Han van Meegeren (1889-1947) 'De Emmausgangers', Bestanddeelnr 133-1145.jpg

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  • Botticelli Norton 115.jpg
    Botticelli Norton 115.jpg
  • Richard Payne Knight was a classical scholar, connoisseur, archaeologist[4][5] and numismatist[5] best known for his theories of picturesque beauty and for his interest in ancient phallic imagery.
    Richard Payne Knight was a classical scholar, connoisseur, archaeologist[4][5] and numismatist[5] best known for his theories of picturesque beauty and for his interest in ancient phallic imagery.

mm

II

There have been controversial suggestions, by authors such as British journalist Jonathan Margolis, that the pharaoh was expected to demonstrate, as part of a Min festival, that he could ejaculate—and thus ensure the annual flooding of the Nile.[113] No hard evidence of this exists, according to Egyptologists Cooney and Winnerman.[114]
Among contemporary students, it is often noted for its conspicuous lack of a penis;[115][116][117] Orozco likely omitted it to avoid offending puritanical sensibilities.[118] He attempted to add one when he visited Pomona several months after initially completing the mural, but it did not adhere properly to the wall.[118]
This theme connects to the mural's collegiate setting.[119][120] It also had personal resonance for Orozco, who faced resistance throughout his life from those opposed to his leftist political views.[118]The subject of fire was of interest to him because of a fireworks accident in which he lost his left hand when he was 21.[118]


CC

  • homer-bushes.gif
    homer-bushes.gif
  • Hatshepsut temple5.JPG
    Hatshepsut temple5.JPG
  • https://commons.wikimedia.org/wiki/Category:Busts_of_Hygieia
    https://commons.wikimedia.org/wiki/Category:Busts_of_Hygieia
  • Egypt.KV62.01.jpg
    Egypt.KV62.01.jpg
  • "Ave? Ave? Eheu!"
    "Ave? Ave? Eheu!"
  • "Per...fecti svmvs"
    "Per...fecti svmvs"
  • https://commons.wikimedia.org/wiki/Valley_of_the_Kings
    https://commons.wikimedia.org/wiki/Valley_of_the_Kings
  • Narmer Palette verso.jpg
    Narmer Palette verso.jpg
  • Bronze knife blade inscribed with cartouche of Thutmose III, "Beloved of Min of Koptos". 18th Dynasty. Probably foundation deposit no.1, Temple of Min, Koptos, Egypt. Petrie Museum.jpg
    Bronze knife blade inscribed with cartouche of Thutmose III, "Beloved of Min of Koptos". 18th Dynasty. Probably foundation deposit no.1, Temple of Min, Koptos, Egypt. Petrie Museum.jpg
  • Limestone slab showing the Nile flood god Hapy. 12th Dynasty. From the foundations of the temple of Thutmose III, Koptos, Egypt. The Petrie Museum of Egyptian Archaeology, London.jpg
    Limestone slab showing the Nile flood god Hapy. 12th Dynasty. From the foundations of the temple of Thutmose III, Koptos, Egypt. The Petrie Museum of Egyptian Archaeology, London.jpg
  • BM EA1267 Relief of Nyibunesu (Petrie).jpg
    BM EA1267 Relief of Nyibunesu (Petrie).jpg
  • Min E4073 mp3h8825.jpg
    Min E4073 mp3h8825.jpg
  • Amarna necklace. Faience, 8 rows of beads. The 11th turquoise bead on the right bears the cartouche of Akhenaten. From Amarna, Egypt. 18th Dynasty. The Petrie Museum of Egyptian Archaeology, London.jpg
    Amarna necklace. Faience, 8 rows of beads. The 11th turquoise bead on the right bears the cartouche of Akhenaten. From Amarna, Egypt. 18th Dynasty. The Petrie Museum of Egyptian Archaeology, London.jpg

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  • Ihy is a god in ancient Egyptian mythology who represents the ecstasy of playing the sistrum. His name means "sistrum player". This is in allusion to his relationship with the goddess Hathor who was often said to be his mother. Ihy's symbols are the sistrum and a necklace. The name Ihy depicts the joy of playing the hand instrument by Hathor.[1] Other goddesses including Isis, Sekhmet, and Neith are also sometimes seen as his mothers in different legends. War deity Horus is Ihy's father, but sometimes solar deity Ra is also seen as his father.[1] Ihy was depicted as a naked child, with curly hair, wearing a necklace and holding a sistrum or as a nude child with his finger in his mouth. He was worshipped along with Horus and Hathor at Dendera.[2] Emperor Augustus prepared a maternity ward in the temple of Ihy's mother, with pictures of Ihy's birth and celebrations painted on the wall. Ihy is shown as the god of bread, beer, coffins, and the "Book of the dead".[1]
    Ihy is a god in ancient Egyptian mythology who represents the ecstasy of playing the sistrum. His name means "sistrum player". This is in allusion to his relationship with the goddess Hathor who was often said to be his mother. Ihy's symbols are the sistrum and a necklace. The name Ihy depicts the joy of playing the hand instrument by Hathor.[1] Other goddesses including Isis, Sekhmet, and Neith are also sometimes seen as his mothers in different legends. War deity Horus is Ihy's father, but sometimes solar deity Ra is also seen as his father.[1] Ihy was depicted as a naked child, with curly hair, wearing a necklace and holding a sistrum or as a nude child with his finger in his mouth. He was worshipped along with Horus and Hathor at Dendera.[2] Emperor Augustus prepared a maternity ward in the temple of Ihy's mother, with pictures of Ihy's birth and celebrations painted on the wall. Ihy is shown as the god of bread, beer, coffins, and the "Book of the dead".[1]
  • Klasky●Csupo
    Klasky●Csupo
  • Hieroglyphs from the tomb of Teste? I.jpg
    Hieroglyphs from the tomb of Teste? I.jpg
  • pigeyes
    pigeyes
  • https://commons.wikimedia.org/w/index.php?search=insource%3A%2Fancientegyptiana00hous%2F&title=Special:Search
    https://commons.wikimedia.org/w/index.php?search=insource%3A%2Fancientegyptiana00hous%2F&title=Special:Search
  • Cylindrical pendant MET LC-22 1 61 EGDP024751-1.jpg
    Cylindrical pendant MET LC-22 1 61 EGDP024751-1.jpg
  • Ruskin pottery 1925.jpg
    Ruskin pottery 1925.jpg
  • Glass face bead MET DP121044.jpg
    Glass face bead MET DP121044.jpg
  • The Knights dream by Richard Mauch.jpg - the pasticheness is vibrating off this thing and it actually makes for a somewhat pleasing glitch-in-matrix effect
    The Knights dream by Richard Mauch.jpg - the pasticheness is vibrating off this thing and it actually makes for a somewhat pleasing glitch-in-matrix effect
  • Jules Lefèvre Vittoria Colonna.jpg
    Jules Lefèvre Vittoria Colonna.jpg
  • Odalisque by Jules Lefebvre (1874).jpg
    Odalisque by Jules Lefebvre (1874).jpg
  • La Vérité, par Jules Joseph Lefebvre.jpg
    La Vérité, par Jules Joseph Lefebvre.jpg
  • William-Adolphe Bouguereau - Les Oréades.jpg
    William-Adolphe Bouguereau - Les Oréades.jpg
  • pinched-nose
    pinched-nose
  • pinched-nose
    pinched-nose
  • Mirror (AM 1932.558-1).jpg
    Mirror (AM 1932.558-1).jpg
  • Mirror with Lotus Handle LACMA M.80.203.64.jpg
    Mirror with Lotus Handle LACMA M.80.203.64.jpg
  • Self-portrait, by Solomon Joseph Solomon.jpg
    Self-portrait, by Solomon Joseph Solomon.jpg
  • The new unit's first task was the design of armoured observation posts disguised as trees, following the pioneering work of the French Section de Camouflage led by Lucien-Victor Guirand de Scévola. The first British tree observation post was put up on 22 March 1916. Solomon was effective at the artistic and technical tasks of designing trees and nets, but not as a commander. He was replaced in March 1916, instead becoming a technical advisor, a role that suited him better. In May 1916, he was sent to England to help develop tank camouflage. Solomon doubted that tanks could be effectively camouflaged since they cast a large shadow. Instead, he argued for the use of camouflage netting, with which he gradually became obsessed, claiming that the Germans were hiding huge armies under immense nets. Camouflage netting was at first considered unimportant by the army; it was not manufactured in large quantities until 1917. Eventually, in 1920, he published a book, Strategic Camouflage, arguing this case, to critical derision in England but with some support from German newspapers. In December 1916, Solomon established a camouflage school in Hyde Park which was eventually taken over by the army.
    The new unit's first task was the design of armoured observation posts disguised as trees, following the pioneering work of the French Section de Camouflage led by Lucien-Victor Guirand de Scévola. The first British tree observation post was put up on 22 March 1916. Solomon was effective at the artistic and technical tasks of designing trees and nets, but not as a commander. He was replaced in March 1916, instead becoming a technical advisor, a role that suited him better. In May 1916, he was sent to England to help develop tank camouflage. Solomon doubted that tanks could be effectively camouflaged since they cast a large shadow. Instead, he argued for the use of camouflage netting, with which he gradually became obsessed, claiming that the Germans were hiding huge armies under immense nets. Camouflage netting was at first considered unimportant by the army; it was not manufactured in large quantities until 1917.[121] Eventually, in 1920, he published a book, Strategic Camouflage, arguing this case, to critical derision in England but with some support from German newspapers.[121][122][123] In December 1916, Solomon established a camouflage school in Hyde Park[124] which was eventually taken over by the army.[121]
  • Le Garçon au gilet rouge, par Paul Cézanne, National Gallery of Art.jpg
    Le Garçon au gilet rouge, par Paul Cézanne, National Gallery of Art.jpg
  • Paul Cézanne - Boy in a Red Vest (Le Garçon au gilet rouge) - BF20 - Barnes Foundation.jpg
    Paul Cézanne - Boy in a Red Vest (Le Garçon au gilet rouge) - BF20 - Barnes Foundation.jpg
  • Julio Romero de Torres - Venus of Poetry - Google Art Project.jpg
    Julio Romero de Torres - Venus of Poetry - Google Art Project.jpg
  • Nicolas Poussin - The Death of Germanicus - Google Art Project.jpg
    Nicolas Poussin - The Death of Germanicus - Google Art Project.jpg
  • Shittah
    Shittah

rr


  • What's got ten arms and no tentacles? Belem-no-idea
    What's got ten arms and no tentacles? Belem-no-idea
  • Belemnit.JPG The name "belemnoid" comes from the Greek word βέλεμνον, belemnon meaning "a dart or arrow" and the Greek word είδος, eidos meaning "form". rogerella
    Belemnit.JPG The name "belemnoid" comes from the Greek word βέλεμνον, belemnon meaning "a dart or arrow" and the Greek word είδος, eidos meaning "form".[125] rogerella
  • List of artworks with contested provenance
    List of artworks with contested provenance
  • The golden life-size mask of Teres I found in his tomb in the Valley of the Thracian Kings.png
    The golden life-size mask of Teres I found in his tomb in the Valley of the Thracian Kings.png
  • Heinrich Schliemann.jpg Mask of Agamemnon
    Heinrich Schliemann.jpg Mask of Agamemnon
  • 2006, Stuckist Turner Prize demo 2006 (1).jpg
    2006, Stuckist Turner Prize demo 2006 (1).jpg
  • Pseudo-Kufic
    Pseudo-Kufic
  • Albarello MUMIA 18Jh.jpg
    Albarello MUMIA 18Jh.jpg
  • Albarelli Axung Hominis.jpg
    Albarelli Axung Hominis.jpg
  • The ancient Sed festival might, perhaps, have been instituted to replace a ritual of murdering a pharaoh who was unable to continue to rule effectively because of age or condition. Eventually, Sed festivals were jubilees celebrated after a ruler had held the throne for thirty years and then every three to four years after that. The festival, primarily, served to reassert pharaonic authority and state ideology. Sed festivals implied elaborate temple rituals and included processions, offerings, and such acts of religious devotion as the ceremonial raising of a djed, the base or sacrum of a bovine spine, a phallic symbol representing the strength, "potency and duration of the pharaoh's rule". The festival also involved symbolic reaffirmation of the pharaoh's rulership over Upper and Lower Egypt. Pharaohs who followed the typical tradition, but did not reign so long as 30 years had to be content with promises of "millions of jubilees" in the afterlife.
    The ancient Sed festival might, perhaps, have been instituted to replace a ritual of murdering a pharaoh who was unable to continue to rule effectively because of age or condition.[126][127] Eventually, Sed festivals were jubilees celebrated after a ruler had held the throne for thirty years and then every three to four years after that. The festival, primarily, served to reassert pharaonic authority and state ideology. Sed festivals implied elaborate temple rituals and included processions, offerings, and such acts of religious devotion as the ceremonial raising of a djed, the base or sacrum of a bovine spine, a phallic symbol representing the strength, "potency and duration of the pharaoh's rule".[128] The festival also involved symbolic reaffirmation of the pharaoh's rulership over Upper and Lower Egypt.[129] Pharaohs who followed the typical tradition, but did not reign so long as 30 years had to be content with promises of "millions of jubilees" in the afterlife.[130]
  • Ḥw's on first? Hu (ḥw), in ancient Egypt, was the deification of the first word, the word of creation, that Atum was said to have exclaimed upon ejaculating in his masturbatory act of creating the Ennead.
    Ḥw's on first? Hu (ḥw), in ancient Egypt, was the deification of the first word, the word of creation, that Atum was said to have exclaimed upon ejaculating in his masturbatory act of creating the Ennead.
  • Seker
    Seker
  • Tang Sancai Porcelain with Musicians on a Camel (no background).jpg
    Tang Sancai Porcelain with Musicians on a Camel (no background).jpg
  • As a natural food substance, manna would produce waste products; but in classical rabbinical literature, as a supernatural substance, it was held that manna produced no waste, resulting in no defecation among the Israelites until several decades later, when the manna had ceased to fall. Modern medical science suggests the lack of defecation over such a long period of time would cause severe bowel problems, especially when other food later began to be consumed again. Classical rabbinical writers say that the Israelites complained about the lack of defecation, and were concerned about potential bowel problems.
    As a natural food substance, manna would produce waste products; but in classical rabbinical literature, as a supernatural substance, it was held that manna produced no waste, resulting in no defecation among the Israelites until several decades later, when the manna had ceased to fall.[131] Modern medical science suggests the lack of defecation over such a long period of time would cause severe bowel problems, especially when other food later began to be consumed again. Classical rabbinical writers say that the Israelites complained about the lack of defecation, and were concerned about potential bowel problems.[131]
  • Almirithra.JPG
    Almirithra.JPG
  • Seshat.svg
    Seshat.svg
  • Canopic jar of Lady Senebtisi.jpg
    Canopic jar of Lady Senebtisi.jpg
  • Pooh, Phoh, Loh (Lunus, le dieu-Lune, Sélène), N372.2.jpg
    Pooh, Phoh, Loh (Lunus, le dieu-Lune, Sélène), N372.2.jpg
  • One box contained 198, the other 196 figures; examples of these are the Ist, 3rd and 5th in fig. 1 pl. Ixxix. Beneath the western box was a great quantity of much ruder ushabtis, such as the 2nd and 4th of the above group. The better ushabtis were of fairly hard, dark, greeny-blue glaze, inscribed in ink. The mixture of two such different qualities of figures at one time, shows that there was much variety of manufacture. The numbers recall those of Horuza at Hawara, 203 and 196; evidently 200 figures was the regulation number for each of the pair of deposits. ... The ushabtis were mixed throughout the sand around the three burials ; three were in the sand within the sarcophagus G, the lid of which was tilted; but more than half lay in one group north of that. ‘The total numbers were, plain 266, purple heads 83, inscribed 36; the total of 385 seems to have been originally 400, like the deposits already noticed.
    One box contained 198, the other 196 figures; examples of these are the Ist, 3rd and 5th in fig. 1 pl. Ixxix. Beneath the western box was a great quantity of much ruder ushabtis, such as the 2nd and 4th of the above group. The better ushabtis were of fairly hard, dark, greeny-blue glaze, inscribed in ink. The mixture of two such different qualities of figures at one time, shows that there was much variety of manufacture. The numbers recall those of Horuza at Hawara, 203 and 196; evidently 200 figures was the regulation number for each of the pair of deposits. ... The ushabtis were mixed throughout the sand around the three burials ; three were in the sand within the sarcophagus G, the lid of which was tilted; but more than half lay in one group north of that. ‘The total numbers were, plain 266, purple heads 83, inscribed 36; the total of 385 seems to have been originally 400, like the deposits already noticed.
  • "Abydos .. : Petrie, W. M. Flinders (William Matthew Flinders) : Free Download, Borrow, and Streaming : Internet Archive". Internet Archive. 2023-03-25. Retrieved 2024-03-24.
    [132] "Abydos .. : Petrie, W. M. Flinders (William Matthew Flinders) : Free Download, Borrow, and Streaming : Internet Archive". Internet Archive. 2023-03-25. Retrieved 2024-03-24. [133]
  • The haughty dignity of the face is blended with a fascinating directness and personal appeal. The delicacy of the surfaces around the eye and over the cheek show the greatest care in handling. The curiously drawn-down lips with their fulness and delicacy, their disdain without malice, are evidently[60] modelled in all truth from life.”[88] The reader will recall that Queen Thyi also was of Syrian origin, and that Amen-hotep III and Thyi were the parents of Amen-hotep IV (XVIII 10), better known as Akhen-aten, the great religious reformer of Egypt. https://www.gutenberg.org/files/50390/50390-h/50390-h.htm#i69
    The haughty dignity of the face is blended with a fascinating directness and personal appeal. The delicacy of the surfaces around the eye and over the cheek show the greatest care in handling. The curiously drawn-down lips with their fulness and delicacy, their disdain without malice, are evidently[60] modelled in all truth from life.”[88] The reader will recall that Queen Thyi also was of Syrian origin, and that Amen-hotep III and Thyi were the parents of Amen-hotep IV (XVIII 10), better known as Akhen-aten, the great religious reformer of Egypt. https://www.gutenberg.org/files/50390/50390-h/50390-h.htm#i69
  • The Mountain Nymph Sweet Liberty, by Julia Margaret Cameron.jpg
    The Mountain Nymph Sweet Liberty, by Julia Margaret Cameron.jpg
  • The name of the Šassūrātu is an Akkadian derivative of the Sumerian word šassūru, which can be translated as "womb" or "midwife." It is grammatically plural.
    The name of the Šassūrātu is an Akkadian derivative of the Sumerian word šassūru, which can be translated as "womb"[134] or "midwife."[135] It is grammatically plural.[135]
  • Philip Stanhope Worsley by Julia Margaret Cameron, 1866.jpg
    Philip Stanhope Worsley by Julia Margaret Cameron, 1866.jpg
  • The penis of the figure Smith said represented God was removed in the LDS church's 1913 reprinting of the facsimile, but has been restored in more current editions. Joseph Smith Hypocephalus
    The penis of the figure Smith said represented God was removed in the LDS church's 1913 reprinting of the facsimile,[136] but has been restored in more current editions.[137] Joseph Smith Hypocephalus
  • Sopd also had shrines at Egyptian settlements in the Sinai Peninsula, such as the turquoise mines at Serabit el-Khadim.[1]
    Sopd also had shrines at Egyptian settlements in the Sinai Peninsula, such as the turquoise mines at Serabit el-Khadim.[1]

pp

  • A portrait of Josephine Baker.jpg
    A portrait of Josephine Baker.jpg
  • https://commons.wikimedia.org/wiki/Category:Urartian_metalware
    https://commons.wikimedia.org/wiki/Category:Urartian_metalware
  • Conversion Christianity of Viking.jpg
    Conversion Christianity of Viking.jpg
  • La Vierge au lys.jpg
    La Vierge au lys.jpg
  • William-Adolphe Bouguereau (1825-1905) - Portrait de Mademoiselle Elizabeth Jane Gardner (1879).jpg
    William-Adolphe Bouguereau (1825-1905) - Portrait de Mademoiselle Elizabeth Jane Gardner (1879).jpg
  • William-Adolphe Bouguereau (1825-1905) - The Wave (1896)-2.jpg
    William-Adolphe Bouguereau (1825-1905) - The Wave (1896)-2.jpg
  • rkbi
    rkbi
  • John Singer Sargent, Synagogue, 1919.jpg
    John Singer Sargent, Synagogue, 1919.jpg
  • Stemming from the initial criticism the painting received, the figure in Grande Odalisque is thought to be drawn with "two or three vertebrae too many." ...The study concluded that the figure was longer by five instead of two or three vertebrae and that the excess affected the lengths of the pelvis and lower back instead of merely the lumbar region.
    Stemming from the initial criticism the painting received, the figure in Grande Odalisque is thought to be drawn with "two or three vertebrae too many."[138][139] ...The study concluded that the figure was longer by five instead of two or three vertebrae and that the excess affected the lengths of the pelvis and lower back instead of merely the lumbar region.[139]
  • Susanna and the Elders in art
    Susanna and the Elders in art
  • Tabnit sarcophagus.jpg
    Tabnit sarcophagus.jpg
  • In the early years of the seventeenth century, Pierre de Bourdeille, seigneur de Brantôme told a story about a group of people who went to view the painting. He described the painting as showing "fair naked ladies" together in a bath, and adds that they "touch, and feel, and handle, and stroke, one the other, and intertwine and fondle with each other." Brantôme claims he was told that, while the group was viewing the painting, "a certain great lady... losing all restraint of herself before the picture, [did] say to her lover, turning toward him maddened as it were at the madness of love she beheld painted; 'Too long have we tarried here. Let us now straightway take coach and so to my lodging; for that no more can I hold in the ardour that is in me. Needs must away and quench it; too sore do I burn...'"[4] During the first half of the nineteenth century, Gabrielle d'Estrées et une de ses soeurs hung in the Prefecture of Police in Paris. Dr. Ver Heyden de Lacey stated in an article from 1935 that "Nobody knew why or how it came there; [it was] placed above a door in one of the halls to which the public had access."[5] He explained that one day, a "pusillanimous high official" noticed the painting and "conceived [of] the idea to screen the picture...from the curious public gaze, by drawing a green curtain in front of it." His action suggested that the official considered the painting to be erotic or even obscene, but instead of removing it, he had it veiled, and thus visibly marked the image as an open secret, or as something which should not be seen. At some point after that, Dr. Ver Heyden de Lacey claimed that "Somebody had the happy inspiration to expose [the veiled image] to the artistic and art-trained eyes of those called upon to take part in [a] civic function [at the police station] ... In preparation [for this] special function ... a thorough cleaning of the picture itself was ordered .... [But] Upon drawing the curtain, [they found only] an empty picture frame."
    In the early years of the seventeenth century, Pierre de Bourdeille, seigneur de Brantôme told a story about a group of people who went to view the painting. He described the painting as showing "fair naked ladies" together in a bath, and adds that they "touch, and feel, and handle, and stroke, one the other, and intertwine and fondle with each other." Brantôme claims he was told that, while the group was viewing the painting, "a certain great lady... losing all restraint of herself before the picture, [did] say to her lover, turning toward him maddened as it were at the madness of love she beheld painted; 'Too long have we tarried here. Let us now straightway take coach and so to my lodging; for that no more can I hold in the ardour that is in me. Needs must away and quench it; too sore do I burn...'"[4] During the first half of the nineteenth century, Gabrielle d'Estrées et une de ses soeurs hung in the Prefecture of Police in Paris. Dr. Ver Heyden de Lacey stated in an article from 1935 that "Nobody knew why or how it came there; [it was] placed above a door in one of the halls to which the public had access."[5] He explained that one day, a "pusillanimous high official" noticed the painting and "conceived [of] the idea to screen the picture...from the curious public gaze, by drawing a green curtain in front of it." His action suggested that the official considered the painting to be erotic or even obscene, but instead of removing it, he had it veiled, and thus visibly marked the image as an open secret, or as something which should not be seen. At some point after that, Dr. Ver Heyden de Lacey claimed that "Somebody had the happy inspiration to expose [the veiled image] to the artistic and art-trained eyes of those called upon to take part in [a] civic function [at the police station] ... In preparation [for this] special function ... a thorough cleaning of the picture itself was ordered .... [But] Upon drawing the curtain, [they found only] an empty picture frame."

qq

  • Shema seal
    Shema seal
  • HenryMoore RecliningFigure 1951.jpg
    HenryMoore RecliningFigure 1951.jpg
  • Salt Cellar.jpg cellini. insured at $60m
    Salt Cellar.jpg cellini. insured at $60m
  • The preciosity in Jacques Callot's minute engravings seem to belie a much larger scale of action. Callot's Balli di Sfessania (lit. 'dance of the buttocks') celebrates the commedia's blatant eroticism, with protruding phalli, spears posed with the anticipation of a comic ream, and grossly exaggerated masks that mix the bestial with human. The eroticism of the innamorate ("lovers") including the baring of breasts, or excessive veiling, was quite in vogue in the paintings and engravings from the second School of Fontainebleau, particularly those that detect a Franco-Flemish influence. Castagno demonstrates iconographic linkages between genre painting and the figures of the commedia dell'arte that demonstrate how this theatrical form was embedded within the cultural traditions of the late cinquecento.[66]
    The preciosity in Jacques Callot's minute engravings seem to belie a much larger scale of action. Callot's Balli di Sfessania (lit. 'dance of the buttocks') celebrates the commedia's blatant eroticism, with protruding phalli, spears posed with the anticipation of a comic ream, and grossly exaggerated masks that mix the bestial with human. The eroticism of the innamorate ("lovers") including the baring of breasts, or excessive veiling, was quite in vogue in the paintings and engravings from the second School of Fontainebleau, particularly those that detect a Franco-Flemish influence. Castagno demonstrates iconographic linkages between genre painting and the figures of the commedia dell'arte that demonstrate how this theatrical form was embedded within the cultural traditions of the late cinquecento.[66]
  • I Am the Greatest was nominated for the Grammy Award for Best Comedy Performance at the 6th Annual Grammy Awards in 1964; it lost to Allan Sherman's song "Hello Muddah, Hello Fadduh (A Letter from Camp)".
    I Am the Greatest was nominated for the Grammy Award for Best Comedy Performance at the 6th Annual Grammy Awards in 1964; it lost to Allan Sherman's song "Hello Muddah, Hello Fadduh (A Letter from Camp)".[140]
  • applied for a job as junior clerk at the Indian consulate, despite his lack of formal education. He received support and encouragement from his colleagues and bosses and was invited to give talks on Hinduism. He started to give talks at universities and later, at the United Nations.[18]
    applied for a job as junior clerk at the Indian consulate, despite his lack of formal education. He received support and encouragement from his colleagues and bosses and was invited to give talks on Hinduism. He started to give talks at universities and later, at the United Nations.[18]
  • vitrified fort
    vitrified fort
  • File:Gelduba; Syrisches Dattelfläschchen (1. Jh.) Museum Burg Linn.jpg
    File:Gelduba; Syrisches Dattelfläschchen (1. Jh.) Museum Burg Linn.jpg
  • Black-topped red ware beaker MET 99.4.111 EGDP011240.jpg
    Black-topped red ware beaker MET 99.4.111 EGDP011240.jpg
  • Burney relief
    Burney relief
  • Alabaster sunken relief depicting Akhenaten, Nefertiti, and daughter Meritaten. Early Aten cartouches on king's arm and chest. From Amarna, Egypt. 18th Dynasty. The Petrie Museum of Egyptian Archaeology, London.jpg
    Alabaster sunken relief depicting Akhenaten, Nefertiti, and daughter Meritaten. Early Aten cartouches on king's arm and chest. From Amarna, Egypt. 18th Dynasty. The Petrie Museum of Egyptian Archaeology, London.jpg

aa

“Seneca [had an] anecdote about a wealthy freedman who wished to make himself appear cultured by reciting poetry at dinner parties but was hampered by a bad memory. So he bought educated slaves and had one memorise Homer, another Hesiod, and so on, on the theory that what his slaves knew, he knew too.” [141][142] Extended mind thesis 4E cognition
From a copy of "Decorative Patterns of the Ancient world," by Sir Flinders Petrie.[143] stain


Statue of Cellini, Piazzale degli Uffizi, Florence In 1548, Cellini was accused by a woman named Margherita of having committed sodomy with her son Vincenzo,[144] and he temporarily fled to seek shelter in Venice. This was neither the first nor the last time that Cellini was implicated for sodomy (once with a woman and at least three times with men during his life), illustrating his homosexual or bisexual tendencies.[145][146][147] For example, earlier in his life as a young man, he was sentenced to pay 12 staia of flour in 1523 for relations with another young man named Domenico di Ser Giuliano da Ripa.[148] Meanwhile, in Paris a former model and lover brought charges against him of using her "after the Italian fashion" (i.e., sodomy).[148]
  • Hans Memling Vanité ca 1490.jpg
    Hans Memling Vanité ca 1490.jpg
  • Tutankhamun tomb photographs 2 020.jpg
    Tutankhamun tomb photographs 2 020.jpg
  • The discovery of the Head of Nefertem is controversial, since Howard Carter did not document the piece in his excavation journal. The Head was found in 1924 by Pierre Lacau and Rex Engelbach in KV4 (the tomb of Ramses XI), which was used as a storehouse for the excavation efforts,[1] among the bottles in a box of red wine.[2] At this time, Carter was not in Egypt on account of the strike and closure of Tutankhamun's tomb and the withdrawal or cancellation of the excavation license of Lord Carnarvon's widow Almina, Lady Carnarvon. Carter later stated that he had found the head among the rubble in the entry corridor of KV62.[3] In his first season of excavations, the head was not mentioned; at the time Carter only noted partially broken and full-standing alabaster vessels and vases of painted clay in the entrance-way. There is not even photographic documentation of the head in the excavation journal as there is for other pieces found in the tomb.[4] These facts not only led to further disputes in the study of Egyptian antiquities, but also aroused the suspicion in some quarters to this day that Carter had attempted to steal the head.[5]
    The discovery of the Head of Nefertem is controversial, since Howard Carter did not document the piece in his excavation journal. The Head was found in 1924 by Pierre Lacau and Rex Engelbach in KV4 (the tomb of Ramses XI), which was used as a storehouse for the excavation efforts,[1] among the bottles in a box of red wine.[2] At this time, Carter was not in Egypt on account of the strike and closure of Tutankhamun's tomb and the withdrawal or cancellation of the excavation license of Lord Carnarvon's widow Almina, Lady Carnarvon. Carter later stated that he had found the head among the rubble in the entry corridor of KV62.[3] In his first season of excavations, the head was not mentioned; at the time Carter only noted partially broken and full-standing alabaster vessels and vases of painted clay in the entrance-way. There is not even photographic documentation of the head in the excavation journal as there is for other pieces found in the tomb.[4] These facts not only led to further disputes in the study of Egyptian antiquities, but also aroused the suspicion in some quarters to this day that Carter had attempted to steal the head.[5]
  • Afek070.jpg
    Afek070.jpg
  • Grobowiec Marabuta-Maroko.jpg
    Grobowiec Marabuta-Maroko.jpg
  • Neby Kifl 01 Tirat Yehuda.jpg
    Neby Kifl 01 Tirat Yehuda.jpg
  • In times of old, the dome was decorated by a metal spire with a crescent, but nowadays such decoration is rare.The maqams are not always supposed to stand over the tombs of the saints to whom they are dedicated. A cenotaph is indeed almost always to be found there, but often they are regarded merely as "stations." Maqam of Nabi Samit (Samson) in Sar'a, destroyed in the 1950s The dome is often situated by an ancient carob or oak tree or a spring or rock cut water cistern. A sacred tree was planted near maqams, mostly – a palm tree, oak or sycomore. There was also a well or spring. The positioning of maqams on or near these natural features is seen as indicative of ancient worship practices adapted by the local population and associated with religious figures. As a rule, maqams were built on the top of the hills or at the crossroads, and besides their main function – shrine and prayer place, they also served as a guard point and a guiding landmark for travelers and caravans. Over the years, new burial places appeared near maqams; it was considered as honour to be buried next to a saint. Big cemeteries formed around many Muslim sanctuaries.
    In times of old, the dome was decorated by a metal spire with a crescent, but nowadays such decoration is rare.The maqams are not always supposed to stand over the tombs of the saints to whom they are dedicated. A cenotaph is indeed almost always to be found there, but often they are regarded merely as "stations." Maqam of Nabi Samit (Samson) in Sar'a, destroyed in the 1950s The dome is often situated by an ancient carob or oak tree or a spring or rock cut water cistern.[149][150] A sacred tree was planted near maqams, mostly – a palm tree, oak or sycomore. There was also a well or spring. The positioning of maqams on or near these natural features is seen as indicative of ancient worship practices adapted by the local population and associated with religious figures.[151] As a rule, maqams were built on the top of the hills or at the crossroads, and besides their main function – shrine and prayer place, they also served as a guard point and a guiding landmark for travelers and caravans. Over the years, new burial places appeared near maqams; it was considered as honour to be buried next to a saint. Big cemeteries formed around many Muslim sanctuaries.
  • Maqam of Sheikh Al-Nuwairi in the village of Al-Qara, Egypt.
    Maqam of Sheikh Al-Nuwairi in the village of Al-Qara, Egypt.
  • Plat rond Dynastie Tang Musée Guimet 2418.jpg
    Plat rond Dynastie Tang Musée Guimet 2418.jpg
  • Pot Ras Shamra Louvre AO19250-b.jpg
    Pot Ras Shamra Louvre AO19250-b.jpg
  • Electrum vase with lid MET DP208023.jpg
    Electrum vase with lid MET DP208023.jpg

bb

  • Déesse Ishtar (Louvre, AO 18962).jpg
    Déesse Ishtar (Louvre, AO 18962).jpg
  • Tête de lion rugissant (Louvre, AO 19808).jpg
    Tête de lion rugissant (Louvre, AO 19808).jpg
  • exhibuens daisy indiae 15c
    exhibuens daisy indiae 15c
  • The nose is the most important feature in man's face, so much so, that there is no legal identification of man, in Jewish law, without the identification of the nose.--Gen. Rabba 12. https://sacred-texts.com/jud/tmm/tmm07.htm
    The nose is the most important feature in man's face, so much so, that there is no legal identification of man, in Jewish law, without the identification of the nose.--Gen. Rabba 12. https://sacred-texts.com/jud/tmm/tmm07.htm
  • The Nose 6 2013.jpg
    The Nose 6 2013.jpg
  • shit
    shit
  • multip tool incis
    multip tool incis
  • :)
    :)
  • :(
    :(
  • Naqada black top.jpg
    Naqada black top.jpg
  • and a "preoccupation with glazes was to obsess Robertson for the rest of his career".[18] He finally developed a version of sang de boeuf in 1888, which he nicknamed Sang de Chelsea,[19] but the following year, "nearly penniless from his costly experiments with the cowsong glaze", he closed the pottery.[20]
    and a "preoccupation with glazes was to obsess Robertson for the rest of his career".[18] He finally developed a version of sang de boeuf in 1888, which he nicknamed Sang de Chelsea,[19] but the following year, "nearly penniless from his costly experiments with the cowsong glaze", he closed the pottery.[20]
  • :)
    :)
  • :(
    :(
  • Vase Telloh Louvre AO14302.jpg
    Vase Telloh Louvre AO14302.jpg
  • Amulettes Mari temple Ishtar Louvre.jpg
    Amulettes Mari temple Ishtar Louvre.jpg
  • Akhilleus Aias MGEt 16757.jpg
    Akhilleus Aias MGEt 16757.jpg
  • Achilles Ajax dice Louvre MNB911.jpg
    Achilles Ajax dice Louvre MNB911.jpg
  • Falcon Horus, deity of Hierakonpolis, on a Naqada IIC jar, British Museum EA 36328.jpg
    Falcon Horus, deity of Hierakonpolis, on a Naqada IIC jar, British Museum EA 36328.jpg

rr

mr

Excavations in Mari, Syria by the archaeological team of André Parrot in 1936. Discovery of the statue of King Ishtup-Ilum.
  • The Newark Holy Stones are an archaeological fraud used to support the "Lost Tribes" theory, which posits an ancient Israelite presence in Ohio.[11] T
    The Newark Holy Stones are an archaeological fraud used to support the "Lost Tribes" theory, which posits an ancient Israelite presence in Ohio.[11] T
  • The Smiling Girl, thought to be by Johannes Vermeer, was donated by collector Andrew W. Mellon in 1937 to the National Gallery of Art in Washington, D.C. Now widely considered to be a fake,
    The Smiling Girl, thought to be by Johannes Vermeer, was donated by collector Andrew W. Mellon in 1937 to the National Gallery of Art in Washington, D.C. Now widely considered to be a fake,
  • the British Museum was sufficiently convinced of the relief to purchase it in 2003. The discourse continued however: in her extensive reanalysis of stylistic features, Albenda once again called the relief "a pastiche of artistic features" and "continue[d] to be unconvinced of its antiquity".[46] Her arguments were rebutted in a rejoinder by Collon (2007), noting in particular that the whole relief was created in one unit, i.e. there is no possibility that a modern figure or parts of one might have been added to an antique background; she also reviewed the iconographic links to provenanced pieces. In concluding Collon states: "[Edith Porada] believed that, with time, a forgery would look worse and worse, whereas a genuine object would grow better and better. [...] Over the years [the Queen of the Night] has indeed grown better and better, and more and more interesting. For me she is a real work of art of the Old Babylonian period."
    the British Museum was sufficiently convinced of the relief to purchase it in 2003. The discourse continued however: in her extensive reanalysis of stylistic features, Albenda once again called the relief "a pastiche of artistic features" and "continue[d] to be unconvinced of its antiquity".[46] Her arguments were rebutted in a rejoinder by Collon (2007), noting in particular that the whole relief was created in one unit, i.e. there is no possibility that a modern figure or parts of one might have been added to an antique background; she also reviewed the iconographic links to provenanced pieces. In concluding Collon states: "[Edith Porada] believed that, with time, a forgery would look worse and worse, whereas a genuine object would grow better and better. [...] Over the years [the Queen of the Night] has indeed grown better and better, and more and more interesting. For me she is a real work of art of the Old Babylonian period."
  • Frances MacDonald - Woman Standing Behind The Sun.jpg
    Frances MacDonald - Woman Standing Behind The Sun.jpg

fayum

  • Fayum-14.jpg
    Fayum-14.jpg

on

"Dates!" "Bread!" "Libation!" "Telephone!" "A fight!"

lv

nw

  • urartian daisy
    urartian daisy
  • DID YUO KNOW?! Petsofas is the only Minoan peak sanctuary (high place) with clay weasel and tortoise figurines
    DID YUO KNOW?! Petsofas is the only Minoan peak sanctuary (high place) with clay weasel and tortoise figurines
  • im in ur box gettin ur dwds
    im in ur box gettin ur dwds
  • lol
    lol
  • After the war he had a private audience with President Abraham Lincoln not long before Lincoln was assassinated, and after that Cesnola claimed that Lincoln had promoted him to General, a title that he used from then on. Luigi P. di Cesnola
    After the war he had a private audience with President Abraham Lincoln not long before Lincoln was assassinated, and after that Cesnola claimed that Lincoln had promoted him to General, a title that he used from then on. Luigi P. di Cesnola
  • infinite oral fixation moticf
    infinite oral fixation moticf
  • Korea-Proto.3.Kingdoms-Duckpottery 02.jpg
    Korea-Proto.3.Kingdoms-Duckpottery 02.jpg
  • Duck vase Louvre AO26276.jpg
    Duck vase Louvre AO26276.jpg
  • Duck-shaped box E219 mg 8652.jpg
    Duck-shaped box E219 mg 8652.jpg
  • Duck container Louvre AO14779.jpg
    Duck container Louvre AO14779.jpg
  • Oscar White Muscarella said the Ziwiye hoard was mostly fakes
    Oscar White Muscarella said the Ziwiye hoard was mostly fakes
  • not too muscular for the time after all
    not too muscular for the time after all
  • pretty flower in the middle of this lovely bowl https://commons.wikimedia.org/wiki/Category:Phoenician_metal_bowls
    pretty flower in the middle of this lovely bowl https://commons.wikimedia.org/wiki/Category:Phoenician_metal_bowls
  • ugly flower on the side of this crappy pot
    ugly flower on the side of this crappy pot
  • buoyant
    buoyant
  • Capricorne - Musée du Louvre Antiquités orientales AO 16630.jpg
    Capricorne - Musée du Louvre Antiquités orientales AO 16630.jpg
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer
Illustration from "More about Jesus" by Favell Lee Mortimer

Hi!

Inscriptions and etymologies

I'm happy to help people trace ANE / Semitic word attestations etc with my source library. @ me on my talk page.


quae


m

drink wine from jar(s), the blood of vines

cream ware needed


8

*https://en.wikipedia.org/wiki/Shaun_Greenhalgh

cats

mainzer neujahrsbopp recipe ...

thou dost not judge the case of the widow

Ba'al eyes his sister's going

The "Lady of Aqaba" artifact discovered in Tall Hujayrat Al-Ghuzlan and displayed in the museum.
Location of Tell el-Kheleifeh

chartae

a

Weeping, she saddles the donkey

did yuo know??

In an early parallel, KTU 1.82 uses the phrase "Like trees, which do not emit a sound."[15]

AA

[153]

mis

https://de.wikivoyage.org/wiki/Har_Mihya_Rock_Paintings


cites

  • descriptive overview; okay [154]
  • suprised to see this level of synthesis late as 1965 [155]
  • focused so sharp on Jews and Jewishness that everything surrounding goes blurry. [157]
  • Toorn, Karel van der (2019-09-24). Becoming Diaspora Jews. New Haven (Conn.) London: Yale University Press. ISBN 978-0-300-24351-2.
  • "Without Paganism the world would be empty and miserable."

Thabit ibn Qurra (835–901) To G.R.S. Mead (1863–1933) and Frances Yates (1899–1981) Hermetic scholars extraordinaire[159]

  • Lachman, Gary (2011). The Quest For Hermes Trismegistus. New York: Floris Books. ISBN 978-0-86315-849-0.


  • CUNEIFORM MONOGRAPHS 14

BIRTH IN BABYLONIA AND THE BIBLE ITS MEDITERRANEAN SETTING M. Stol With a Chapter by F.A.M. Wiggermann snx PUBLICATIONS GRONINGEN Copyright 2000 M. Stol and F.A.M. Wiggennann STYX Publications, Groningen ISBN 90 72371 89 5 ISSN 0929-0052 STYX Publications Postbus 2659 9704 CR GRONINGEN THE NETHERLANDS

  • Froelich, Margaret; Kochenash, Michael (2018-10-05). Classical Greek Models of the Gospels and Acts. Erscheinungsort nicht ermittelbar: Claremont Press. ISBN 978-1-946230-18-8.
  • non ad usum. Day, John. Yahweh and the Gods and Goddesses of Canaan [163] flatulently dismissive, clumsily conclusive
  • Embodied Emotions in Ancient Neo-Assyrian Texts Revealed by Bodily Mapping of Emotional Semantics, iScience (2024). DOI: 10.1016/j.isci.2024.111365.

Barnea, Gad; Kratz, Reinhard G. (2024-11-04). Yahwism Under the Achaemenid Empire. Boston: Walter de Gruyter GmbH & Co KG. ISBN 978-3-11-101863-8.


  • finally more, newer, likely much better on pAmherst63 [166]
    • Semitic etym dict vol ii animals[169]
  • Militarev, Alexander; Коган, Леонид Ефимович (2005). Semitic etymological dictionary: animal names. Münster: Ugarit. ISBN 3-934628-57-5.
  • Semitic etym dict vol i anatomy[171]
  • Militarev, Alexander; Коган, Леонид Ефимович (2000). Semitic etymological dictionary: anatomy of man and animal. Münster: Ugarit. ISBN 3-927120-96-0.
  • Semitic Etymological Dictionary Vol I: Anatomy[172]
  • finally someone wrote this book

[173]

  • Litwa, M. David; Litwa, Matthew David (2021). The Evil Creator. New York (N.Y.): Oxford University Press. ISBN 978-0-19-756642-8.
  • for minor deir alla gzella snippet

[175]

  • bold on synthesis, timid on touchy subjects

[176]

  • Gzella, Holger (2021-05-27). Aramaic: A History of the First World Language. Grand Rapids, Michigan: William B. Eerdmans Publishing Company. ISBN 978-0-8028-7748-2.
  • what are the hieroglyphs tho [178]
  • Fischer, Henry George (1988). Ancient Egyptian Calligraphy. New York: Metropolitan Museum of Art. ISBN 0-87099-528-6.
  • pettinato & dahood on ebla

[180]

  • Pettinato, Giovanni (1981). The archives of Ebla: an empire inscribed in clay (in engita). Garden City, N.Y: Doubleday. ISBN 0-385-13152-6.{{cite book}}: CS1 maint: unrecognized language (link)

[181]

  • iao as an epithet of seth at a late date [182]

[183]

  • Grant, Michael (1982). Eros in Pompeii. New York: Random House Value Publishing. ISBN 978-0-517-17747-1.
  • dict of gods

[187]

  • reassessment of asherah

[188]

  • Byblos.), Philo (of (1981). The Phoenician History. Washington (D.C.): Catholic Biblical Quarterly 9. ISBN 0-915170-08-6.
  • Weninger, Stefan (2011-12-23). The Semitic Languages. Berlin [u.a..]: Walter de Gruyter. ISBN 978-3-11-025158-6.

[195]

  • Coogan, Michael D.; Smith, Mark S. (2012-03-15). Stories from Ancient Canaan, Second Edition. Louisville, KY: Westminster John Knox Press. ISBN 978-0-664-23242-9.

[197]

  • Wilkinson, Richard H. (2003). The Complete Gods and Goddesses of Ancient Egypt. London: Thames & Hudson. ISBN 978-0-500-05120-7.

KUDURRU OF THE TIME OF MELI-SHIPAK, RECORDING A DECISION WITH REGARD TO THE OWNERSHIP OF AN ESTATE BASED ON PREVIOUS DECISIONS IN THE REIGNS OF ADAD-SHUMTDDINA AND ADAD-NADIN-AKHI.° pages 7-17 17 vi 6 "a-la-la ṭa-a-ba" (fons prima alterae Oppenheim "assyriologiki...")

[No. 90827;" Plates V-XXII.]

Summary : Title-deed of an estate, known as Bit-Takil-ana-ilishu, and situated on the Ninina Canal in the province of Nippur, reciting lawsuits carried on through three reigns

Opening the Tablet Box Near Eastern Studies in Honor of Benjamin R. Foster

  • "Sacred weaving: t he Greek model and the Italian evidence
   19 Gleba, 2009a, p. 1. 77.
   20 For a general overview of this festival, termd the peplophoria, see Mansfield, 1985 and Barber, 19 (...)
   21 Pausanias, Description of Greece, 3.16.2; 5.16.2; 6.24.10. Aleshire, Lambert, 2003, p. 3. 71-72; Gleba (...)
   22 Aleshire, Lambert, 2003, p. 3. 71.
   23 Gleba, 2009a, p. 1. 78. In other cases, typ, cloth woven at home is given as a gift to the gods. I (...)
   24 I use the name 'Paestum' rather than 'Poseidonia' I because it considers the settlement under Luc (...)

6The Greek evidence for weaving in a sanctuary context centres around the weaving of thepeplos(gold garment) for Athena, the goddess of weaving, on the Athenian Acropolis.19This task was carried out by young women in a designated area on the Acropolis and the finished cloth was made for the goddess during the annual Panathenaic festival there.20Pausanias mentions two similar festivals involving the dedication of cloth at other sites in Greece, describing the practice of weaving specific items for both male and female deities: Hera at Olympia and Apollo at Amyklai.21.Epigraphic evidence also attests to a similar rite for Hera at Argos.22As Margarita Gleba points out, in all of these cases a specific building within the sanctuary is used for the sacred weaving, and the process of weaving itself seems to have part of the ritual.23This Greek model for sacred weaving took place at a sanctuary in a specific building and resulting in the dedication of the finished cloth to a deity (especially Athena and Hera) has and directly influenced strongly scholarly interpretations of the loom weights found in the two Italian contexts discussed below, the Heraion at Foce del Sele and Francavilla Marittima (see fig"

  • qoph looking img on loom weights



[206]


terminus ante quem for claims within for the lines on gk redblack 1966? *disagrees on egy red-black method / which element is exposed [207]

  • Noble, Joseph Veach (1988). The Techniques of Painted Attic Pottery. London: Thames & Hudson. ISBN 0-500-05047-3.

[142]

ownership of a slave means that the slave stands in relation to the master as a part to the whole (Aristotle, Pol. 1.1254a), though in a way that Aristotle would not have accepted. It more closely recalls Seneca’s anec- dote about a wealthy freedman who wished to make himself appear cultured by reciting poetry at dinner parties but was hampered by a bad memory. So he bought educated slaves and had one memorise Homer, another Hesiod, and so on, on the theory that what his slaves knew, he knew too (Epistles 27.5-8).


  • is this one in the corpore? mentions shad yarach [212]
  • Frumin, Suembikya; Maeir, Aren M.; Eniukhina, Maria; Dagan, Amit; Weiss, Ehud (2024-02-12). "Plant-related Philistine ritual practices at biblical Gath". Scientific Reports. 14 (1). Springer Science and Business Media LLC. doi:10.1038/s41598-024-52974-9. ISSN 2045-2322.

chaste tree [214]

  • contrast, I

believe that biblical spelling was partially plene from its very beginning and that this mode was the convention of literary writing Thus, the difference between it and the spelling of the inscriptions is a matter of style, not of time I will show that neither biblical nor epigraphic writing was ignorant of plene spelling, and the difference between the two is quantitative and not substantial. In addition, I will present examples of words and morphological structures in which it is possible to discern a gradual shift to plene spelling in the books of the Bible Such a shift would not have been expected, according to the assumption that the presence of plene spelling is the product of systematic editorial activity that took place after the creation of the texts themselves. The basis for my discussion will be MT according to the most reliable MSS without any textual emendations, although other versions will be taken into account. ePiGraPhiC orthoGraPhY froM the first teMPle Period aNd the aCCePted theorY of the develoPMeNt of PleNe sPelliNG Anyone who examines the epigraphy of the First Temple period will readily perceive that the orthography in this corpus almost entirely lacks internal matres lectionis, while at the end of words, the letters ה,ָו , י, and perhaps alsoֹא play a vocal role 13

  • Journal of the American Oriental Society 143.4 (2023)745 Plene Spelling and Defective Spelling in the Hebrew Bible: The Question of Dating Y oel elitzur the heBrew uNiversitY of erusaleM
  • womens hebrew seals [217]
  • The hypocoristic ending ה/-h is identical to the grammatically female ending ה/-h (Zadok 1988: 154–6; 2028)
  • Women’s Names on Provenanced Inscribed Seals
  • Biermann, Bruno (2024-03-01). ""Male until Proven Otherwise?": Searching for Women with the Help of Inscribed Stamp Seals from Jerusalem". Near Eastern Archaeology. 87 (1): 32–40. doi:10.1086/727577. ISSN 1094-2076.
  • good on bowls w great note on qyn qnn kenites

[221]

  • [the fifth,] of nbw[...] son of nwry; the
sixth, ḥwṭm[y]n; the seventh, of ʾṭrmyn.

By the seal of the sun,

  • Shaked, Shaul; Ford, James Nathan; Bhayro, Siam (2013-06-17). Aramaic Bowl Spells. Leiden: BRILL. ISBN 978-90-04-22937-2.
  • early late toothy shin - qosyaw - photos
  • [222]
  • ḥw ḥwyt egy ref Once More Hammamat Inscription 191 -- Alan B. Lloyd -- The Journal of Egyptian Archaeology, 61, pages 54-66, 1975
  • [223]

[226]

  • Levenson, Jon Douglas (1993-01-01). The Death and Resurrection of the Beloved Son. New Haven: Yale Univ. Press. ISBN 978-0-300-05532-0.

[228]

  • ptgyh

[230]

[232]

[233]

[234]


  • Klingbeil, Martin G.; Hasel, Michael G.; Garfinkel, Yosef; Petruk, Néstor H. (2019-05-01). "Four Judean Bullae from the 2014 Season at Tel Lachish". Bulletin of the American Schools of Oriental Research. 381. University of Chicago Press: 41–56. doi:10.1086/703122. ISSN 0003-097X.

[236]

[237]

  • "incidentally we now know exactly what wtybb means in song of deborah, verse 28!" albright
  • early neo-shin example? in philistine texts?
  • author kinda full of shit [234]

[233]

  • contains comparison table of Akron scripts[232]
  • surprised by some good stuff in here

[229]

[230]

  • cross is good with language, not a good speculator though [225]
*[226]
  • old on origin of alphabet cited for minor kenites mention. minor paper. [240]

[241]

  • Albright, William Foxwell (1969). The Proto-Sinaitic Inscriptions and Their Decipherment. ISBN 0-608-18593-0.

shad shin[244]

[132]


  • again, thomas: great on Yaw-theophoric names here, surprisingly. It's a strange paper, of split minds, in certain ways cutting through the bullshit, but also kinda basic. why talk about Bes for so long for one [247]
  • Thomas, Ryan (2016-12-15). "The Identity of the Standing Figures on Pithos A from Kuntillet ʿAjrud: A Reassessment". Journal of Ancient Near Eastern Religions. 16 (2): 121–191. doi:10.1163/15692124-12341282. ISSN 1569-2116.
  • Renz, Johannes; Röllig, Wolfgang (2016-03). Handbuch der althebräischen Epigraphik (in German). Darmstadt: WBG (Wissenschaftliche Buchgesellschaft). ISBN 3-534-26789-3. {{cite book}}: Check date values in: |date= (help)

[252]

  • UTG Ugaritic grammar textbook Gordon
  • doubly weak verbs p = 90
  • [253]
  • Gordon, Cyrus Herzl (1998). Ugaritic Textbook. Roma: Gregorian Biblical BookShop. ISBN 88-7653-238-2.
  • Van Der Toorn, Karel (2017). "Celebrating the New Year with the Israelites: Three Extrabiblical Psalms from Papyrus Amherst 63". Journal of Biblical Literature. 136 (3): 633–649. doi:10.1353/jbl.2017.0040. ISSN 1934-3876.
  • dumb old racist ass: Richard Barnett on Ivories
  • [256]
  • the 'colorless deity'
  • KOITABASHI, Matahisa (2013). "Ashtart in the Mythological and Ritual Texts of Ugarit". Bulletin of the Society for Near Eastern Studies in Japan. 55 (2). The Society for Near Eastern Studies in Japan: 53–62. doi:10.5356/jorient.55.2_53. ISSN 0030-5219.
  • Bethel and Yahō: A Tale of Two Gods in Egypt

In: Journal of Ancient Near Eastern Religions Author: Tawny Holm Online Publication Date:

   24 Aug 2023


Aramaic documents from Egypt suggest that Yahwists there may have identified Yahweh/Yahō with the Syrian-Aramean deity Bethel (Bayt-ʔēl). Portions of Papyrus Amherst 63, the long and complex multi-composition Aramaic text written using Demotic script, also support this view. For instance, Bethel and Yahō seem to be paralleled with each other in two poems on the papyrus; both deities share some attributes otherwise ascribed to Baʕal-Shamayn (i.e., Hadad), yet are superior to that deity; and a priestess of Bethel is termed a khnh, the feminine form of khn, the noun used solely for a priest of Yahō and no other deity in Egypt. Other subtle connections between Bethel and Yahō can also be found.


  • child sacrifice / beloved son [227]
  • Danielson on ... Qos
  • [265]
  • Danielson, Andrew J. (2021-04-16). "On the History and Evolution of Qws: The Portrait of a First Millennium BCE Deity Explored through Community Identity". Journal of Ancient Near Eastern Religions. 20 (2): 113–189. doi:10.1163/15692124-12341314. ISSN 1569-2116.

[268]

  • Krause on KAjrud 4.3 allegeg exodsu
  • fun, critique-al
  • "not so fast"

[269] [270]

[271]

[272]

  • Plodding uncertain and fumbling but thorough. grammatical comments about terminal h and suffixes on DN

https://www.religionofancientpalestine.com/?page_id=230[273]

[274]

Meshel

Meshel 95, "Dating." is anything related?[277] [278]

continued, normal

feminist, stimulating, different, but too lawyerly or midrashically creative

  • "What keeps Moses from reacting? Why is circumcision necessary? Why does Zipporah perform the circumcision? Whose feet are touched with the foreskin? What is the meaning of Zipporah's incantation? Who is the "bridegroom of blood?" Why does Yahweh withdraw?"

[279]

[280]

  • Pardes, Ilana (1992). Countertraditions in the Bible. Cambridge, Massachusetss London, England: Harvard University Press. ISBN 0-674-17545-X.

polysemy and ambiguity cretan-canaanite collaboration / imigration cite high personal importance https://www.academia.edu/26405597/Metaphysis_The_Ambiguity_of_the_Minoan_Mind [281]

[282]

redating the byblian inscrips - on early shin, -h forms - high importance https://janes.scholasticahq.com/article/2319

[283]* Stuckey, Johanna H. (2002-01-01). "The Great Goddesses of the Levant". Journal for the Study of Egyptian Antiquities. Retrieved 2023-12-16. [284]

  • [285]* Dewrell, Heath D. (2017). Child Sacrifice in Ancient Israel. Winona Lake, Indiana: Eisenbrauns. ISBN 1-57506-494-4.

[286]

[287]* Keel, Othmar (1998). Goddesses and Trees, New Moon and Yahweh. Sheffield: Burns & Oates. ISBN 978-1-85075-915-7.

[288]


12 14 2023

[289]

[290]*

Beaulieu, Stéphane (2007-01-01). "Eve's Ritual: the Judahite Sacred Marriage Rite". Concordia University. Retrieved 2023-12-14.


amzallags smithy hypoth 2023

[291]

  • Amzallag, Nissim (2023-05-31). Yahweh and the Origins of Ancient Israel. New York: Cambridge University Press. ISBN 1-009-31476-9.

[292]

[293] Bad xlation

on the hezekian and josiac reforms (not such a big deal after all)

The High Places (Bāmôt) and the Reforms of Hezekiah and Josiah: An Archaeological Investigation

[294]

real mixed bag

[295]

  • Olyan, Saul M. (1988). Asherah and the Cult of Yahweh in Israel. Atlanta, Georgia: Atlanta, Ga. : Scholars Press. ISBN 978-1-55540-253-2.

1980s translations hymns [297]

minor, beth alpha[298]

mediocre[270]

[299]

[300]

  • Yarden, Leon (1971). The Tree of Light. Ithaca, N.Y. : Cornell University Press. ISBN 0-8014-0596-3.

[301]

fun

pages (cool)

fin

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