User talk:Tim Ross

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Hi there,

In advance, sorry for making my message an edit of this previous message, but I cant seem to work out how to send you my own separate one on this page.

I would like to use your photo: https://commons.wikimedia.org/wiki/File:07-06_WtrAerob1a.jpg for commercial uses. I understand that this is covered by your copyright license, however I would need to see proof that this contains model release, since the people in the picture have faces that are visually recognizable. Please let me know whether this is available as soon as possible.

Many thanks,

Stephanie


Speedy deletion nomination of NUDE SKINCARE


Hi Tim Ross,

Sorry for my late reply, I'm new to Wikipedia and am trying to put up a piece on Nude Skincare. On the 1st of October, you tagged the piece I put up to be be deleted. Please could you explain why and what I need to do to get this piece up. Ali Hewson is on Wikipedia and is linked to Nude Skincare, any help you can give I appreciate. Thanks for your time and help. —Preceding unsigned comment added by Steph 270 (talkcontribs) 14:46, 20 November 2009 (UTC)

I'm afraid, Steph, that I no longer recall much about the article, although I note that it's been deleted twice, once as "unambiguous advertising or promotion" and the second time as an "article about a company, corporation, organization, or group, which does not indicate the importance or significance of the subject". Do you still have the text? If you do, go ahead and enter it here on my talk page, and I'll try to offer some advice. Or, if you have another version that you think may be more likely to work, you can let me see that one. Tim Ross (talk) 17:33, 20 November 2009 (UTC)

Nude skincare submission

Thanks for your help Tim, please find below what I submitted. I look forward to your advice.

Thanks, Steph.

Nude Skincare

Nude Skincare Nude Skincare is the name to the British advanced probiotic and natural skincare brand founded in June 2007 by Bryan Meehan, also the founder of popular organic UK stores Fresh and Wild (Bryan Meeham could have a Wikipedia page and this would link to this))

Company history

The brand name Nude was decided after discussing concepts with good friend, muse and inspiration to the brand, Ali Hewson. [1]. Hewson suggested using the brand name Nude, which is the name of her of ethical clothing brand Edun spelt backwards. [2].

Stores

Nude has an online store [www.nudeskincare.com] and is also sold throughout the UK, US, Australia and New Zealand. [3],

Products

As with many skincare companies, Nude skincare offers a wide range of products. These include Cleansing Facial Oil , and Advanced Eye Complex, well as face cleansers, moisturizers, masks, body creams and a range of supplements.

Company’s approach

Nude Skincare is founded on ‘eco-friendly’ principles, sourcing ingredients with ‘integrity and respect’. Nude is carbon neutral and does not test on animals. 40% of its range is made using recycled plastic [4].

External links Nude skincare’s Official Website – www.nudeskincare.com

References:

Need to go in

See also Ali Hewson —Preceding unsigned comment added by Steph 270 (talkcontribs) 12:40, 26 November 2009 (UTC)


I can certainly help you rewrite the article to make sure the advertising/promotion issues are taken care of, Steph. The big problem, though, is going to be importance/significance. To take care of that, you will need to be able to show notability - to show that Nude Skincare "has received significant coverage in reliable secondary sources that are independent of the topic". That will require showing that the product has been significantly discussed or reviewed in, for example, magazines devoted to cosmetics or websites which cover such topics. Significant mention in news sources would also be useful. Care must be taken, though, to avoid sources connected with the product, such as <www.nudeskincare.com>, or any form of advertising. Send me several references of that sort, and I will try to put together a draft. Tim Ross (talk) 15:02, 27 November 2009 (UTC)

Nude skincare

Hi Tim, many thanks for your help on this, it is much appreciated. Please find below a list of blogs / news sites that have coverage on the brand.

http://talkingmakeup.com/skincare/nude-skincare/

http://www.elleuk.com/beauty/product-reviews/(feature)/beauty/product_reviews/eye_creams/(item)/437858#437858

http://lovelypackage.com/nude-skincare/

http://mizzworthy.blogspot.com/2009/10/review-nude-skincare.html

http://www.drugstore.com/qxb60288_333181_sespider/nude_skincare/nude_skincare.htm

http://beautyinterviews.com/interviews/nude-skincare/

http://women.timesonline.co.uk/tol/life_and_style/women/relationships/article5568514.ece

http://women.timesonline.co.uk/tol/life_and_style/women/beauty/article1698163.ece

Best skin product - http://www.girl-woman-beauty-brains-blog.com/2983308

http://cosmetic-candy.com/?p=8947

http://women.timesonline.co.uk/tol/life_and_style/women/beauty/article2472662.ece

http://www.primped.com.au/product_finder/brand/nude_skincare

http://www.hookedonbeauty.com/2009/09/nude-skincare-advanced-smoothing.html

http://londonmakeupgirl.blogspot.com/2009/10/nude-skincare-gwp-at-beauty-expert.html

Please let me know if you need any more, thanks - Steph. —Preceding unsigned comment added by Steph 270 (talkcontribs) 11:21, 30 November 2009 (UTC)

That looks very helpful, Steph. I will get to work on it, and should have a draft for you fairly soon - maybe a day or two. Tim Ross (talk) 11:30, 30 November 2009 (UTC)


That's great, thanks again Tim. I look forward to it. —Preceding unsigned comment added by Steph 270 (talkcontribs) 14:15, 30 November 2009 (UTC)

Steph - see your talk page for a draft of the proposed article. Tim Ross (talk) 10:14, 1 December 2009 (UTC)

DEP blurb

Thanks for the heads up on the deletion of the DEP material.

Not sure of the reasoning though. This seems to be a key decision of their organization. Other than air, and dirt, of course, water is pretty important to Florida. Having a forked article from DEP doesn't seem to make sense to me. All other important decisions relating to a governmental agency are usually made within the confines of that article. I agree that most of those eventually vanish into obscurity and have to be deleted or moved to history. But right now, that finding is fairly crucial I would think. I would also rather discuss this on the article talk page. While I appreciate the heads up, I think it can now go into the public eye.

Thanks. Student7 (talk) 13:47, 7 December 2009 (UTC)

I agree with you entirely, that this information is worthy of being spread around, Student7, but I still don't think it fits very logically into the history section of the FDEP article. My choice would be Environment of Florida#Energy, water, and waste management. Tim Ross (talk) 17:30, 7 December 2009 (UTC)
What would you think about asking Horologium for a second opinion? I haven't had much luck with off-the-street RFCs lately. At least one "expert" had a user page that looked like most vandals!  :) Student7 (talk) 02:39, 11 December 2009 (UTC)
Yes, that would be fine with me. I'm willing to accept Horologium's choice. Tim Ross (talk) 09:58, 11 December 2009 (UTC)

Margaret Howell

Hi Tim,

Thanks again for helping me on the Nude Skincare page. It's still up and I'm very happy about this! I would now like to get Margaret Howell on here, Margaret is a contemporary British clothes designer .

Please find below what I have drafted up, if you have time would you mind having a read through this and letting me know if I should make any changes?

Have a great Christmas.

Many thanks - Steph


Margaret Howell

Margaret Howell was born in Tadworth, Surrey on 5th September 1946. She attended the local De Burgh School (since demolished) whose modern design she was later to recognise as an influence on her own aesthetic. She studied Fine Art at Goldsmiths College from 1965-9, “which taught me a lot about colour and proportion”.

Howell is a contemporary British clothes designer who has worked successfully in both men’s and women’s wear. Respected by her peers, and much imitated, Howell has been a strong, if quiet, presence on the British design scene for nearly four decades. The label which bears her name was launched from a kitchen table in South East London in 1972, and was an immediate, if somewhat unexpected, success. It grew rapidly over the ten years, ran into difficulties in the 1980s but recovered, and today Margaret Howell Ltd employs some 300 people in 80 locations[5].

Howell describes her aesthetic as designing real world clothes. They should have “an instantly wearable feel, I want clothes to look like my drawings of them. They’re functional and designed as individual pieces rather than part of an outfit or a pre-conceived, fixed look. Every detail is considered yet the resulting style has a relaxed feel.” (Taschen)

Admirers comment on her clothes’ comfortable, understated, yet sensual qualities. Keynote designs are her take on the shirt, gymslip, lace-up shoes, duffle coat and trench coat. Many have an androgynous quality underlined by a succession of carefully controlled photographic campaigns. These are shot on location in black and white and by sympathetic spirits such as Bruce Weber, Koto Bolofo, and Venetia Scott.

“The appropriateness of the fabric to the design is crucial as is the quality of both material and make. Often I take inspiration from the traditional, specialist manufacturing, adapting the patterns to make them contemporary in cut and styling and breaking rules by softening the make-up of the clothing. The match of the fabric with garment is also key to translating the concept and character of the design.” (Taschen) From the beginning Howell has shown a preference for the natural-fibre fabrics of the British Isles (Irish linen, Harris tweed, Scottish cashmere, English cotton shirting and corduroys, West of England flannels and Worsted suiting’s), working closely with specialist manufactures such as Macintosh, John Smedley and Peter Scott.

70s: Early Career

After graduating and having been turned down for a job in the BBC make-up department, Howell started making accessories. Her hand-made beads came to the attention of Vogue and led to a meeting with Liz Taylor, then shooting ‘Zee and Co’ in London. In 1972 Howell, with partner Paul Crenshaw, began to design make and sell shirts from their flat in Blackheath, South East London. The business grew, encouraged by Paul Smith and leading US retailers, including Ralph Lauren. The couple also sold shirts through the Lower Sloane Street shop of Margaret’s sister Jean Howell, herself a designer famous for her had-knitted fairisles. Crenshaw managed while Howell expanded the design range and oversaw production from a workshop. She still thinks of herself as a ‘hands-on’ designer and values direct contact with each stage of the manufacturing process. Her work was supported by Joseph Ettedgui and recognized by Vogue fashion editors Grace Coddington and Liz Tilberis.

In partnership with Joseph a Margaret Howell men’s shop, opened in South Molton Street in London in 1976 [6]. This was followed by the first wholly owned Margaret Howell shop in St Christopher Place in 1980. Reflecting international interest, Sam Sugure of Anglobal/Washo, Tokyo, signed a license to manufacture and sell Margaret Howell designs throughout Japan[7].

80’s

The early 1980’s were a period of expansion for the label. Jack Nicholson insisted on wearing his own Margaret Howell corduroy jacket for his role in 1980’s ‘The Shining’, prompting an order for 12 duplicates from Stanley Kubrick. 1982 saw Grace Coddington choose a Howell piece as Dress of the Year. (www.bathnes.gov.net) In 1983 the first Margaret Howell standalone shop opened in Aoyama (Tokyo). A New York shop was opened in Manhattan in 1982, attracting the attention of Andy Warhol (Interview). However, this rapid expansion caused both business and personal difficulties. The couple divorced in 1987 and Renshaw left the company. It was re-organised in 1990 with the help of Sam Sugure and Richard Craig, who remains today as Managing Director.

90’s and after

The new management proved successful and there followed a decade of steady growth culminating in the opening of the flagship Wigmore Street shop in 2002. Taking the ‘hands-on’ principle into the design of her own working environment, Howell worked closely with Will Russell of Pentagram to combine company headquarters, design studios, exhibition and retail space under one roof. A Paris shop opened in 2009. Howell’s factory in North London maintains the label’s unbroken tradition of shirt making. Influences

Howell writes: “When I was at school in the 1960’s I admired Yves Saint Laurent and bought one of his paper patterns to teach myself how to tailor a jacket. I also admired the apparent simplicity of Jean Muir designers.” (Taschen) She also cites the influence of “tough, gutsy, virile” work wear, (GQ, October 2009) as well as the bold inventiveness of street style.

Personal

From an early age I remember having an awareness of clothes and a response to those of my parents, the softness of my Father’s well-worn cotton shirts and raincoat, the slim hang of a pleated chiffon dress my Mother used for ballroom dancing. She made her children’s clothes; I loved the smell of new cotton as it was cut. I had fun making my school uniform stylish in the early 1960’s. We wore our skirts long with ankle socks. We bought men’s cardigans from Marks and Spencer. I enjoyed the androgynous character of the white shirt, the duffle coat and the double-breasted gabardine raincoat. In fact, I was styling the basic which I think is what I do new. I take classic and reinterpret it by cut, detailing and the choice of fabric to make it modern and enjoyable to wear.


Howell also uses Wigmore Street to champion designers and causes she admires. (Japan Hose Book) Anglepoise lamps, Robert Welch cutlery, and furniture by Ernest Race and Ercol complement the clothes on sale, as do occasional exhibitions featuring, among others, the work of architect John Penn and the graphic art of H A Rothholz and the 1950’s St Ives group of artists. Howell is a committed supporter of Open House – the charity which promotes access to notable buildings throughout the UK – and in association with them and the RIBA, has hosted events showcasing the architecture of Basil Spence, Erno Goldfinger, Eric Lyons (Span Houses), and the twentieth century swimming pool.

In 2006 she was asked to design uniforms for the staff of the Victoria & Albert museum and these are currently in use[8].

In 2007 Howell was awarded a CBE for services to the fashion industry[9] and was made a Royal Designer for Industry by the Royal Society of Arts[10]. She still lives in South East London and has two children: Miriam, born 1978 and Edward, 1981.

Critique of Margaret Howell

The subject of the article seems to be clearly notable, Steph, so you should not have much of a problem with that. Two areas, though, do need considerable work, I think.

The tone and language of the article are often not "encyclopedic", but rather seem more appropriate for a magazine article or advertisement. For this reason, some may see the article as being too promotional or even as advertising. Much of this sort of material can, I believe, be condensed or removed, and I would recommend that.

It is good to see that you have a number of useful and appropriate references. You will need to make sure, however, that you have one for each quotation you wish to use. I'm not sure, however, that all of the quotations, especially the more lengthy ones, add much, and would advise you to consider condensing and paraphrasing most of the important ones and deleting those of only modest value.

Feel free to replace the version here with a revised one, and I'll be happy to take a look at it as well. Tim Ross (talk) 13:05, 23 December 2009 (UTC)

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