A Fool Who'll

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Released29 August 2011 (2011-08-29)
StudioHeadgap, Dollhouse
Length44:48
A Fool Who'll
A woman sits on a wooden bench with arms resting on her thighs. She has dark, over shoulder-length hair, a red T-shirt and dark pants. Her face is shadowed, her hands has fingers interwoven in front of her with a ring on the left forefinger. To her right, on a dusty table lies a yellow-coloured, electric guitar next to a light-bulb in its socket. To her left is a green-white box, while behind her are wooden pallets and other lengths of wood. Above the photo is the artist's name in large, white, block print. Below in smaller, sentence case is the album's title in pale script.
Studio album by
Released29 August 2011 (2011-08-29)
StudioHeadgap, Dollhouse
GenreFolk
Length44:48
LabelChapter
ProducerSimon Grounds
Laura Jean chronology
Eden Land
(2008)
A Fool Who'll
(2011)
Laura Jean
(2014)

A Fool Who'll is the third album by Australian folk singer-songwriter Laura Jean. It was released on 29 August 2011 via Chapter Music.

Professional ratings
Review scores
SourceRating
The AgeStarStarStarStar[1]
The Sydney Morning HeraldStarStarStarStar[2]

Samantha Allemann for ArtsHub Australia, rated A Fool Who'll as five-out-of-five stars and explained, "[it] succeeds in putting together nine songs which are interestingly diverse, yet all equally strong. There's no filler, and that is something quite rare indeed. Laura Jean's gorgeous voice and strong range is well matched by her band and their new electric approach, resulting in an album that's both dynamic and sweet."[3]

The Sydney Morning Herald's Bernard Zuel noticed that Jean, "does not fear intimacy", as the album is, "dominated by the mix of emotion that comes with falling in love." She shows, "The thrill of love is definitely there... but so is its travelling partner in any love affair: the fear of losing that love."[2]

Melbourne's radio station 3RRR's staff listed it as their Album of the Week on 29 August 2011, with the summary, "[it] offers the understated but captivating style of previous recordings, and imbues its songs with elements of disquiet, and dissonance... [it] reflects an evolution in [her] sound and approach. Incorporating new sounds."[4]

Track listing

Personnel

References

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