A Song for the Lord Mayor's Table

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Engraving showing children entering St Paul's Cathedral, illustrating the text: Twas on a holy Thursday, their innocent faces clean,/ The children walking two and two, in red and blue and green:/ Gray-headed beadles walked before, with wands as white as snow,/ Till into the high dome of St Paul's they like Thames waters flow./ O what a multitude they seemed, these flowers of London town!/ Seated in companies they sit, with radiance all their own./ The hum of multitudes was there, but multitudes of lambs,/ Thousands of little boys and girls raising their innocent hands./ Now like a mighty wind they raise to heaven the voice of song,/ Or like harmonious thunderings the seats of heaven among;/ Beneath them sit the aged men, wise guardians of the poor:/ Then cherish pity, lest you drive an angel from your door.
William Blake's illustration of his verse "Holy Thursday", the fourth song in the cycle

A Song for the Lord Mayor's Table is a cycle of six songs with music by William Walton, first performed in 1962. The words, chosen by the librettist Christopher Hassall, are by six different British poets, two of them anonymous. Originally for soprano and piano, the cycle was later orchestrated. The work was premiered at Goldsmiths' Hall, London on 18 July 1962 by Elisabeth Schwarzkopf and Gerald Moore, during the City of London Festival. The orchestral version was first performed at the Mansion House, London on 7 July 1970, by Janet Baker with the English Chamber Orchestra conducted by George Malcolm.

The cycle was commissioned by the Worshipful Company of Goldsmiths as a contribution to the first City of London Festival. At Walton's request, Christopher Hassall, who had written the libretto for the composer's opera Troilus and Cressida, selected six poems to be set. The oldest is "The Lord Mayor's Table" by the 17th-century English poet Thomas Jordan, and the other five are by 18th- or 19th-century poets – Charles Morris, William Blake, William Wordsworth, and two anonymous authors.

Walton composed the cycle at his home in Ischia in the first half of 1962. He was not a pianist, and found writing for the instrument irksome. He told his publisher that the first song in particular needed an orchestra.[1] The soloist at the first performance was Elisabeth Schwarzkopf, whose voice Walton had in mind when composing the music for Cressida in his opera. She was an accomplished linguist and according to Gerald Moore, who played the piano at the premiere, she sang the songs "as if she were an Englishwoman".[2]

Walton orchestrated the cycle in 1970, and this version was first performed on 7 July of that year, by Janet Baker with the English Chamber Orchestra conducted by George Malcolm.[3] The venue for the premiere – most appropriately, The Times commented – was the Mansion House, the Lord Mayor of London's official residence.[4]

Structure

Recordings

Notes, references and sources

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