Jesu, meines Glaubens Zier

From Wikipedia, the free encyclopedia

Jesu, meines Glaubens Zier is a German Lutheran hymn by Gottfried Wilhelm Sacer, first published in 1661.[1] Its hymn tune, Zahn No. 6453, was first published in 1714, in Freylinghausen's hymnal.[2] In 1736 the hymn was adopted in Schemellis Gesangbuch, with a figured bass accompaniment which may have been contributed by Johann Sebastian Bach (BWV 472).[3]

Other nameIt is finished! Christ hath known
LanguageGerman
Quick facts Other name, Genre ...
Jesu, meines Glaubens Zier
Other nameIt is finished! Christ hath known
GenrePassion hymn
Textby Gottfried Wilhelm Sacer
LanguageGerman
Meter78.87.87.87
MelodyAnonymous (1714)
Publishedtext: 1661 (1661); melody: 1714 (1714)
Close

The tune is also known in English due to its presence in the 1906 English Hymnal and its 1986 successor, where it appears to "It is finished! Christ hath known", a Passion text by Gabriel Gillett[4] written for the 1906 publication and based on Jesus' dying words, per the Gospel of John, "tetelestai" ("It is finished!"),[5] which inspired many other hymns.[6]

Text

The original German text is a Passion hymn[1] in five stanzas of eight lines each.[3] An English-language version of the hymn, not a translation of the original but sharing its rhyme scheme and Passion theme, has three stanzas.[7] The author of that version, who exemplifies the conservative tradition of the beginning of the 20th-century, pleads, in a "very sensitive and beautiful text",[8] for Christ, as maker of human joys and sorrows, to lead his flock upon the same path of self-sacrifice. The poet's tone and theology are medieval in nature, the text as a whole expanding on medieval analogies between Nature and Christian mythology.[9]

Tune

The hymn tune of "Jesu, meines Glaubens Zier" was first published in Freylinghausen's hymnal in 1714.[2] The setting which appears in Schemellis Gesangbuch only consists of a vocal line (melody) and a figured bass.[3] A realisation of this was published in the English Hymnal, and this setting is transcribed below.[7]


<< <<

ew Staff { clef treble 	ime 4/2 key f major set Staff.midiInstrument = "flute" omit Staff.TimeSignature  set Score.tempoHideNote = ##t override Score.BarNumber  #'transparent = ##t
  
elative c'' 
  << { a2 g bes a4( g) | a2 g4.( f8) f1 bar"||" a2 a g a | bes bes4( c) a2 g bar"||"  %78
  a2 a g a | bes bes4( c) a2 g bar"||" c2 g a g4( f) | e2 d4( c) c1fermata bar"||"   %87
  g'2 a bes bes | a g fis d bar"||" d' a bes a4( g) | g2. fis4 g1 bar"||"             %87
  g2 c a c | bes4( a) g( f) e2 c | g' a bes a4( g) | a2 g4( f) f1fermata bar"|." }  %87
  { f2 g f f | f e4.( f8) f1 | f2 f e f | g g f e |
  f2 f e f | g g f e | g4( f) g( e) f2 c | c b4( c) c1 |
  e2 fis g g | es es d d | a'4( g) a( fis) g2 es | d2 d d1 |
  e4( f) g( e) f( g) f( e) | f2 d c c | e2 f f4( g) f2 | f2 e4( f) f1 } >>
}

ew Lyrics lyricmode {
}

ew Staff { clef bass key f major omit Staff.TimeSignature set Staff.midiInstrument = "flute"
  
elative c'
  << { c2 c d d | c bes a1 | c2 c c c | d c c c |
  c2 c c c | d c c c | c c c c | g f e1 |
  c'2 c d es | es c4( bes) a2 fis | d' d d c4( bes) | a( bes) c2 bes1 |
  c2 c c c | f, bes4( a) g2 e | c' c bes4( c) c( d) | c2 bes a1 } 
  { f2 e d bes | c c f,1 | f4( g) a( bes) c2 bes4( a) | g( f) e2 f c' |
  f,4( g) a( bes) c2 bes4( a) | g( f) e2 f c' | e4( d) e( c) f( g) a2 | g2 g, c1fermata |
  c4( c') bes( a) g( f) es( d) | c( d) es( c) d2 d | fis4( e) fis( d) g2 c, | d d g,1 |
  c4( d) e( c) f2 a, | d bes c c | c4( d) es( c) d( e) f( bes,) | c2 c f,1fermata } >>
}
>> >>
layout { indent = #0 }
midi { 	empo 2 = 70 }

References

Sources

Related Articles

Wikiwand AI