Daughtry/Goo Goo Dolls Summer Tour
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| Co-headlining tour by Daughtry and Goo Goo Dolls | |||||||||||||
Promotional poster for the tour | |||||||||||||
| Location | North America | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Associated album | Baptized Magnetic | ||||||||||||
| Start date | June 12, 2014 | ||||||||||||
| End date | August 30, 2014 | ||||||||||||
| Legs | 1 | ||||||||||||
| No. of shows | 45 | ||||||||||||
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The Daughtry/Goo Goo Dolls Summer was a co-headlining concert tour by American rock bands Daughtry and the Goo Goo Dolls. The tour was in support of their studio albums Baptized (2013) and Magnetic (2013). The tour began on June 12, 2014, and ended on August 23, 2014,[1] but was expanded to include two more dates and ended on August 30.
The tour was first announced on March 10, 2014.
About the tour Goo Goo Dolls front man, John Rzeznik says, "We are excited to finally be teaming up with Daughtry." "Not only are we huge fans of Chris, but we think this is going to be a huge party for the fans of both of our bands. The combination of the two will make for an awesome summer night of great American rock music."[2]
Concert synopsis
Opening act
Setlists
- Intro/"Baptized"
- "Feels Like Tonight"
- "Over You"
- "Traitor"
- "Renegade"
- "It's Not Over"
- "What About Now"
- "Outta My Head"
- "Wild Heart"
- "Battleships"
- "Home"
- "September"
- Encore
- "Waiting for Superman"
- "Long Live Rock & Roll"
Not performed in the same order every night
- "Lazy Eye"
- "Dizzy"
- "Slide"
- "Big Machine"
- "Rebel Beat"
- "When the World Breaks Your Heart"
- "Already There"
- "Bringing on the Light"
- "Come to Me"
- "Black Balloon"
- "Stay with You"
- "Here is Gone"
- "Caught in the Storm"
- "Feel the Silence"
- "Flat Top"
- "January Friend"
- "Another Second Time Around"
- "Not Broken"
- "Better Days"
- "Slow It Down"
- "Iris"
- "Let Love In"
- Encore
Tour dates
Box office score data
| Venue | City | Tickets sold / available | Gross revenue |
|---|---|---|---|
| Family Circle Tennis Center | Charleston | 4,012 / 6,462 (62%) | $162,270 |
| Amphitheater at the Wharf | Orange Beach | 3,750 / 5,000 (75%) | $149,370 |
| DTE Energy Music Center | Clarkston | 10,680 / 14,956 (71%) | $304,612 |
| Greek Theatre | Los Angeles | 5,468 / 5,840 (93%) | $331,288 |
| Meadowbrook | Gilford | 4,066 / 6,000 (63%) | $197,094 |
| Fifth Third Ballpark | Comstock Park | 9,000[3] | N/a |
Critical reception
The Digital Journal's, Markos Papadatos says of the Goo Goo Dolls, "Overall, the Goo Goo Dolls gave Long Island, New York, a night of acoustic, rock and adult contemporary music to remember. It is no wonder that they have been around for well over two decades and they have always managed to stay relevant despite the changes in the music industry."[5]
Sophia June of the Daily Emerald says, "Upon the first glance, the nights lineup seemed a bit random-like creating an unconventional meal out of the last ingredients in your pantry. I wasn't convinced the three bands had much cohesion until the Goo Goo Dolls third song-"Slide". Goo Goo Dolls are a blending of the melodic, harmony-laden romantic Plain White T's and the rock energy and driving electric guitar of Daughtry."[6]
John Serba from M. Live gave the show 2½ stars out of 4, and said that he felt like Daughtry sounded generic and that the Goo Goo Dolls "ring true". About Daughtry he said that they were "skirting the edge of aggro-rock at times – the type of sound that might benefit from a more dynamic light show than what nature provides on a mild summer evening. Although the crowd responded with more enthusiasm to songs such as "Over You", "It's Not Over" and "Battleships", Daughtry's set sometimes lacked punch". For the Goo Goo Dolls, a highlight is when they performed "Rebel Beat". When comparing the two bands, Daughtry is stronger at singing and the Good Goo Dolls are stronger at songwriting.[3]
Sioux City Journal's Bruce R. Miller said, "While the two acts couldn't have been more dissimilar, they helped show just how far that "rock" label can stretch", "Daughtry followed a more familiar path, Goo Goo Dolls went an alternate route." The showmanship between the two was also different. When Goo Goo Dolls bass player Robby Takac took over on lead vocals on a few songs he didn't receive the same reaction as John Rzeznik did.[4]