File:Sakura-abadi.ogg

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Summary

  • Sound sample from the song "Sakura Abadi"
  • Song length: 6:45
  • Reduced quality: Yes
  • Source: Sakura Abadi single
  • Songwriter(s): Anindyo Baskoro, Ilman Ibrahim Isa, Arya Aditya Ramadhya, Daiva Prayudi
  • Performed by: Diskoria, Laleilmanino, and Neida
  • Producer(s): Anindyo Baskoro, Ilman Ibrahim Isa, Arya Aditya Ramadhya, Daiva Prayudi
  • Copyright © 2024 Suara Disko

Rationale of fair use for "Sakura Abadi" sample

This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:

  • It illustrates an educational article that specifically discusses the song from which this sample was taken. The section of music used is analyzed in the article in relation to the song's lyrics, musical, and vocal style, and may contain part of the song's chorus.
  • It is a sample of no more than 30 seconds from a much longer recording and could not be used as a substitute for the original commercial recording or to recreate the original recording.
  • It is of a lower quality than the original recording.
  • It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
  • It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
  • The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.

Rationale of fair use for "Pop Kreatif"

This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:

  • The purpose of using "Sakura Abadi" is educational and analytical. The song is utilized as an example to discuss the defining characteristics of the Pop Kreatif genre's 21st-century resurgence, including its lyrical themes and instrumental arrangements. This use is transformative in nature, as the song is not used for entertainment or commercial purposes, but rather for critique and genre exploration.
  • It is a sample of no more than 30 seconds from a much longer recording and could not be used as a substitute for the original commercial recording or to recreate the original recording.
  • It is of a lower quality than the original recording.
  • It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
  • It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
  • The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.

Licensing

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