View from Stalheim
1842 oil painting by Johan Christian Dahl
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View from Stalheim (Norwegian: Fra Stalheim) is an 1842 oil painting by Johan Christian Dahl of the mountainous view from Stalheim in Voss Municipality in Søndre Bergenhus county. It is a major work of Romantic nationalism and has become a national icon. It is regarded as one of Dahl's best works.
| View from Stalheim | |
|---|---|
| Norwegian: Fra Stalheim | |
| Artist | Johan Christian Dahl |
| Year | 1842 |
| Medium | Oil on canvas |
| Dimensions | 190 cm × 246 cm (75 in × 97 in) |
| Location | National Gallery of Norway, Oslo |
| Accession | NG.M.01060 |
| Website | digitaltmuseum |
Description
The painting shows the view from the peak at Stalheim over the Nærøydalen valley towards the sugarloaf-shaped peak of Jordalsnuten[1][2] in late afternoon sunshine, framed by peaks and a rainbow. The sun shines on a small village near the centre. Dahl has clearly delineated figures and buildings even in the distance, creating "a world in miniature".[3] One of his purposes was realism; the other was to capture the glory and magnificence of the mountains, and associated with that, of his country's culture.[3][4][5] In this evocation of grandeur the painting prefigures later US landscapes, in particular Church's Rainy Season in the Tropics (1866), which has a similar crowning rainbow.[3][6] The rainbow itself, a symbol of reconciliation, peace, and in Christianity of God's grace,[7] was also frequently used by Joseph Anton Koch and by Dahl's friend and associate Caspar David Friedrich.[8]
History
Dahl began work on the painting in 1836 and completed it in 1842.[9][10] It is based on two pencil and watercolour sketches he had made from the Gudvangen road in July 1826[11][12][13] during his first visit to the high mountain regions of Norway. The final version is close to the studies in both composition and details, including the sunlight highlighting the village;[3] but Dahl has intensified the imagery by narrowing the valley, giving more prominence to the Jordalsnuten peak and less to the reappearance of the river from the shadows.[4]
Dahl had trouble with the painting and avoided similarly large works after its completion.[14]
Provenance
The painting was made for Countess Wedel of Bogstad.[14] Carl Gustav Wedel-Jarlsberg gave it to the National Gallery of Norway in 1914.[15]
Reception
The painting is regarded as one of Dahl's best,[16][17] perhaps his most successful realisation of his aim of depicting the mountains both realistically and as national symbols.[3][5] It has become a national icon.[6][7] Other painters have also depicted the scene,[1] and even more than his other Norwegian landscapes, this one drove tourists to visit the site: the luxury hotel built at Stalheim in 1885 is attributable to it.[4]