Fröken Snusk

Swedish music artist From Wikipedia, the free encyclopedia

Fröken Snusk (transl.Miss Smut) is a Swedish musical act and persona created by songwriter and producer Rasmus Gozzi. The character is known for wearing a pink balaclava to maintain anonymity and gained widespread popularity after competing in Melodifestivalen 2024 with the song "Unga & fria". Originally portrayed by Felicia Eriksson, the role was taken over by a new unidentified performer in April 2025 after Eriksson transitioned to a solo career.[1][2]

Felicia Eriksson performing as Fröken Snusk at Melodifestivalen 2024

Career

The original Fröken Snusk claimed to have been born in 2004 or 2005,[3] while Aftonbladet claimed she was slightly older.[4] As her stage name implies, her songs often have crude and sexual lyrics.[1] Her balaclava is a reference to the gangster rapper 1.Cuz, who popularized the accessory in Swedish music. In 2023, she collaborated with him on the song "Trakten till epan"[5] and also participated in Musikhjälpen.[6]

She took part in Melodifestivalen 2024,[7] and was eliminated in the runoff voting round. Rasmus Gozzi has worked on several songs with Fröken Snusk.[8] She sings and performs mainly the music style epadunk.[9]

In May 2024, she won the fourth season of Masked Singer Sverige.[10]

In April 2025, the original singer for Fröken Snusk was replaced by a different singer,[11] provoking backlash from the public and concert promoters.[12] Later that month, Expressen revealed the identity of the original singer as 23-year-old Felicia Eriksson from Stockholm.[13]

Discography

More information Title, Year ...
Charting solo singles (Felicia Eriksson)
Title Year Peak chart positions Album
SWE
[14]
"Rid mig som en dalahäst" 2022 1 Non-album singles
"Unga & fria" 2024 1
[15]
"Voi till min fuckboi"
(with Rasmus Gozzi)
[A]
"Dö"
(with Loam)
41
[17]
"Black Widow" 2025 14
[18]
Close

Notes

  1. "Voi till min fuckboi" did not enter the Swedish Singellista Chart, but peaked at number six on the Swedish Heatseeker Chart.[16]

References

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