Get Busy Livin' or Get Busy Dyin'

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ReleasedOctober 28, 2000
RecordedJuly 2000
Studio7A West Studio, Boston, MA
Get Busy Livin' or Get Busy Dyin'
Get Busy Livin' or Get Busy Dyin' (Front cover)
EP by
ReleasedOctober 28, 2000
RecordedJuly 2000
Studio7A West Studio, Boston, MA
Genre
Length24:28
LabelReckloose Records
The Kings of Nuthin' chronology
Get Busy Livin' or Get Busy Dyin'
(2000)
Fight Songs for Fuck-Ups
(2002)

Get Busy Livin' or Get Busy Dyin' is punk rock and rockabilly group The Kings of Nuthin's debut EP,[1] which they recorded in Boston's 7A West Studio, just like their first demo tape from 1999. The EP was released on October 28, 2000 through Reckloose Records and on March 13, 2001 through the German label Crazy Love Records.[2]

Professional ratings
Review scores
SourceRating
Ox-Fanzine7/10[3]
Boston Phoenix2.5/3 [4]
Messed Up6/6[5]

Get Busy Livin' or Get Busy Dyin' was recorded and mixed by Michael Caglianone at Boston's 7A West Studio and mastered by Colin Decker at M Works in Cambridge, MA.[6] Although recorded in just two days, the album captures the band's unique sound.[7] In an interview with Ox-Fanzine, the band describes the songs as being dominated by a strong rockabilly influence.[8] Studio owner Michael Caglianone sees it as 50's roots rock with a punk twist.[9] A Boston Phoenix review presents their style as urban jump blues "bolstered by some tough punk attitude" and compares Torr Skoog's vocals to those of a cartoonish Tom Waits,[10] while Suburban Voice writes of the most tortured throat singing since hardcore punk band Verbal Assault from Newport, RI.[11] Punk Planet compares his voice to that of Dicky Barrett from the Mighty Mighty Bosstones, accompanied by a band whose sound is somewhere between the Stray Cats and the Brian Setzer Orchestra.[12] The German punk zine Ox-Fanzine writes that the Kings of Nuthin' offer hard, fast and dirty rock'n'roll in its purest form, which lies somewhere between Stray Cats and The Meteors, and clearly stands out from the broad mass of neo-swing and rockabilly bands.[13] A second reviewer of the magazine describes the album as "an extremely swinging combination of punk rock from the street, psychobilly and casual, laid-back rhythm & blues"[3] and for the German magazine Mainstage, the mixture of jazz, swing and rockabilly with street punk is simply a musical insider tip.[14]

Track listing

Personnel

References

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