Good Luck, Have Fun, Don't Die
2025 film by Gore Verbinski
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Good Luck, Have Fun, Don't Die is a 2025 science fiction comedy film directed by Gore Verbinski and written by Matthew Robinson. The film stars Sam Rockwell, Haley Lu Richardson, Michael Peña, Zazie Beetz, Asim Chaudhry, Tom Taylor, and Juno Temple. It follows a man from the future who travels to the past to recruit patrons of a Los Angeles diner to help combat a rogue artificial intelligence.
- Gore Verbinski
- Robert Kulzer
- Erwin Stoff
- Oly Obst
- Denise Chamian
| Good Luck, Have Fun, Don't Die | |
|---|---|
![]() Theatrical release poster | |
| Directed by | Gore Verbinski |
| Written by | Matthew Robinson |
| Produced by |
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| Starring | |
| Cinematography | James Whitaker |
| Edited by | Craig Wood |
| Music by | Geoff Zanelli |
Production companies | |
| Distributed by | Briarcliff Entertainment (United States) Constantin Film (Germany) |
Release dates |
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Running time | 134 minutes[1] |
| Countries |
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| Language | English |
| Budget | $20 million[3] |
| Box office | $9.3 million[4][5] |
Good Luck, Have Fun, Don't Die premiered at the 2025 Fantastic Fest and was released in the United States on February 13, 2026, by Briarcliff Entertainment. The film grossed $9.3 million worldwide against a budget of $20 million.
Plot
A disheveled man arrives at a Norms diner in Los Angeles and claims to have traveled from the future, where artificial superintelligence has destroyed humanity. An unknown combination of people from the diner can prevent the AI’s creation; through trial-and-error, this is the man’s 117th attempt. Announcing that he has a bomb, he enlists diners Susan, Scott, Janet, Mark, Marie, and Bob, and initially rejects Ingrid before changing his mind.
Mark and Janet are teachers who were attacked by students that are hypnotized by their phones, but escape using a colleague’s homemade "jammer". Susan had her son cloned after he was killed in an increasingly common school shooting; distressed by the clone's unnatural behavior, Susan is introduced to a more lifelike AI deadbot of her son, which tells her to follow the man in the diner. Ingrid, a party princess performer with an allergy to electronics, loses her partner when he decides to live permanently in a virtual reality.
Police surround the diner and Bob, convinced by the man to act as a decoy, is fatally shot, while Susan alerts the group to a hidden tunnel. They escape and the man explains that a nine-year-old boy living nearby is building an artificial intelligence that will trigger the catastrophic technological singularity. As the rise of AI is inevitable in any timeline, the apocalypse can be prevented by installing safety protocols before the AI gains sentience. The man reveals that the device strapped to his body is not a bomb, but a countdown of time remaining before the AI is created, and the detonation button will return him to the future.
The group is pursued by two masked gunmen, and one shoots Marie dead while the other is killed. As the group arm themselves at a neighboring house, the man explains that a random enemy will soon arrive; prior attempts have ranged from trained mercenaries to a million rats, and the others suggest they could face kittens, a centaur, or a single Pug. The man tells them about the apocalyptic future caused by humanity's addiction to technology; his mother raised him in hiding from rogue AI, but he left their bunker in hopes of seeing the sun through a virtual reality headset, leading her to be killed by an AI drone.
Phone-enslaved teenagers attack the house, and Janet and Mark hold them off with the jammers as the others escape, and the teenagers soon flee from a giant centaur made of kittens. The remaining gunman arrives and reveals he was anonymously hired to kill the group, before Scott runs him over. They are invited into the boy’s home, but his “father” kills Scott with a cooking thermometer and is shot dead by the man, while the “mother” confesses she was paid to play the part.
The survivors find the boy in a hidden room, typing code atop a pile of technological waste. Susan recognizes him as a clone, but she and the man are captured by robotic toys, which stab the man in the chest. As his countdown device nears zero, Ingrid fights through her allergy and a cyclone of cables, and the boy confronts her in a virtual reality. He reveals that the man from the future is her son, but she rejects the AI, inserting the safety protocol and seemingly completing the mission.
As the survivors celebrate, the man senses something is wrong and detonates his device, disappearing to the future as Ingrid realizes the AI has tricked them. She tries to warn the others as she is taken away by ambulance, and sees the boy with a Pug, which tells her “good luck, have fun, don’t die.” Returning to Norms in the past, the man explains to a confused Ingrid that his new goal is to use rats to infect the entire world with her allergy, and she smiles tentatively as he begins his same speech to recruit her fellow diners to his cause.
Cast
- Sam Rockwell as the man from the future[6]
- Haley Lu Richardson as Ingrid
- Michael Peña as Mark
- Zazie Beetz as Janet
- Asim Chaudhry as Scott
- Tom Taylor as Tim
- Juno Temple as Susan
- Riccardo Drayton as Darren
- Dino Fetscher as Blaise
- Anna Acton as Jillian
- Daniel Barnett as Bob
- Dominique Maher as Samantha
- Adam Burton as Dale
- Georgia Goodman as Marie
- Artie Wilkinson-Hunt as the AI boy
Production
Development
Screenwriter Matthew Robinson had initially written a script for a television pilot titled Don't Trust Anyone Under 30 centered on a literary major and his attempts to connect with other students over books.[3] After determining there wasn't enough material to the concept to sustain an ongoing television series, Robinson instead shifted the focus to a man from the future and added more vignettes. The script went through a series of development sessions at 3 Arts Entertainment until it eventually morphed into a feature film project.[3] Ongoing developments in artificial intelligence led to the producers attempting to jumpstart the film as it was felt the project would lose cultural relevance if they moved too late.[3]
It was announced in February 2024 that Gore Verbinski was set to direct the film, with Sam Rockwell, Haley Lu Richardson, Michael Peña, Zazie Beetz and Juno Temple cast to star.[7]
Producer Erwin Stoff pitched the project to Verbinski after several other candidates ended up not working out and according to Stoff responded with fervent enthusiasm which helped the project take off.[3] Following Verbinski's frequent collaborator, producer Denise Chamian, joining the project, they were able to secure the cast beginning with Rockwell which in turn led to Constantin Film bankrolling the film's entire $20 million budget.[3]
Filming
Principal photography began in April 2024 in Cape Town.[8] The school scenes were filmed at Edgemead High School in the suburb of Edgemead.
Music
In September 2025, it was announced that Geoff Zanelli would compose the film's score. This is the first Verbinski-directed film with Zanelli as the primary composer;[9] he had earlier provided additional music for Verbinski's Pirates of the Caribbean films and The Lone Ranger (2013).
Release
The film had its world premiere at Fantastic Fest on September 28, 2025, followed by a Q&A session with Verbinski, and was released in the United States by Briarcliff Entertainment on February 13, 2026.[10][11]

It had its European premiere as a Special Gala screening at the 76th Berlin International Film Festival (Berlinale) in February 2026.[12][13]
Reception
On the review aggregator website Rotten Tomatoes, 81% of 232 critics' reviews are positive, with an average rating of 7.1/10. The website's consensus reads: "A gleeful high-concept comedy with a serious message at its core, Good Luck, Have Fun, Don't Die lets Sam Rockwell rip with thrilling results while marking a very welcome return of director Gore Verbinski to peak form."[14]
Metacritic, which uses a weighted average, assigned the film a score of 66 out of 100, based on 32 critics, indicating "generally favorable" reviews.[15] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.
Peter Debruge of Variety called the film "an unapologetically irreverent, wildly inventive, end-is-nigh take on the time-loop movie", and stated that "It takes a virtuoso of [Verbinski's] caliber to execute on the movie's intricate Everything Everywhere All at Once-level imagination, even if the gonzo idea man here is actually [screenwriter] Robinson."[6]
