Harmonic scale

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The harmonic scale is a "super-just" musical scale allowing extended just intonation, beyond 5-limit to the 19th harmonic (Play), and free modulation through the use of synthesizers. Transpositions and tuning tables are controlled by the left hand on the appropriate note on a one-octave keyboard.[1]

Harmonic series on C, partials 1–5 numbered Play.
Harmonic series on G, partials 1–5 numbered Play.

For example, if the harmonic scale is tuned to a fundamental of C, then harmonics 16–32 are as follows:

More information Notation, Harmonics ...
NotationHarmonics[2]Cents
CCC160
CC17D17104.96
DDD18203.91
EE19E19297.51
EEE20386.31
FF7+F21470.78
FFF22551.32
GGG24701.96
AA13A26840.53
AA+A27905.87
BB7B28968.83
BBB301088.27
C'C'C'321200
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Some harmonics are not included:[1] 23, 25, 29, & 31. The 21st is a natural seventh above G, but not a great interval above C, and the 27th is a just fifth above D. Play diatonic scale

Harmonic-scales chromatic on C and G. Play chromatic scale on C

It was invented by Wendy Carlos and used on three pieces on her album Beauty in the Beast (1986): Just Imaginings, That's Just It, and Yusae-Aisae. Versions of the scale have also been used by Ezra Sims, Franz Richter Herf and Gosheven.[3]

Number of notes

Though described by Carlos as containing "144 [= 122] distinct pitches to the octave",[4] the twelve scales include 78 (= 12(12+1)/2) notes per octave.

Technically there should then be duplicates and thus 57 (= 78  21) pitches (21 = 6(6+1)/2). For example, a perfect fifth above G (D) is the major tone above C.

References

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