The Woman with No Name

1950 film From Wikipedia, the free encyclopedia

The Woman with No Name (U.S.: Her Panelled Door[3]) is a 1950 British drama film directed by Ladislao Vajda and starring Phyllis Calvert, Edward Underdown, Helen Cherry, Richard Burton and James Hayter.[4] It was written by Guy Morgan and Ladislao Vajda based on the 1947 novel Happy Now I Go by Theresa Charles.

Directed byLadislao Vajda
Written by
Based onnovel Happy Now I Go by Theresa Charles
Produced byJohn Stafford
Quick facts Directed by, Written by ...
The Woman with No Name
Directed byLadislao Vajda
Written by
Based onnovel Happy Now I Go by Theresa Charles
Produced byJohn Stafford
Starring
CinematographyOtto Heller
Edited byRichard Best
Music byAllan Gray
Production
company
Independent Film Producers
Distributed byAssociated British-Pathé (UK)
Release date
  • October 1950 (1950-10) (UK)
Running time
84 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£116,500[1]
Box office£113,268 (UK)[2]
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Plot

Yvonne Winter is an amnesiac, a victim of the wartime bombing of the London hotel where she is staying. At a country hospital she meets the pilot, Nick Chamerd, who saved her life. They fall in love and plan to marry, but he is killed on active duty. Yvonne's real husband hires detectives to find her. She is brought home and starts to piece together her past, but not everything she finds there brings her happiness.

Cast

Production

Calvert invested her own savings in the film, estimated between £12,000-£15,000.[5]

Reception

Box office

The film earned £105,000 to the producers.[1]

Critical

The Monthly Film Bulletin wrote: "A portentous and improbable melodrama, indifferently acted, and complete with explorations of moorland country in mist and thunder-storm, a nightmare dream sequence in negative, and thundering background music, which fails to supply the suspense lacking in the direction."[6]

Variety wrote: "Boxoffice barometer for Her Panelled Door won't rise much above fair, since it is a somber affair based on the old amnesia gimmick and presented with comparatively little imagination. ... The whole business is acted with a heavy hand, but the uninspired screenplay by Guy Morgan and Ladislas Vajda seldom affords opportunity for much more than staid, spotty sequences. Direction by Vajda is no more inspiring than the story; photography by Otto Heller is firstrate; music by Allan Gray is excellont."[7]

References

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