Hesen Zîrek
Kurdish musical artist
From Wikipedia, the free encyclopedia
Hesen Zîrek (Kurdish: حەسەن زیرەک, Kurdish pronunciation: [hæ.sæn ziːˈɾæk]; 29 November 1921 – 26 June 1972)[3][4] was a Kurdish singer-songwriter, known for his recordings of Kurdish folk and classical songs. He was famous for his classical and sensual lyrics, and it is believed that he composed over a thousand songs in his lifetime.[5]
November 29, 1921
Early life and family
Hesen Abdullah Rahman, known professionally as Hesen Zîrek, was born into a Kurdish family.[6] He had two brothers, Hussein and Kaka Mina, and one sister named Sarah. Following the early death of his father, Zîrek's mother, Amina, remarried, and as a result of the family's changing circumstances, he began working at a young age, around 8–9.[7] He didn't attend formal schooling and remained illiterate throughout his life.[8] He later married Mediya Zandi, with whom he had two daughters, Arezu and Sakar.[2]
The Shriek of Kurdistan
The Shriek of Kurdistan (Kurdish: چریکەی کوردستان, romanized: Çirîkey Kurdistan) is a Kurdish-language biography book written by Hesen Zîrek,[6] with assistance from his wife Mediya Zandi.[2][9] It was published in 1966 by Sāzmān-i Intishārāt-i Burekeyî, in Tehran, Iran. Shortly after its publication, Zîrek was banned from performing on Iranian state radio, as publishing books in Kurdish was prohibited under the government of Mohammad Reza Pahlavi.[10][11] In the second edition of the book, Faraidoon Moradi provided the musical notation for 16 of Hesen Zîrek's songs.[12]
The book is considered one of the first Kurdish publications of its kind in Pahlavi Iran.[13][14] After the publication of the book, a warrant was issued for Hesen Zîrek's arrest by SAVAK on charges of 'spying against the state'.[15] Following this, Hesen Zîrek fled to Iraqi Kurdistan and joined the Kurdish revolution.[16][17][18][19][20][21]
Influence

Despite his death in 1972, Zîrek's music continues to be widely appreciated, and his legacy is recognized in various ways, including the annual commemorations in Silêmanî.[22] Zîrek's recordings are considered by some to be culturally significant in the preservation of Kurdish musical traditions.[23]