Julia Gfrörer
From Wikipedia, the free encyclopedia
- Cartoonist
- Illustrator
- writer
- Flesh and Bone (2010)
- Black Is The Color (2013)
- Laid Waste (2016)
Julia Gfrörer | |
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| Born | September 12, 1982 Concord, New Hampshire, U.S. |
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Julia Gfrörer (born September 12, 1982) is an American cartoonist, graphic novelist, illustrator, and author. Her work is often transgressive, invoking occult themes within an ambience of subtly observed historicist concerns, in narratives generally characterized by "mumblecore dialogue, persistent overtones of horror and suffering, and unapologetic sexuality."[1]
Gfrörer graduated from Cornish College with a BFA in printmaking.[2] Her thesis show explored depictions of martyrdom – a subject she has returned to frequently in later works (e.g. How Life Became Unbearable[3], Palm Ash[4], Martyrdom: A Coloring Book).[5] Moving to Portland after graduation, she met Dylan Williams (founder of Sparkplug Comics) in the process of consigning her DIY mini-comic about St. Francis of Assisi at the Pony Club Gallery where he happened to be working. He became Gfrörer's first publisher. Her first full-length comic, Flesh & Bone (2010), was nominated for an Ignatz Award for outstanding achievement in the form, and was excerpted in The Best American Comics (2011) anthology shortly thereafter.
Career
Gfrörer has been twice nominated for the Ignatz Award[6][7] and twice featured as a contributor in Best American Comics.[8][9]
After experimenting with self-publishing and working with a number of smaller presses (Sparkplug, Study Group etc.), Gfrörer's second graphic novella, Black Is The Color, was published at Fantagraphics after being digitally serialized on the Study Group Comics website.[10][11][12] Fantagraphics published her book about the Black Death, Laid Waste, in 2016 which was released to general critical acclaim.[13][14][15][16]
Gfrörer appeared in Fantagraphics' Next Wave panel alongside colleagues Simon Hanselmann, Anya Davidson, Benjamin Marra, and Noah Van Sciver in 2016.[17] She's also presented at PEN America's "Transcendent Obscenity" panel,[18] and at the Parsons School of Art & Design[19] while teaching workshops at SAW[20] and exhibiting work at MoCCA[21] and elsewhere.
While Fantagraphics publishes Gfrörer's major works, she continues to publish shorter works and collaborations under her own imprint, Thuban Press.
Gfrörer and Sean T. Collins (her partner & frequent collaborator) were selected to curate and edit the second volume of 2D Cloud's annual anthology Mirror, Mirror in 2017.[5][22] More recently Analog Self-Publishing has been released as a starter-kit for aspiring zine and comic book artists, the Vision tetralogy, and All-Fucked Up (in collaboration with Sean T. Collins & Felker-Martin).
