Symphony No. 25 (Mozart)

1773 composition by W. A. Mozart From Wikipedia, the free encyclopedia

The Symphony No. 25 in G minor, K. 183/173 dB, was written by the then 17-year-old Wolfgang Amadeus Mozart in October 1773,[1] shortly after the success of his opera seria Lucio Silla. It was completed in Salzburg on 5 October, a mere two days after the completion of his Symphony No. 24. Its first movement was used as the opening music in Miloš Forman's biographical film Amadeus.

CatalogueK. 183/173dB
Composed1773 (1773)
Movementsfour
Quick facts Key, Catalogue ...
Symphony in G minor
No. 25
by W. A. Mozart
Mozart in 1773, portrait by Martin Knoller
KeyG minor
CatalogueK. 183/173dB
Composed1773 (1773)
Movementsfour
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This is one of two symphonies Mozart composed in G minor, sometimes referred to as the "little G minor symphony". The other is the Symphony No. 40; see also Mozart and G minor.

Movements

The symphony is laid out in standard classical form:

  1. Allegro con brio, 4
    4
    in G minor
  2. Andante, 2
    4
    in E major
  3. Menuetto & Trio, 3
    4
    in G minor, Trio in G major
  4. Allegro, 4
    4
    in G minor

This symphony is scored for two oboes, two bassoons, four horns and strings.

I. Allegro con brio



elative c''' {
  set Score.tempoHideNote = ##t 	empo 4 = 240
  key g minor
  g8f g4 g g g8 |
  d8 d4 d d d8 |
  es8 es4 es es es8 |
  fis,8 fis4 fis fis fis8 |
  g8 bes d g bes16( a g fis g4)-. |
}
(complete movement, MIDI-based rendition)

II. Andante



elative c''' {
  key ees major
  	ime 2/4
  	empo 4 = 50
  partial 4 partial 8 bes,8p^markup { italic {con sordini} } (aes g) r8
  c8 (bes aes) r8
  aes (g f) r8 bes (aes g) r8
  ees'-! ees (f,) r8 bes-!
  aes (g) r8 c-!
  c (bes) r8
  d, (ees4) r8
}
(complete movement, MIDI-based rendition)

III. Menuetto and Trio



elative c''' {
  	empo "Menuetto"
  key bes major
  	ime 3/4
  g,4f d g
  bes2 c8 (a)
  g4 fis g
  a8 (fis) d4 r4
  c'4p c c
  b4.fp (c16 d c4)
  ees ees ees
  d4.fp (ees16 f ees4)
  g4f g g
  fis (c') bes-!
  grace bes16 (a4) g fis
  g2 r4bar ":|."
}
(complete movement, MIDI-based rendition)

layout { indent = 2.0cm set Score.tempoHideNote = ##t }
<<

ew Staff with { instrumentName = "Oboe I" }
  
elative c'' { set Staff.midiInstrument = "oboe"
     key g major
     	empo "Trio" 4 = 112
     	ime 3/4
    d2 p b'8 (g)
    g (fis) fis4 fis
    fis (c') b16 (a g fis)
    g8 (b) d,4 r4
    g (fis e)
    a4.fp (g8) fis4
    grace a16 (g4) fis e
    d2 r4 bar ":|."
  }

ew Staff with { instrumentName = "Oboe II"}
  
elative c'' { set Staff.midiInstrument = "oboe"
    key g major
    	ime 3/4
   b2p r4
   r4 c c
   c (fis,) g16 (a b c)
   b8 (d) b4 r4
    e4 (d cis)
    fis4.fp (e8) d4
     grace fis16 (e4) d cis
    d2 r4 bar ":|."
  }
>>

IV. Allegro


layout { context { Score 
emove "Bar_number_engraver" } }

elative c'' {
     key bes major
     set Score.tempoHideNote = ##t 	empo 4 = 140
     	ime 2/2
    g4 p d bes'4. a8
    g4 bes (a g)
    fis d c'4. bes8
    a4 c (bes a)
    g bes ees4. d8
    c4 a d4. c8
    bes4 g ees cis
    d c'! (bes a)
    g8f d'4 d d d8~ d4 g (fis g)
  }
(complete movement, MIDI-based rendition)

Style and influence

With its wide-leap melodic lines and syncopation, this symphony is characteristic of the Sturm und Drang style. It shares certain features with other Sturm and Drang symphonies of this time, and is likely inspired by Haydn's Symphony No. 39, also in G minor.[2]

Performance history

The work was first performed in the United States by the Boston Symphony Orchestra on 27 October 1899 under the direction of Wilhelm Gericke. It was not performed again in the US until 1937, when rendered by the Alfred Wallenstein Sinfonietta. John Barbirolli and the New York Philharmonic performed it again in 1941 as part of their centennial season.[3]

In 1990, Deutsche Grammophon released a recording of this symphony performed by the Vienna Philharmonic conducted by Leonard Bernstein.[4]

The first movement plays over the opening credits of Amadeus, the 1984 Oscar-winning biographical film about Mozart.[5] This version was recorded by the Academy of St Martin in the Fields and Neville Marriner.

Beginning in the 1990s, the Titan Company (an Indian manufacturer of fashion accessories) released several television advertisements for their Quartz line of watches.[6] Oglivy & Mather, the agency that produced the advertisements, selected a phrase from Allegro con brio as the theme music. These advertisements became iconic and helped popularize the brand. Several versions were produced aside from the traditional arrangement, like one played solely on the piano. Titan also produced an advertisement featuring an electronic backing track overlaid with the theme played on several Indian musical instruments by renowned musicians. These included Ravi Shankar on the sitar and the father-son duo of Alla Rakha and Zakir Hussain on the tabla.[7]

Notes

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