Sonata in C major for piano four-hands, K. 521

1787 composition by Wolfgang Amadeus Mozart From Wikipedia, the free encyclopedia

The Sonata in C major for piano four-hands, K. 521, is a piano sonata in three movements composed by Wolfgang Amadeus Mozart in 1787. It was his last complete piano duet sonata for one piano, four hands.[1] This sonata consists of three movements: Allegro, Andante and Allegretto.

KeyC major
CatalogueK. 521
StyleClassical period
Composed1787 (1787)
Quick facts Key, Catalogue ...
Sonata in C major for piano four-hands
by W. A. Mozart
Mozart in 1789, drawing by Dora Stock
KeyC major
CatalogueK. 521
StyleClassical period
Composed1787 (1787)
Published1788 (1788)
MovementsThree (Allegro, Andante, Allegretto)
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The autograph manuscript of the sonata is preserved in the Fitzwilliam Museum, Cambridge.

Dedication and context

In Mozart's thematic catalog, the piece was dated May 29, 1787. On that same day, he also received word of his father's death. Mozart then shared the sad news with his close friend Gottfried von Jacquin, a Viennese court official and amateur musician, and subsequently dedicated the piece to Gottfried's sister, Franziska von Jacquin.[2] In Mozart's letter to Gottfried, he noted that the piece is "rather difficult" and therefore instructed Franziska to "tackle it at once".[2]

This piece was published at the turn of the year 1787/1788 by music publisher Franz Anton Hoffmeister. Instead of Mozart's original intention to dedicate it to Franziska von Jacquin, one of his most talented pupils, it was dedicated to Nanette and Barbette Natrop, daughters of Viennese businessman Franz Wilhelm Natorp, also in the Jacquin circle.[3]

Movements

I. Allegro (C major)

Opening measures of Primo

The first movement begins with the Primo and Secondo parts playing in unison, presenting the main theme with both vigor and delicacy. After the initial phrase, follows a tasteful and refined dialog between Primo and Secondo. A gracious second theme comes after the sixteenth note descending scales and a slight pause at the end of the first theme.[4]

II. Andante (F major)

This slow and melancholic second movement takes a ternary form of A–B–A. The outer sections (A sections) bear a lyrical and gentle quality, while the middle section (B section) has difficult triplets runs[1] that give a rather tense feeling.[4]

III. Allegretto (C major)

The third movement is a rondo. Its main theme begins with a relaxed "music-box naivety"[4] full of glamour and humor.

Notable performances

Notable performances include those of Martha Argerich and Evgeny Kissin, The Latsos Piano Duo, Ingrid Haebler and Ludwig Hoffmann [de] [5]

Recordings on historical keyboards include:

References

External links

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