Lakhon Khol

Cambodian dance drama genre From Wikipedia, the free encyclopedia

Lakhon Khol (Khmer: ល្ខោនខោល, Lkhaôn Khaôl; Khmer pronunciation: [lkʰaon kʰaol])[1] or Khmer Masked Theatre is a dance drama genre that is performed in Cambodia.

MediumDance drama
Originating cultureCambodia
Quick facts Lakhon KholKhmer Masked Theatre ល្ខោនខោល, Medium ...
Lakhon Khol
Khmer Masked Theatre
ល្ខោនខោល
MediumDance drama
Originating cultureCambodia
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CountryCambodia
Reference01374
Inscription2018 (13th session)
Quick facts Lkhon Khol Wat Svay Andet, Country ...
Lkhon Khol Wat Svay Andet
CountryCambodia
Reference01374
RegionAsia and the Pacific
Inscription history
Inscription2018 (13th session)
ListNeed of Urgent Safeguarding
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History

Lakhon Khol is a traditional theatre performance of Cambodia. Mask theatre of Cambodia has originated during the Angkor period. It is believed to have been performed since the 10th century based on the inscription inside of the Sambor Prei Kuk temple created during the reign of King Jayavarman V (CE 968-1001).[2] Lakhon Khol is believed to be a derivative of the Drama, acronym in the High Priest's Dictionary Chuon Nath. That short forms can be interpreted as a form of drama, played out in a series of short stories. The word Khol Is encountered in a number of other inscriptions carved in stone, such as K.566-a a rock above the Stung Sreng Siem Reap province inscribed at the end of the 10th century which refers to a dance performed by masked actors. The theatrical drama was developed from the Khmer shadow theatre called "Lakhon Sbeak Thom; Khmer: ល្ខោនស្បែកធំ”.[3] Lakhon Khol was recorded by Henri Mouhot at a restaurant dinner with a dance performance in the Royal Palace in the city Oudong with King Ang Duong in 1856.[4] [5] Until the Royal King Sisowath, the royal dance in the form of dance was frequently performed for French diplomats or anthropologists as a form of traditional Khmer entertainment.George Groslier compiled the diary "Danseuses Cambodgiennes, Anciennes & Modernes" 1913.[6] Royal dance in the form of Lakhon Khol means that the king royal dance is a form of dance masks. The evolution of Cambodian dance art is linked to nature, social class, and Brahmin religion, the original religion of the country India, Hindu religion, which is related to the story incorporated into the art of Cambodian dance, the liveliness of Cambodian dances are recorded by George Coedes (La dance du Cambodge) in 1944.[7]

Lakhon Khol reappeared once again in the 20th century in King Sisowath and continued to King Norodom Sihanouk in 1948, after the end of the World War II by organizing a rehearsal Initially, he visited the Vegetable History at (Lakhon Khol Wat Svay Andet) in Kandal Province, which performed theatrical theatre for rainfall and peace to the community every year. The visit to Norodom Sihanouk 's Wat Svay Andet masked dance theatre was published in 1948 as the first magazine in the journal "Kampuchea Soriya" by Tep Pitur Chhim Krasem or Duke of (Krosem Kuntheak Bondit).[8] In the Soriya Magazine (March 3, 1948), the 3rd edition was published in March 1948, titled "The Lakhon Khol Wat Svay Andet" and stated in the NPL "The theatre is limited to the only thing related to Hinduism. Which only plays for the divinities of divisions, such as Reamker and some other things." Later, there was a Giant with Hanuman statue iconic Lakhon Khol In Phnom Penh in 1954, after independence from France, but the statue lost and instead the Chuon Nath statue still remains.

Another specific story of the theatrical performance is the Reamker, the Khmer legend of the Ramayana. The performance includes an introduction to storytellers who play an important role in the performance and classical music of the Pin Peat. The theatre was popular in the Lon Nol era, and then became King Sihanouk's favourite wife. There were eight teams of specialist theatre and then ravaged by war, but now only one group is at Wat Svay Andet, 15 km (9.3 mi) away from Phnom Penh. Two new groups started in the war, including the Kampong Thom and National Theater troupes from the Department of Fine Arts and the Ministry of Culture and Fine Arts. And now the drama is also part of the schedule of studies at the University of Fine Arts. Lakhon Khol was Inscribed in a tentative list of UNESCO intangible culture heritage as Urgent safeguarding on March 31, 2017, by the Ministry of culture and fine art.

On November 28, 2018, Lkhon Khol Wat Svay Andet was included in the List of Intangible Cultural Heritage in Need of Urgent Safeguarding of UNESCO.[9][10]

Lakhon Khol Characters

Lakhon Khol Art painting

Lakhon Khol Characters are divided into 4 categories based on types of masks worn by actors

Devas Characters

Devas Casting Color Characters Character type
Ream as Rama  
Preah Leak as Lakshmana  
Seyda as Sita  

19 Monkeys General Characters

19 Monkeys General Casting Color Characters Character type
Hanuman   Commander of the Monkey Army

Asura Characters

Asura Casting Color Characters Character type
Krong Reap as Ravana   King of The Lanka City

Animals Creatures Characters

Animal Casting Color Characters Character type
Tupi   King of Buffalo

The Group Local of Lakhon Khol

See also

References

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